Village Voice's Scores

For 8,414 reviews, this publication has graded:
  • 37% higher than the average critic
  • 4% same as the average critic
  • 59% lower than the average critic
On average, this publication grades 7 points lower than other critics. (0-100 point scale)
Average Movie review score: 55
Highest review score: 100 Harvard Beats Yale 29-29
Lowest review score: 0 Repo Men
Score distribution:
8,414 movie reviews
  1. Clever, engaging, and cannily faux populist.
  2. From first shot to last, Dworkin's movie is a continuously absorbing, sometimes revelatory, frequently moving experience; as documentary filmmaking it's not only amazingly intimate but also characterized by an unexpected lyricism.
  3. May not be the movie of the year, but it is a seasonal gift to us all. Sweet and funny, doggedly oddball if bordering precious.
  4. Suzuki has made the ultimate meta-movie, a self-parodying, surrealist gangster daydream as intoxicating and insubstantial as an absinthe swoon.
    • 67 Metascore
    • 90 Critic Score
    Devastating, artful, and intelligent documentary.
    • 89 Metascore
    • 90 Critic Score
    Petri's visually flamboyant film turns into a heady mix of Marx, Freud, Wilhelm Reich, and Brecht, with a bit of Dashiell Hammett thrown into the blender.
  5. A scrupulous and impeccably acted account of the fallout from a family secret.
  6. Self-contained, enigmatic, illuminated from within, Huppert banks a performance that pays dividends throughout the film.
  7. The lead performances could hardly be better: Gosling, having stolen and propped up entire movies last year ("Murder by Numbers" and "The Believer"), crackles with the economical intensity of a young Tim Roth. Morse, who has racked up decades worth of idiosyncratic character parts, is monumental in this career-peak turn.
  8. Scorches the screen like a prairie fire.
  9. Norway's hallucinatory, edge-of-the-world beauty imbues the story with a woozy, alcoholic haze and a sense of the marginal spaces into which the messiest aspects of private life are shoved.
  10. Va Savoir has its own unhurried pace and unpredictable humor. This is the sort of comedy Robert Altman could only dream about.
  11. A tender and hilarious vision of female adolescence.
    • 68 Metascore
    • 90 Critic Score
    Among the many pleasures are the lively intelligence of the artists and their perceptiveness about their own situations.
  12. As mystical as it is gritty, as despairing as it is detached.
  13. Unknown Pleasures suggests a coolly formalist reinvention of neorealism. The film is both distanced and immediate -- a fiction with the force of documentary.
    • 89 Metascore
    • 90 Critic Score
    The visual style has an expressionistic undertow, rich in shadowy chiaroscuro compositions.
  14. It's a uniquely lonely film, and one of the year's most memorable.
  15. A vivid exercise in hokum that more or less invented the idea of French film noir...and not just for Americans.
    • 70 Metascore
    • 90 Critic Score
    Two hours fly by -- opera's a pleasure when you don't have to endure intermissions -- and even a novice to the form comes away exhilarated.
    • 78 Metascore
    • 90 Reviewed by
      Ed Park
    Succeeds as the rehumanizing of a near mythical figure.
  16. In a remarkably subtle, assured debut performance, Compston evokes Billy in Loach's "Kes" and, in the heartbreaking final seaside shot, Antoine in Truffaut's "400 Blows."
  17. As straightforward and plot-driven as any movie about life imitating art imitating life could possibly be.
  18. The greatest of all pulp fantasies.
  19. It could be described as the most gripping political thriller to hit the big screen in many years, although given the events it depicts through interviews, photographs, and news footage, the words "gripping" and "thriller" have inappropriately frivolous and commercial associations.
  20. There are long stretches in Sexy Beast that are so exhilarating it feels churlish to dwell on its flaws.
    • 85 Metascore
    • 90 Reviewed by
      Ed Park
    A horror story, told with Dickensian compassion, permeating outrage, and little hope.
  21. Ten
    Conceptually rigorous, splendidly economical, and radically Bazinian.
  22. A fierce dance of destruction. Its flame-like, roiling black-and-white inspires trembling and gratitude.
  23. A movie of cutting humor, near-constant talk, and one show-stopping dance routine.

Top Trailers