Village Voice's Scores

For 8,727 reviews, this publication has graded:
  • 38% higher than the average critic
  • 4% same as the average critic
  • 58% lower than the average critic
On average, this publication grades 6.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 55
Highest review score: 100 Brazil
Lowest review score: 0 Followers
Score distribution:
8,727 movie reviews
  1. Initially engrossing as it is, the maximalism loses power sometime in the second act.
  2. The Rod Serling tension Byrkit is angling for never quite arrives, nor does any real Borgesian frisson. But thanks to its social setting, it does offer a vivid and perhaps intentional satirical portrait of L.A. culture.
  3. Ted
    It's dispiriting enough to witness Kunis still waiting for a comic lead role worthy of her. But the usually nimble Wahlberg - who at least has one great moment rattling off "white-trash girls' names" - suffers the most, playing second fiddle to a knee-high Gund knockoff.
  4. It's a Jerry Bruckheimer art film, perhaps the most extravagantly aestheticized combat movie ever made.
    • 55 Metascore
    • 40 Critic Score
    Writer-director Michael Knowles is interested in what happens when you shove people into the anonymous space of a hotel room, but these mostly unconnected short cuts are neither unusual nor substantial.
  5. Not exactly a hagiography, Polish's film isn't a tragedy, either -- it's just an uneventful afternoon spent with a dozing rummy.
    • tbd Metascore
    • 40 Critic Score
    Carlo De Rosa's comedy bears some resemblance to Garden State, although it's a little less depressing and more random in its oddities.
  6. For a film whose central motif is dance, there's remarkably little dancing done onscreen, and though Rowland and her co-star share moments of tender, revealing conversation, the movie is ultimately underwhelming, its emotional range as limited as that of its characters.
  7. If Skateland is the sort of work Ritchie's future holds, it's proof that some talents are better off staying home.
  8. With a character this dull--so dull that we're told over and over how smart and special she is--the resulting glut of date-ad losers seems like just deserts.
  9. By turns bizarrely affectless and then prattlingly manic, much like its dual protagonists.
  10. Most oppressively, every inch of Horns is choked in religious metaphor that strangles the fun from the film. Aja clutters the movie with golden crosses and Garden of Eden snakes, but doesn't dare wrestle with the theology behind them — this is a snapshot of a steak, not a full meal.
    • 27 Metascore
    • 40 Critic Score
    The pied piper of shameless kiddie-marketing strikes for the fifth time in as many years.
  11. The photogenic cast's looks far exceed their featureless performances, and any mood of sunshiny malevolence is undercut by too many studied directorial compositions.
  12. It's hard to appreciate things like the character detail amid the insufferably squealy voicing and arbitrary suspense.
  13. DePietro is no cynic, and he means well--but he also means to corner the coveted "Dear John" demographic, which, in turn, means that The Good Guy suffers from the dreary want of imagination about the specificity of twentysomething life that has sunk so many other specimens of this battered genre.
  14. Nautanki Saala's creators spend so much time disinterestedly transitioning from one plot point to the next that they only effectively establish the haphazard nature of RP and Nandini's romance.
  15. Derrickson's flick can sour your stomach with piety, which is a shame -- its moments of jolt wattage rate with many J-horrors.
  16. Enjoyment of Jeff Kaplan's film will vary given your capacity to simultaneously laugh and wink at the hijinks of two of the least palatable characters to share screen time in recent years.
  17. The thin backstory hints at a conflict between the religious convictions of the hero (helpfully named Deacon) and the demands of combat, but it never fully materializes; as it is, we mainly know that he's a Mormon because he doesn't smoke or drink coffee.
    • 61 Metascore
    • 40 Reviewed by
      Ed Park
    Craig keeps Joe Rose on a hair trigger, but Morton is wasted as Claire; Ifans simply looks stoned.
  18. If the point of "A Dirty Shame" was that nothing human is foreign to John Waters, Palindromes seems to suggest that, for Todd Solondz, everything human is.
  19. The more typical approach transforms the material, and not for the better—rather than a revelation about how it feels to live her life, this feels like a document of what that life might look like as a conventional, often pokey movie.
  20. Too limp and scattershot to warrant anything stronger than indifference.
  21. While Jaa clearly hasn't lost any of his stamina in the six years since starring as a different underdog in the original, his first outing as a director is confusing, with distractingly muddy storytelling and wildly varying styles from scene to scene.
    • 55 Metascore
    • 40 Critic Score
    Feels part reality show, part mockumentary, part Jakes promo video.
  22. An ugly-duckling fable populated with grotesques out of John Waters, Pizza attempts an unlikely mode: earnest camp.
    • 44 Metascore
    • 40 Critic Score
    See this movie if you need to get some sleep.
  23. Sergio Castellitto's Twice Born irresponsibly appropriates the horrific siege of Sarajevo to serve as aesthetic backdrop for a story that exhibits no real interest in the conflict.
  24. Has only its stylized designs to recommend it.

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