Village Voice's Scores

For 8,727 reviews, this publication has graded:
  • 38% higher than the average critic
  • 4% same as the average critic
  • 58% lower than the average critic
On average, this publication grades 6.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 55
Highest review score: 100 Big Men
Lowest review score: 0 Love, Honor and Obey
Score distribution:
8,727 movie reviews
  1. But by the end, the feeling the movie inspires isn't suspense but relief: Thank God that the producers behind "Grumpy Old Men" and "The Sunshine Boys" didn't yet have Viagra to joke about.
  2. Intentions and effect are at odds throughout Jorge Hinojosa's one-note documentary.
  3. Despite some rocking bombast by Philip Glass and reliably wicked cello saws from Yo-Yo Ma, the whole thing plays like a tired Tyco ad.
  4. Unoriginal and mired in bad jokes.
  5. The script, allegedly by "Donnie Darko's" Richard Kelly, throws together tangentially related plots like cats in a sack.
  6. An inert and inept romantic comedy.
  7. The film's heart is in exactly the right place, but there's not a brain in its pretty little head.
  8. Fast & Furious reconfirms that car-chase movies--good, bad, or mediocre--all assume the future employment of the quaint old fast-forward button.
  9. Tracers is a tedious, clichéd slog from start to finish, and only briefly enlivened by two prolonged chases in which handheld cameras maintain intense proximity to their subjects.
  10. 21
    A movie that wastes a lot of time and money and really, REALLY shoulda stayed in Vegas.
  11. It's an indie about indies--meta, right?
    • 33 Metascore
    • 30 Critic Score
    Smug, sanitized fantasy.
  12. Ultimately, Devries seems to want to impress viewers with his anger.
  13. Quickly nose-dives into the ridiculous.
    • 35 Metascore
    • 30 Critic Score
    The pat reconciliations among family members start to pile up like so much driftwood along the beach.
  14. It's not easy to endure, despite -- or due to the embarrassment of -- an all-star cast.
  15. Not content simply to examine the relationship between sex and death, BI2 ponderously blurs the boundaries between art and life, and the plot, already mired in nonsensical backstory, collapses with the late-inning introduction of a tired metafictional device (not to mention a wildly lunging "Usual Suspects" twist).
    • 36 Metascore
    • 30 Critic Score
    Short of pulling a Zach Braff, there's one sure way to get known as a screenwriter: Put your actual name in the title of the script.
    • 45 Metascore
    • 30 Critic Score
    Condon delivers the most authoritatively directed Twilight film so far, which only brings into sharp relief how tonally incoherent its story is.
  16. Grossly exaggerating his characters' either/or constructions, Moodysson forgoes any real ideas about the world's vast inequities, content to pummel his audience with portentous global guilt-tripping.
  17. John Schultz's wan, unfunny The Honeymooners is unlikely to tickle devotees of Jackie Gleason's archetypal yuk-fest.
  18. Garcia's tale bemoans the loss of easy wealth for a precious few. Poor people are absolutely absent; Garcia and Infante seem to have thought that peasant revolutions happen for no particular reason--or at least no reason the moneyed 1 percent should have to worry about.
  19. Great achievements don't guarantee great documentary - or, as A Journey in My Mother's Footsteps proves, they don't even secure a mediocre one.
  20. Wolf Creek 2 merely offers more of the same casual brutality. The only shocking (and depressing) part is how inured to it moviegoers have become.
    • 53 Metascore
    • 30 Reviewed by
      Ed Park
    Less effective in dramatizing the choices facing second-generation Indian Americans than as a showcase for Sheetal Sheth's terrific hair.
  21. If you're considering the scenario via Japan's ubiquitous pedo-porn tendencies, you're too educated for this exhaustive, manga-based bloodbath, which trails after these angsty teenyboppers on a scorched-fake-earth path through hundreds of growling baddies of every genre size and type.
  22. Leading man Richard Dreyfuss is so irrepressibly charming that he almost saves Jason Priestley's dismal buddy comedy Cas & Dylan from its awkward humor and trite sentimentality.
  23. Premature, you will be exhausted to hear, is a teen sex comedy with the plot of Groundhog Day, its supernatural comedy hearkening more to Scott Baio's Zapped! than to Porky's.
  24. Hal Hartley fans, Flirt may be too slight and schematic. [13 Aug 1996]
    • Village Voice
    • 57 Metascore
    • 30 Critic Score
    Stylish, low-budget indies thrive on redeeming the clichés of everyday life. But that takes smart writing and sharp humor, of which Laura Smiles has none.

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