Village Voice's Scores

For 9,844 reviews, this publication has graded:
  • 39% higher than the average critic
  • 4% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 6.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 Rams
Lowest review score: 0 The Walking Deceased
Score distribution:
9844 movie reviews
  1. There's little sense in trying to resist the film's relentless boogie-woogie party vibe, its tumultuous visual banquet, its unpredictable sense of switchblade satire, its fools' parade of modern grotesques, or its river of startling melancholy, turning from a wary trickle to a flash flood by film's end. Sorrentino's vision is the size of Rome itself, and his confidence is dazzling.
  2. It remains a stunning achievement, if nearly as exhausting and frustrating as the Tex Avery bureaucracy it roasts, but Gilliam's stylistic dysfunctionalities, art-directed out of junkyards, are what still percolate in the forebrain.
  3. Another unforetold career acme: Christopher Guest's seductive and brilliantly modulatory A Mighty Wind, which trains its laser-sight on the decaying legacy of Peter, Paul and Mary-style pop-folk.
  4. From its opening image — of a distraught woman battling massive ocean waves on a moonlit night — to its surprisingly ambiguous final shot — of what, I won't say — Kubo and the Two Strings sears itself into your brain.
  5. Each anecdote builds upon the next to create that rarest of films: a documentary as ineffable and transformative in its reach as it sets out to be.
  6. One of the year's best films.
  7. The Leopard is the greatest film of its kind made since World War II—its only rivals are Kubrick's "Barry Lyndon" and Visconti's own "Senso."
    • 77 Metascore
    • 100 Critic Score
    This monumentally pointless movie is best summarized by a line from Planet Terror: "At some point in your life, you find a use for every useless talent you have." Rodriguez, Tarantino, and Co. aim for nothing more noble than to freak the funk, and it's about godd--- time. Go wasted, go stoned, go without your parents' permission. In paying homage to an obsolete form of movie culture, Grindhouse delivers a dropkick to ours.
  8. Strickland builds the film, artfully, into a complex and ultimately moving essay on the privileges of victimhood and the nuances of what it means to suffer for love.
  9. In narrative terms, not that much happens, but as for Harry's emotional journey--well, that's nearly epic.
    • 85 Metascore
    • 100 Critic Score
    Vincere, though, is the veteran director's stylistic knockout, a movie whose audacious editing fully captures the hot and heavy relationships between past and present, sex and politics, reality and, yes, cinema.
  10. With dexterity and care, Swanberg illuminates our muddled perceptions of our own relationships. He fixates on the minutiae of hanging out, the stuff of little loves and lies, the feints and thrusts we make in sorting matters of head and heart.
  11. The brilliant concluding chapter in the death trilogy that inspired Gus Van Sant's artistic rebirth.
  12. Iranian director Jafar Panahi's Crimson Gold is an anti-blockbuster--a deceptively modest undertaking that brilliantly combines unpretentious humanism and impeccable formal values.
  13. The hard-charging originality of the screenplay—the equivalent of turning "The Hot Zone" into a Farrelly comedy—suggests a deficient legacy of credit to Terry Southern's corner.
  14. Up
    The first 10 minutes of Up are flawless; the final 80 minutes, close enough. (Though, note this: Do not see Up in 3-D. It's inessential to the tale and altogether distracting.)
  15. A genuine nail-biter, scrupulously made and fully involving, elemental in its simplicity.
  16. Gray has a knack for wrapping big themes into an intimate embrace, and The Immigrant feels both epic and fine-grained.
  17. Summer sequelitis is upon us, but the season is unlikely to bring anything more remarkable than Richard Linklater's sweet, smart, and deeply romantic Before Sunset.
  18. A full-throttle body shock of a movie. It gets inside you like a virus, puts your nerves in a blender, and twists your guts into a Gordian knot.
    • 83 Metascore
    • 100 Critic Score
    The performances, culled from seven shows on the “Vertigo” tour from Mexico City to Buenos Aires, burn with the old unforgettable fire.
  19. The sloping plot of the film is all happenstance, loosely connected scenes strung together, a life taking shape.... It's hard to keep watching. Don't stop.
  20. Only Lovers Left Alive is silly and deeply serious at once, an elegy with a light touch and more than a dash of hope.
  21. It's a delicate yet passionate creation, modest in scope but almost overwhelming in its emotional intricacy, ambition, and resonance. Easily one of the best films so far this year, it's a nearly perfect blend of pimple-faced naturalism, righteous moral fury, nuanced social insight, and unsentimental but devastating drama.
  22. Demme has crafted yet another superb document of musicians at work, one as much about creation—and the sources of inspiration—as it is about performance. A wonderful film, as in, it's full of wonders.
  23. Leisurely and digressive, this generally exhilarating saga ("a storm of misadventures" per Ruiz) variously suggests Victor Hugo, Stendhal, and (thanks in part to the unnatural, emphatic yet uninflected, acting) Mexican telenovelas. The score is richly romantic; the period locations are impeccable.
  24. Sachs and his performers know that the perfect marriage is a thing of phantom beauty — it doesn't exist, yet we persist in believing that someone out there must have it.
  25. When Guadagnino focuses solely on the primal, the effect is spellbinding. Only the words get in the way.
  26. Ignacio Ferreras's traditionally animated Wrinkles is a beautiful, subtle horror movie about the rigors of old age, made all the more horrifying because it will happen to all of us fortunate enough to live a long life.
  27. Safe Conduct -- a rangy, irreverent, episodic odyssey through French filmmaking during the Occupation -- is one of the very best movies ever made about the life of moviemaking.

Top Trailers