Wall Street Journal's Scores

  • Movies
  • TV
For 2,215 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Shall We Kiss?
Lowest review score: 0 Boat Trip
Score distribution:
2,215 movie reviews
  1. This gorgeous film, always tender and sometimes dark, is a deeply resonant comic drama that's concerned with nothing less than life, death, love, sex, guilt and the urban logic of mortality.
  2. Mud
    Jeff Nichols's third feature traffics unerringly in truth, delicious surprise, unadorned beauty and unforced wisdom.
  3. A magnificent movie. [19 Oct 1993, p.A18(E)]
    • Wall Street Journal
  4. Mr. Moodysson's film is little only in physical and financial scale. When measured by the pleasure it confers, We Are the Best! is a big deal that will be winning hearts — and even grownup minds — for a long time to come.
  5. At the age of 27 Mr. Coogler seems to have it all, and have it firmly in place a clearsighted take on his subject (no airbrushing of flaws or foibles here, just confident brush strokes by a mature artist); a spare, spontaneous style that can go beyond naturalism into a state of poetic grace, and a gift for getting, or allowing, superb actors to give flawless performances.
  6. If watching movie violence is cathartic, then this film amounts to heavy therapy. It's much more than that, however. This is the best film the Coen brothers have done since their glory days of "Fargo" and "The Big Lebowski," maybe the best they've done, period.
  7. Inside Job has the added value, as well as the cold comfort, of being furiously interesting and hugely infuriating. It's a scathing examination of the global economic meltdown that began more than two years ago and continues to affect our lives.
  8. One of the high points of last month's Telluride Film Festival was, as I wrote at the time, spending 5½ hours in a darkened theater-with one short break around the four-hour mark-to watch Olivier Assayas's shocking and edifying epic.
  9. Few actors working today could make emotional sense of such a protean character, but Ryan Gosling does so with calm authority. He's a formidable presence in a film that grabs your gaze and won't let go except for moments when you can't help but look away.
  10. This account of Facebook's founder, and of the website's explosive growth, quickly lifts you to a state of exhilaration, and pretty much keeps you there for two hours.
  11. This joyous farce is a big, big deal, and Jack Black is nothing less than majestic as a scruffy, irreverent rocker passing himself off as a pedagogue in a private school.
    • Wall Street Journal
  12. Essentially a coming-of-age story set in working-class North Carolina in the 1970s. But it's so startlingly original that it transcends the genre. This is a wonderful film, from puckish start to momentous finish.
    • Wall Street Journal
  13. The most imaginative movie to come along in ages. [18 Oct 1994, p.A14(W)]
    • Wall Street Journal
  14. As wish-fulfillments go, this is a movie lover's dream.
  15. A drama of rare distinction, and wonderfully funny in the bargain.
    • Wall Street Journal
  16. This movie will stir your heart and open your mind. It's a group portrait of practicing patriots.
  17. The Ghost Writer is so rich you may feel you paid too little for your ticket when the whole thing meets its very Polanski-ish climax. Please don't tell anyone.
  18. James Marsh's documentary raises the bar for the genre to skyscraper height.
  19. One of those rare and complex dramas that you can enter, not simply watch.
    • Wall Street Journal
  20. A magnificent documentary.
  21. Excites us with words not spoken, passions not played out. A mood story more than a love story, it's all about sustaining a state of exquisite melancholy in the face of desire.
    • Wall Street Journal
  22. Felix (Duvall) simply wants to host his own goodbye, maybe have a band, and the reasons why are the reasons Get Low is essential viewing. That, and the acting.
  23. One of those rare collaborations that artists dream of, and that film lovers crave.
    • Wall Street Journal
  24. Once proves to be as smart and funny as it is sweet; it swirls with ambiguity and conflict beneath a simple surface. In all of 88 minutes, Mr. Carney's singular fable follows its guy and girl through a week of musical and emotional growth that could suffice for a lifetime.
  25. There are not a lot of moments in documentary cinema that equal Citizenfour. Ms. Poitras was already at work on a film about government surveillance when Mr. Snowden presented himself, and she’s something of a lightning rod, too, one with little evident sympathy for Obama administration data mining.
  26. The film doesn't play it safe, so neither will I. Instead, I'll say that it finds Mr. Tarantino perched improbably but securely on the top of a production that's wildly extravagant, ferociously violent, ludicrously lurid and outrageously entertaining, yet also, remarkably, very much about the pernicious lunacy of racism and, yes, slavery's singular horrors.
  27. The members of the cast represent ensemble, naturalistic acting at its finest.
  28. Against all odds, an unquenchable artist has made yet another piece of powerful art.
  29. Giddily funny in a singularly American idiom, and shot, by Lance Acord, with an eagle eye for cultural absurdities, Ms. Coppola's film is also a meditation on love and longing, shot through with a sensibility that's all the more surprising for being so unfashionably tender.
    • Wall Street Journal
  30. The pulp-fictional hero is inhabited by the charismatic Andy Lau who, together with Chinese stars Bingbing Li, Ms. Lau and Tony Leung Ka-fai, makes Detective Dee the most purely entertaining film of our vanishing summer.

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