Wall Street Journal's Scores

  • Movies
  • TV
For 2,307 reviews, this publication has graded:
  • 42% higher than the average critic
  • 2% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 A Separation
Lowest review score: 0 Eight Crazy Nights
Score distribution:
2,307 movie reviews
  1. It's a joyous movie, the best one I've seen in a very long time.
  2. Kelly Reichardt's marvelous, minimalist epic, amounts to a master class in the power of observation.
  3. Beautiful (sometimes sublimely so), daring (sometimes outrageously so), seriously crazed and terrifically funny.
    • Wall Street Journal
  4. The story demanded — and deserves — the services of a singular actress. Ms. Cotillard’s international stardom doesn’t hurt, of course, but the invaluable gift she brings to the production is her ability to play a working woman in naturalistic style while giving a transcendent performance.
  5. The invisible wizard Peter Jackson makes use of every scene to show us the meaning of magnificence. Never has a filmmaker aimed higher, or achieved more.
    • Wall Street Journal
  6. The movie has done what those who've cherished the book might have thought impossible -- intensified its singular beauty by roving as free and fearlessly as Bauby's mind did.
  7. This gorgeous film, always tender and sometimes dark, is a deeply resonant comic drama that's concerned with nothing less than life, death, love, sex, guilt and the urban logic of mortality.
  8. Mud
    Jeff Nichols's third feature traffics unerringly in truth, delicious surprise, unadorned beauty and unforced wisdom.
  9. A magnificent movie. [19 Oct 1993, p.A18(E)]
    • Wall Street Journal
  10. Mr. Moodysson's film is little only in physical and financial scale. When measured by the pleasure it confers, We Are the Best! is a big deal that will be winning hearts — and even grownup minds — for a long time to come.
  11. At the age of 27 Mr. Coogler seems to have it all, and have it firmly in place a clearsighted take on his subject (no airbrushing of flaws or foibles here, just confident brush strokes by a mature artist); a spare, spontaneous style that can go beyond naturalism into a state of poetic grace, and a gift for getting, or allowing, superb actors to give flawless performances.
  12. If watching movie violence is cathartic, then this film amounts to heavy therapy. It's much more than that, however. This is the best film the Coen brothers have done since their glory days of "Fargo" and "The Big Lebowski," maybe the best they've done, period.
  13. Inside Job has the added value, as well as the cold comfort, of being furiously interesting and hugely infuriating. It's a scathing examination of the global economic meltdown that began more than two years ago and continues to affect our lives.
  14. More than a musical offering, it’s a study in boundless passion, plus a wellspring of wisdom about art and life from a man who sees no dividing line between the one and the other.
  15. One of the high points of last month's Telluride Film Festival was, as I wrote at the time, spending 5½ hours in a darkened theater-with one short break around the four-hour mark-to watch Olivier Assayas's shocking and edifying epic.
  16. Few actors working today could make emotional sense of such a protean character, but Ryan Gosling does so with calm authority. He's a formidable presence in a film that grabs your gaze and won't let go except for moments when you can't help but look away.
  17. This account of Facebook's founder, and of the website's explosive growth, quickly lifts you to a state of exhilaration, and pretty much keeps you there for two hours.
  18. This joyous farce is a big, big deal, and Jack Black is nothing less than majestic as a scruffy, irreverent rocker passing himself off as a pedagogue in a private school.
    • Wall Street Journal
  19. Essentially a coming-of-age story set in working-class North Carolina in the 1970s. But it's so startlingly original that it transcends the genre. This is a wonderful film, from puckish start to momentous finish.
    • Wall Street Journal
  20. The most imaginative movie to come along in ages. [18 Oct 1994, p.A14(W)]
    • Wall Street Journal
  21. As wish-fulfillments go, this is a movie lover's dream.
  22. A drama of rare distinction, and wonderfully funny in the bargain.
    • Wall Street Journal
  23. This movie will stir your heart and open your mind. It's a group portrait of practicing patriots.
  24. The Ghost Writer is so rich you may feel you paid too little for your ticket when the whole thing meets its very Polanski-ish climax. Please don't tell anyone.
  25. James Marsh's documentary raises the bar for the genre to skyscraper height.
  26. One of those rare and complex dramas that you can enter, not simply watch.
    • Wall Street Journal
  27. A magnificent documentary.
  28. Excites us with words not spoken, passions not played out. A mood story more than a love story, it's all about sustaining a state of exquisite melancholy in the face of desire.
    • Wall Street Journal
  29. Felix (Duvall) simply wants to host his own goodbye, maybe have a band, and the reasons why are the reasons Get Low is essential viewing. That, and the acting.
  30. One of those rare collaborations that artists dream of, and that film lovers crave.
    • Wall Street Journal

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