Wall Street Journal's Scores

  • Movies
  • TV
For 2,162 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Lincoln
Lowest review score: 0 Flipped
Score distribution:
2,162 movie reviews
  1. Constantine is yet another studio extravaganza that's all aswirl with atmospherics, though empty at its center. The invasion of the soul snatchers proceeds apace.
    • Wall Street Journal
  2. If claustrophobia's your style, The Jacket is a perfect fit.
    • Wall Street Journal
  3. The movie as a whole is nonsensical. And long. And slow. And head-poundingly loud as it culminates in slavering horror.
    • Wall Street Journal
  4. The video-game sequences are impressive, but you know that a 'toon is in big trouble when its most powerful theme is planned obsolescence.
    • Wall Street Journal
  5. Palindromes finds him (Solondz) stuck with his single theme inside a sealed dollhouse of his own construction. He has gifts to give a larger audience, if ever he breaks out.
    • Wall Street Journal
  6. This is little more than a big-budget sitcom, with a guest appearance by Mike Ditka, who plays an unfunny version of himself as Phil's assistant coach.
    • Wall Street Journal
  7. The result is a movie groping for a comic tone while its FX machinery spews vast clouds of visual gibberish.
    • Wall Street Journal
  8. Comes on like an overproduced coma, and leaves you comatose by the end. In between are 127 minutes of intermittent chaos that feel like a lifetime.
    • Wall Street Journal
  9. Brought down by repeated bursts of high absurdity.
    • Wall Street Journal
  10. YEEEEE HAAAAW! They've gone and done it. The feature version of The Dukes Of Hazzard turns a sow's ear into a bigger sow's ear.
    • Wall Street Journal
  11. A saga of static set pieces and strenuously clever notions, this is a fiasco of a film if ever there was one.
    • Wall Street Journal
  12. A guaranteed downer that's devoid of any upside, and free of dangerously entertaining side effects.
    • Wall Street Journal
  13. Heart-breakingly awful -- slow, lugubrious, and misconceived to the point of baffling amateurism.
    • Wall Street Journal
  14. Mr. Jarecki undercuts his own case -- not just undercuts but carpet-bombs it -- by using the same propaganda techniques he professes to abhor.
    • Wall Street Journal
  15. Before Firewall crumbles into foolishness, Harrison Ford and Paul Bettany make an oft-recycled plot look like a stylish model that just rolled out of a showroom.
    • Wall Street Journal
  16. The Shaggy Dog is paint, or more appropriately here, pant by the numbers. It also manages a one-two punch -- it will upset small children and bore their parents. There's just no other way to say this: Disney, that movie of yours is a dog.
    • Wall Street Journal
  17. Basic Instinct 2 is pretty awful. Rarely has a meaningless thriller had so many meaningful glances, or such arch acting by good actors who know better.
    • Wall Street Journal
  18. The movie stands as a genuine offense against the venerable and indispensable institution of satire.
    • Wall Street Journal
  19. I can't find much slack to cut the film, except to say that it's a potboiler cooked in an upscale Teflon pot.
    • Wall Street Journal
  20. Nothing stands up to scrutiny -- least of all the lethargic acting and the clumsy script. I was hot to trot for the exit halfway through, but a dogged sense of duty kept me stuck in an endless present.
    • Wall Street Journal
  21. Depressed and depressing drama.
    • Wall Street Journal
    • 47 Metascore
    • 30 Critic Score
    Go right ahead and skip this one at the Cineplex. You've got my word: It won't be on the final.
    • Wall Street Journal
    • 55 Metascore
    • 30 Critic Score
    Shakespeare has been quoted many, many times over the past 400 or so years, but never to such empty purpose as in the inchoate, self-indulgent musical drama Idlewild, a star vehicle for the wildly popular hip-hop duo OutKast.
    • Wall Street Journal
  22. A snapshot, to be sure, but scattershot as well.
    • Wall Street Journal
  23. I feel for the marketing person charged with devising a tagline for Darren Aronofsky's The Fountain, a fantasy whose turgid pretensions defy the very notion of marketing.
    • Wall Street Journal
  24. Starts well with the stirring spectacle of young men and women, members of a National Guard unit stationed south of Baghdad, struggling to do their duty in an alien land of unfathomable danger. Once they return, however, wounded physically or shattered spiritually, the film turns didactic, contrived and occasionally ludicrous.
    • Wall Street Journal
  25. N'ever was an apostrophe so misplaced, n'ever was the prospect of good cheer so perversely defeated.
    • Wall Street Journal
  26. Stepping is everything in Stomp the Yard, and, dare I say it, a stepping stone to DJ's redemption. The movie itself is redeemed -- slightly -- by its almost touching devotion to the hoary Hollywood traditions of college movies with battling frats, as well as its earnest endorsement of education.
    • Wall Street Journal
  27. 300
    300 presents a dual clash of civilizations. An action adventure that pits thousands of Persians against 300 brave Spartans at the Battle of Thermopylae, it also pits millions of fans of brainless violence against a gallant band, or so I choose to think of us, who still expect movies to contain detectable traces of humanity.
    • Wall Street Journal
  28. For all the preposterous clich├ęs of the plot, which clanks as loudly as Laz's chain, and for all the inertness of Justin Timberlake's performance as Rae's brooding squeeze, Black Snake Moan finds unchained energy in its foolishness, and gives Mr. Jackson a chance to pluck a guitar and sing. He's really good at it, too. The music almost redeems the movie.
    • Wall Street Journal

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