Wall Street Journal's Scores

  • Movies
  • TV
For 2,139 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Nebraska
Lowest review score: 0 Cocktail
Score distribution:
2,139 movie reviews
  1. This is hardly a film to recommend as entertainment. As an act of remembrance, though, it is singular and, in its way, soaring.
  2. Mr. Akin's film is so full of life that it leaves you breathless.
  3. I can't begin to count the ways in which The Savages pleased me, but the very best of them is the way Tamara Jenkins's comedy stays tough while sneakily turning tender.
  4. Never before, not even in the claustrophobic submarine epic "Das Boot," has a physical point of view so completely dictated a philosophical point of view.
  5. A marvelous story.
    • Wall Street Journal
  6. This faux-documentary is droll, aerosol-thin and ultrameta.
  7. Excites us with words not spoken, passions not played out. A mood story more than a love story, it's all about sustaining a state of exquisite melancholy in the face of desire.
    • Wall Street Journal
  8. The delicately subversive Mr. Panahi makes his subjects perfectly clear -- the stupidity of authority, and the hypocrisy of discrimination. Offside is surprisingly entertaining, and edifying to boot.
    • Wall Street Journal
  9. Judd Apatow's high-density, high-intensity comedy of bad (and good) manners is a cause for celebration -- the laugh lines are smart, and they come faster than you can process them.
  10. A cry of anguish for the youngest victims of every war.
    • Wall Street Journal
  11. This beautiful -- and beautifully controlled -- film is also an object lesson in how to hypnotize an audience.
    • Wall Street Journal
  12. This tale of an English schoolgirl's hard-won wisdom is thrilling --for the radiance of Carey Mulligan's Jenny, who's wonderfully smart and perilously tender; for the grace of Lone Scherfig's direction, and the brilliance of Nick Hornby's screenplay.
  13. This version of Tinker Tailor Soldier Spy turns on the presence of Mr. Oldman, and he is an actor of great experience and accomplishment who has finally found a film that fully deserves him.
  14. This ambitious, entertaining movie, which showed at film festivals earlier this year, has been hailed in some quarters as a masterpiece worthy of Arthur Miller's Willy Loman or Sinclair Lewis's George Babbitt. Yet its social comments are stained by condescension, and its uplift is sustained by sentimentality that Mr. Nicholson's prickly Everyman can't conceal.
    • Wall Street Journal
  15. In one sense, Neil Young: Heart of Gold is just a simple concert film -- no cutaways during the music for interviews, no cameras swooping and soaring on giant booms. But simplicity in this case also means no barrier between us and the people on stage, as they sing some of the most soul-stirring pop songs I've seen performed in a very long time.
    • Wall Street Journal
    • 85 Metascore
    • 100 Critic Score
    This extraordinary flight from the humdrum is not to be missed.
    • Wall Street Journal
  16. A dazzling piece of filmmaking, and much of the dazzle - as well as the anguished darkness - comes from Adam Stone's cinematography, which expresses the swirling state of Curtis's mind with richly varied flavors of light.
  17. The Past plays out within narrower bounds than "A Separation," and often at lower velocity — a few moments feel almost Chekhovian. Yet the film is commanding in its own right, another exploration of a volatile situation — an estranged husband returning from Iran when his wife requests a divorce — in which flashes of insight or understanding lead to new mysteries.
  18. A singular achievement -- romantic, sensuous, intelligent and finally shattering in its sweep and thematic complexity.
  19. This movie will stir your heart and open your mind. It's a group portrait of practicing patriots.
  20. Daring in concept, occasionally daffy in execution and ultimately unforgettable, Mr. Malick's film offers a heartfelt answer to the question of where we humans belong - with each other, on this planet, bound by love.
  21. Kelly Reichardt's marvelous, minimalist epic, amounts to a master class in the power of observation.
  22. At the age of 27 Mr. Coogler seems to have it all, and have it firmly in place a clearsighted take on his subject (no airbrushing of flaws or foibles here, just confident brush strokes by a mature artist); a spare, spontaneous style that can go beyond naturalism into a state of poetic grace, and a gift for getting, or allowing, superb actors to give flawless performances.
  23. It's astonishing, and moving.
    • Wall Street Journal
  24. A magnificent documentary.
  25. A stunning drama about the desperate state of women in Iran.
    • Wall Street Journal
  26. Before and after plot mechanics, a drama of family tension and warmth.
  27. Density of detail and intensity of experience are the twin distinctions of A Christmas Tale, a long, improbably funny and very beautiful film.
  28. This magnificent documentary, directed by David Sington and presented by Ron Howard, rises to the occasion by interspersing its interviews with NASA footage that evokes the grandeur of the whole Apollo adventure.
  29. This autobiographical meditation is seductively funny, as well as deliciously strange, and hauntingly beautiful, as well as stream-of-consciousness cockeyed.

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