Wall Street Journal's Scores

  • Movies
  • TV
For 2,202 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Precious: Based on the Novel 'Push' by Sapphire
Lowest review score: 0 Jack Reacher
Score distribution:
2,202 movie reviews
  1. Kelly Reichardt's marvelous, minimalist epic, amounts to a master class in the power of observation.
  2. At the age of 27 Mr. Coogler seems to have it all, and have it firmly in place a clearsighted take on his subject (no airbrushing of flaws or foibles here, just confident brush strokes by a mature artist); a spare, spontaneous style that can go beyond naturalism into a state of poetic grace, and a gift for getting, or allowing, superb actors to give flawless performances.
  3. It's astonishing, and moving.
    • Wall Street Journal
  4. A magnificent documentary.
  5. A stunning drama about the desperate state of women in Iran.
    • Wall Street Journal
  6. Before and after plot mechanics, a drama of family tension and warmth.
  7. Density of detail and intensity of experience are the twin distinctions of A Christmas Tale, a long, improbably funny and very beautiful film.
  8. This magnificent documentary, directed by David Sington and presented by Ron Howard, rises to the occasion by interspersing its interviews with NASA footage that evokes the grandeur of the whole Apollo adventure.
  9. Bloated adaptation of P.D. James's thoughtful, compact novel.
    • Wall Street Journal
  10. Mr. Spielmann's film is full of surprises and, in its distinctive way, full of life.
  11. Beguiling and endearing.
  12. A magnificent concert film of Latino jazz.
    • Wall Street Journal
  13. Song of the Sea was made primarily, though not exclusively, for young children. Its unhurried pace will serve as an antidote to, or even an inoculation against, the mad rush of most contemporary animation. This is a film made by the other crowd, people who care about helping children to care about the medium of film for the rest of their lives.
  14. It's one of the best surprises of the holiday season.
    • Wall Street Journal
  15. The dialogue in "Broadcast News" is so quick and clever I wanted to see the movie again the minute it ended because I knew I couldn't have possibly caught it all. I caught most of it though, and certainly enough to know that this is one terrific movie. [15 Dec 1987, p.1]
    • Wall Street Journal
  16. More than acting, though, Penn's performance is a marvelous act of empathy in a movie that, for all its surprisingly conventional style, measures up to its stirring subject.
  17. A deeply serious and seriously hilarious fable of the lunacy of war.
    • Wall Street Journal
  18. Yet dramatic energy is in short supply. The actors move about this elaborate movie museum in a modified dream state, as if living in the present while rooted in the past. But the strategy doesn't work. It's an imitation of lifelessness.
    • Wall Street Journal
  19. This autobiographical meditation is seductively funny, as well as deliciously strange, and hauntingly beautiful, as well as stream-of-consciousness cockeyed.
  20. If this death-obsessed drama is a classic, then give me potboiling life.
    • Wall Street Journal
  21. Much of Summer Hours, which was shot by the excellent Eric Gautier, feels like a Chekhov play and resonates like a Schubert quartet; it’s a work of singular loveliness.
  22. So what's left for the audience to hook into? Only pounding action, elegant style, steady-state suspense, marvelous acting and, despite that droll pooh-poohing every now and then, haunting explorations of youth, age and personal destiny. It's a lot to claim for a sci-fi thriller, but I was blown away by Rian Johnson's Looper.
  23. Needlessly long, visually drab and not just a foreign-language film, with English subtitles, but a film that's ostensibly foreign to our experience. That said, there are compelling reasons to see it.
    • Wall Street Journal
  24. This beguiling fable, with its darkly distinctive look, does DreamWorks proud.
    • Wall Street Journal
  25. A remarkable though sometimes frustrating film.
    • Wall Street Journal
  26. This ostensibly simple film evokes whole lives in 96 minutes, and does so with sparse dialogue.
  27. It's hard to say if Volver is a great film -- hard because every woman and girl in it is so damned endearing (the men are either impediments or bystanders to the real business of life) -- but safe to say it's right up there with Mr. Almodóvar's best.
    • Wall Street Journal
  28. The Square stands as a valuable document of a tormented time, an anatomy of a revolutionary movement doomed by a paucity of viable institutions, and by the movement's failure to advance a coherent agenda. (It's all the more heartbreaking when a speaker at one of the protests cries fervently, "We will fill the world with poetry.")
  29. Rarely has a contemporary movie taken in so much life and revealed it with such depth of feeling.
  30. This is not a drama of shadings, but of ever-increasing intensity.

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