Wall Street Journal's Scores

  • Movies
  • TV
For 2,202 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Get Low
Lowest review score: 0 How Do You Know
Score distribution:
2,202 movie reviews
  1. There's nothing wrong with the structure of Heartbreakers, but David Mirkin's direction is woefully clumsy -- and the movie's tone is nasty.
    • Wall Street Journal
  2. One of the strongest arguments yet for making sequels illegal.
    • Wall Street Journal
  3. A little humanity can go a long way to make up for a movie's shortcomings, and there's more than a little in Ladder 49, a surprisingly stirring celebration of heroic firefighters.
    • Wall Street Journal
  4. Basically a theme-park version of a tawdry tradition.
  5. Malevolence is in generous supply throughout the film. Easy enjoyment is not.
    • Wall Street Journal
  6. Kevin Spacey's pinched portrayal of Quoyle as a scared palooka rarely transcends its own artifice.
    • Wall Street Journal
  7. A remarkably ill-advised remake.
    • Wall Street Journal
  8. Seldom has grandeur struggled so mightily, and fruitlessly, with rampant goofiness.
    • Wall Street Journal
  9. The movie has the cartoonish realism of a Muppet movie. However, Mr. Herman is no Kermit the Frog, although he made me feel like Oscar the Grouch. [13 Aug 1985, p.1]
    • Wall Street Journal
  10. Spasms of kung fu wire fighting, Spider-Man acrobatics, huge explosions and a lethal polo game can't replace the first film's beating heart and witty soul.
    • Wall Street Journal
  11. Katherine Heigl carries 27 Dresses when all else fails, which it does with great regularity.
    • 47 Metascore
    • 40 Critic Score
    The movie moves at such an agonizingly stately pace that by the end, side effects be damned, Henry's time-traveling gene starts to look mighty appealing.
  12. The movie's leisurely, elegant setup makes its action payoff seem, by contrast, particularly mechanical, cynical and grotesque.
    • Wall Street Journal
  13. Mr. Sayle's portrait is painfully unfunny, and the movie as a whole is a plodding polemic.
    • Wall Street Journal
  14. What's so unfunny about peace, love and understanding? Plenty, it turns out. But for much of the movie, viewers will be asking themselves where the conflict is. And, by extension, the drama.
  15. Unfortunately, the movie could use a bit of pachyderm memory, given its habit of flashing back to Tien's childhood with exactly the same footage used in previous flashbacks. Instead of the narrative being deepened, it keeps getting shallowed.
  16. These are very small pleasures, indeed, that can be taken as gasps of air in a movie that unwinds for what seems like forever in a complete vacuum. [23 Jun 1994, p.A12]
    • Wall Street Journal
    • 47 Metascore
    • 50 Critic Score
    A very goofy movie that makes sense only to the screenwriter and his next of kin.
    • Wall Street Journal
  17. What's not fine is the dead zone occupied by the monster of the piece, Tom Cruise's veteran rocker, Stacee Jaxx.
  18. This Flubbery fantasy won't win any prizes for elegant craftsmanship or originality, but it's entertaining, good-natured and a slam dunk to be a hit with young kids.
    • Wall Street Journal
  19. With all its misfires, though, and with a Strangelovian twist that's a dud, Big Trouble remains a reasonably pleasant way to spend an hour and a half and still get change.
    • Wall Street Journal
  20. Combines silly stuff about life in Los Angeles with buoyant energy, a couple of chases worthy of the Keystone Kops and quick-witted actors playing droll characters with obvious affection.
    • Wall Street Journal
  21. Grindingly tedious.
    • Wall Street Journal
  22. A misshapen semi-spectacle that seems to be simulating an epic, and getting away with it only occasionally.
    • Wall Street Journal
  23. Joyless and airless suspense thriller.
  24. If you're looking for logic or finesse, The A-Team can be numbing. If you're looking for good cheer, hold out for egg nog at Christmas. But if you're a fan of causeless effects, consequence-free causes and digital Dada, let the silly times roll.
  25. Whatever possessed the people who made this film to believe its ponderous style would appeal to contemporary audiences? One answer may lie in a variant of the mostly true proposition that no one sets out to make a bad film. No one chooses ponderousness as a goal; it comes unbidden, with deadly earnestness.
  26. Mr. Walken performs with a marvelously minimalist precision.
    • Wall Street Journal
  27. Bleak, remarkably turgid, tediously violent, devoid of drama, deprived of magic, stripped of romance and, except for one of the oddest boy-meets-girl scenes in movie history, a befuddled and befuddling excuse for entertainment.
    • Wall Street Journal
  28. There weren't any surprises and that's what made it all so comforting. The bad guys got blown away, no questions asked, the snoopy journalists got their comeuppance. When Clint spends the night with his latest girl, you know it only because he wears the same suit the next morning. [21 Jul 1988, p.1]
    • Wall Street Journal

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