Wall Street Journal's Scores

  • Movies
  • TV
For 2,219 reviews, this publication has graded:
  • 42% higher than the average critic
  • 2% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Unforgiven
Lowest review score: 0 Step Brothers
Score distribution:
2,219 movie reviews
  1. Choose to pass this one up.
    • Wall Street Journal
  2. If claustrophobia's your style, The Jacket is a perfect fit.
    • Wall Street Journal
  3. It's a bad idea done disastrously.
    • Wall Street Journal
  4. Stepping is everything in Stomp the Yard, and, dare I say it, a stepping stone to DJ's redemption. The movie itself is redeemed -- slightly -- by its almost touching devotion to the hoary Hollywood traditions of college movies with battling frats, as well as its earnest endorsement of education.
    • Wall Street Journal
  5. The movie as a whole is nonsensical. And long. And slow. And head-poundingly loud as it culminates in slavering horror.
    • Wall Street Journal
  6. The movie itself is neither a catastrophe nor major.
    • Wall Street Journal
  7. The director Penny Marshall has a gently persuasive touch that keeps the movie's most brazen manipulations from being too offensive. [02 Jun 1994]
    • Wall Street Journal
  8. Every scene in this oppressive film has a theme or didactic purpose, but little life.
    • Wall Street Journal
  9. In addition to being borderline unendurable, Funny Games is inexplicable, and I don't mean in any philosophical sense.
  10. This is silliness of such a special grade, performed with such zest, that it makes you forgive and even forget the movie's foolishness and borderline incoherence.
    • Wall Street Journal
  11. To give the film its full due, the people who made it — the writer, John Swetnam, and the director, Steven Quale — got wind of a genuine trend and ran with it. Everyone on screen is busy filming everyone else. It's a shakier-camera version of "The Blair Witch Project" in the era of YouTube.
  12. A wispy, fundamentally sentimental tale about a nice girl who has to support herself by working as a phone-sex siren, Spike Lee's movie takes the better part of an hour to get started. Once it does it still can't dramatize the script's one good idea. [2 Apr 1996, p.A12]
    • Wall Street Journal
  13. What was fresh and surprising in Las Vegas turns rancid and predictable in Bangkok.
  14. Since Mary rarely gets to see any of the good stuff, neither do we; Dr. Jekyll hides most of his switcheroos behind closed doors. [23 Feb 1996]
    • Wall Street Journal
  15. Somewhat sluggish but reasonably scary.
    • Wall Street Journal
  16. This is one of those overworked and generally airless comedies with a sitcom premise that can't sustain life.
  17. It's bad enough to make parable a four-letter word.
    • Wall Street Journal
  18. In case you were holding your breath, Renée Zellweger's Bridget Jones is still sweetly earnest, chronically overweight and swinging once again from lovestruck to lovelorn.
    • Wall Street Journal
  19. Fitfully amusing.
    • 44 Metascore
    • 50 Critic Score
    Its crackly sarcasm and smart talk turn out to be simply coating for a soft, icky, center.
  20. In addition to all else, and it's a lot, The Losers wastes the riches of Hollywood technology in hot pursuit of nothing.
    • 44 Metascore
    • 60 Critic Score
    Amusing enough, especially with its uniquely credible premise of a media fraud, to recommend.
    • Wall Street Journal
  21. In the not-so-grand scheme of such things, Along Came Polly is certainly harmless, and occasionally very funny. It's just not clever enough to keep you engaged.
    • Wall Street Journal
  22. The film suffers from a style that settles for pleasant or touching at the cost of spontaneous or impassioned. Too bad, because Ms. Garner is a genuinely pleasing presence.
    • Wall Street Journal
  23. If this adds up to a full-fledged feature film, I'm a monkey's uncle.
    • Wall Street Journal
  24. Can't lift the double curse of too little genuine action, as opposed to quixotic events, and too many fancy words.
    • Wall Street Journal
  25. The nadir of the movie -- or cheesy zenith -- is Ollie's sodden soliloquy, delivered in the presence of his baby, in which he laments the loss of her mother and his wife. All that's missing are the strains of Ravel's "Pavane For a Dead Princess."
    • Wall Street Journal
  26. The Shaggy Dog is paint, or more appropriately here, pant by the numbers. It also manages a one-two punch -- it will upset small children and bore their parents. There's just no other way to say this: Disney, that movie of yours is a dog.
    • Wall Street Journal
  27. Lacks both taste and flavor.
    • Wall Street Journal
  28. Too labored to be romantic and too derivative to be funny.
    • Wall Street Journal

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