Wall Street Journal's Scores

  • Movies
  • TV
For 2,202 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Amour
Lowest review score: 0 FeardotCom
Score distribution:
2,202 movie reviews
  1. Mr. Quaid has long been a reliably likable actor, but this time he pitches a perfect performance -- no frills, no tricks, not a single false note -- in a film that's true to its stirring subject, and to the sweetest traditions of the game.
    • Wall Street Journal
  2. Everywhere in Nowhere in Africa, skill and art translate into vivid life.
    • Wall Street Journal
  3. Breaks through the conventions of its biopic form with a pair of brilliant performances and a whole lot more.
    • Wall Street Journal
  4. Like his (David Gordon Green's) debut feature of three years ago, the exquisite "George Washington," this new one has my heart, and I think it will have yours.
  5. Mr. Luchini gives one of the best performances of the year, in one of the best movies of the year.
    • Wall Street Journal
  6. A cockeyed comic triumph that flashes between bright and dark like a strobe light of the spirit. And Ms. Theron, as Mavis Gary, a self-styled author rather than a mere writer, succeeds sensationally at something much harder than playing ravaged.
  7. The result is an enchanting story of love from an idealized past that endures in the mundane present.
    • Wall Street Journal
  8. As wish-fulfillments go, this is a movie lover's dream.
    • 71 Metascore
    • 90 Critic Score
    Hugely entertaining thriller.
    • Wall Street Journal
  9. It's a stirring portrait of a singular artist, a gorgeously photographed album of his buildings, and, perhaps most importantly, a film that manages to demystify the way he works without diminishing it.
    • Wall Street Journal
  10. Through exquisite details, evocative music and bold dramatic strokes -- including a tragedy that transcends the melodrama it might have been -- Rain renders this family's life in its full dimensions.
    • Wall Street Journal
  11. Charlotte Rampling is the best reason, though far from the only one, to see Swimming Pool, a mesmerizing mystery, plus a wonderfully sensuous fantasy.
    • Wall Street Journal
  12. As odd as it may sound, it's a remarkably beautiful movie.
  13. Benjamin Button is all of a visionary piece, and it's a soul-filling vision.
  14. Unstrung Heroes is a revelation. [15 Sep 1995]
    • Wall Street Journal
  15. Everything and everyone is observed sharply, succinctly and indelibly.
    • Wall Street Journal
  16. Rousing, provocative film.
    • Wall Street Journal
  17. Ultimately an original film that forces us, time and again, to reconsider what we think we've just seen, and what we're sure we feel - not only about mere appearance, or fateful gender, but about who, under our skin, we truly are.
  18. Shall We Kiss? gives us storytelling as art. Emmanuel Mouret's romantic drama, in French with English subtitles, is expert, intricate, ineffably droll, ultimately provocative and entirely enchanting.
  19. Calmly, almost serenely, Mr. Van Sant and his superb cinematographer, Harris Savides, reveal a vision of contemporary American youth quite unlike any other.
    • Wall Street Journal
  20. Mr. Penn has been praised lavishly for his work in "Mystic River," in a role that was no reach for him at all, but this is one of the stand-out performances of his career, layered and exquisitely nuanced. And, remarkably, he's only one-third of a stellar ensemble.
    • Wall Street Journal
  21. Pieces of April would deserve your attention and respect even if all these colorful threads didn't come together into a luminous whole. But they do, beautifully and unaffectedly, because what's been on Mr. Hedges's mind is not just a comedy of alienation but a drama of acceptance and reconciliation.
    • Wall Street Journal
  22. Once in a great while a film seems right in every detail. Andre Techine's Strayed ("Les Egares") is such a film.
    • Wall Street Journal
  23. It's nothing less than a miracle that the director, Craig Gillespie, and the writer, Nancy Oliver, have been able to make such an endearing, intelligent and tender comedy from a premise that, in other hands, might sustain a five-minute sketch on TV.
  24. Who knew that Unstoppable would be sensational? Talk about well-kept- and welcome-surprises. Tony Scott's latest thriller turns out to be pure cinema in the classic sense of the term. It's a motion picture about motion, an action symphony that gives new meaning to the notion of a one-track mind.
  25. Essentially a coming-of-age story set in working-class North Carolina in the 1970s. But it's so startlingly original that it transcends the genre. This is a wonderful film, from puckish start to momentous finish.
    • Wall Street Journal
  26. Truly transporting film.
    • Wall Street Journal
  27. Mr. Hardy's Brooklyn accent is not only flawless — a Londoner by birth, he's a vocal chameleon who played a Welshman in "Locke" — but tinged, I do believe, with a blithe, spot-on tribute to a blue-collar guy from another borough, Ernest Borgnine's immortal Marty. Here's a far-from-minor performance by a major star in the making.
  28. The silliness of Jump Tomorrow takes your breath away, and I mean that as high praise.
  29. Mr. Tykwer's hands the movie changes almost magically from drama to chase to romance. As it does so its moral weight lessens; by the end there is less than what first engaged the mind. What meets the eye, though, is unforgettable.
    • Wall Street Journal

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