Washington Post's Scores

For 1,011 reviews, this publication has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this publication grades 10.7 points lower than other critics. (0-100 point scale)
Average TV Show review score: 54
Highest review score: 100 Ed: Season 1
Lowest review score: 0 Super Fun Night: Season 1
Score distribution:
  1. Mixed: 0 out of 414
  2. Negative: 0 out of 414
414 tv reviews
  1. Political Animals verges right up to the edge of ludicrous with the right combination of salty-sweet and silly-smart.
  2. The show seems weightless in the good sense, breezy and airborne, with a brisk and flippant style that's instantly attractive. [12 Sep 1992]
    • Washington Post
  3. It’s mainly an intelligent crime drama, and a real step forward for Sundance, which is bringing more original programming to its slate. As slow as it seems to go at first, you’ll be surprised at how quickly you’re addicted.
  4. The first six episodes (which I've watched, dutifully at times) draw you in but sometimes feel overstuffed, overproduced and weirdly gauzy where the series means to be an exercise in crisp, razor-sharp filmmaking.
  5. Men of a Certain Age proves a powerful yet mercifully amusing experience--bittersweet, poignant and wise. It's not just a series, but something of a tonic.
  6. The fact is, Harper's Island is a cunningly constructed, habit-forming mystery that makes for an intriguing departure from normal episodic television.
  7. It is a uniquely rendered creepshow that specializes in meaningful silences, emotional stress and dour moods. In so doing, it takes its place among recent miniseries that artfully elude their genres.
  8. The mind reels with possibility, and even hope, which is why we keep coming back to stories like these.
  9. One weak link is fellow stand-up comic Michael Richards as Seinfeld's wacky neighbor. He isn't wacky or neighborly enough; it just doesn't work. But he's in the minority where "Seinfeld" is concerned. You may not convulsively guffaw, but you're bound to convincingly smile. Here's one that worked out just right.
  10. True Blood isn't meant to be an exercise in good taste. Just a romp and a wallow--and a bloody good one.
  11. My own enjoyment of The Killing begins and ends with the gloom so brilliantly conveyed by its pace and performances.
  12. At times, it's overboard and maybe a bit giggle-inducing, like watching little kids play dress-up. But overboard is exactly where Gossip Girl wants to be--and what viewers must embrace when taking the guilty plunge.
  13. There's a tender and no-nonsense tenor to it, which is a welcome switch from most of reality TV's junky tropes.
  14. Stylish, intricate and entertaining.
  15. Grey Gardens is tragicomedy of a very rare and rarefied kind--priceless, precious and, thanks largely to Lange, potentially unforgettable.
  16. Shameless’s balance between humor and despicableness is a lesson in narrative wallowing that “Girls” ought to study.
  17. It’s a live-action comedy that often moves and thinks like a cartoon, to great effect.
  18. Gripping.
  19. People who think the Kennedy cake has been overfrosted surely won't fall for it, even though the film is undeniably moving. No one in the film tells all, certainly not Ethel.
  20. The show is also refreshingly entertaining, even when it relies on familiar cliches of the singing-competition genre.
  21. The show pulls off the neat trick of showcasing the most attention-grabbing questions without exploiting the risque topics.
  22. Burton and Taylor is intelligently winnowed down to a moment in time, firmly planting itself in the last days of disco.
  23. The first five episodes of Season 2 are as good or better as what we saw in Season 1.
  24. Hawaii Five-0 is a big bag of dumb fun, with a story told as tautly and smoothly as the surface of a Polynesian drum.
  25. Here and there, The Company is so evocatively dark and creepy it approaches the artistry of a John le Carré thriller, at least as adapted for TV back in the '80s and '90s.
  26. Vikings exceeds expectations, so long as those expectations aren’t up in “Game of Thrones” territory. What could be a silly exercise in quasi-historical swordplay is instead an earnest, tightly told family drama.
  27. One girds oneself for some serious hammer time when an opening fight scene of History’s compelling and robust new drama series, Vikings, delivers all the expected gore and blood spatter.
  28. This is not an angry documentary; it's just such a downer--and necessary medicine for those who've remained personally unaffected by events of the last decade.
  29. Benefits incalculably from the presence of Carroll O'Connor and Howard Rollins in the lead roles -- a stubborn old Southern sheriff and the young black professional dispatched to assist him...[It is] pedestrian as murder mysteries go, but what sustains interest are the clashes and the growing camaraderie of the two men. [5 Mar 1988, p.B1]
    • Washington Post
  30. DUI is irresistible, picking up where "Cops," "Jail" and other guilty-pleasure law-enforcement reality series usually don't go.

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