Washington Post's Scores

For 1,029 reviews, this publication has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this publication grades 10.6 points lower than other critics. (0-100 point scale)
Average TV Show review score: 54
Highest review score: 100 Orange is the New Black: Season 1
Lowest review score: 0 Almost Human: Season 1
Score distribution:
  1. Mixed: 0 out of 427
  2. Negative: 0 out of 427
427 tv reviews
  1. Hawaii Five-0 is a big bag of dumb fun, with a story told as tautly and smoothly as the surface of a Polynesian drum.
  2. Here and there, The Company is so evocatively dark and creepy it approaches the artistry of a John le Carré thriller, at least as adapted for TV back in the '80s and '90s.
  3. Vikings exceeds expectations, so long as those expectations aren’t up in “Game of Thrones” territory. What could be a silly exercise in quasi-historical swordplay is instead an earnest, tightly told family drama.
  4. One girds oneself for some serious hammer time when an opening fight scene of History’s compelling and robust new drama series, Vikings, delivers all the expected gore and blood spatter.
  5. This is not an angry documentary; it's just such a downer--and necessary medicine for those who've remained personally unaffected by events of the last decade.
  6. Benefits incalculably from the presence of Carroll O'Connor and Howard Rollins in the lead roles -- a stubborn old Southern sheriff and the young black professional dispatched to assist him...[It is] pedestrian as murder mysteries go, but what sustains interest are the clashes and the growing camaraderie of the two men. [5 Mar 1988, p.B1]
    • Washington Post
  7. DUI is irresistible, picking up where "Cops," "Jail" and other guilty-pleasure law-enforcement reality series usually don't go.
    • 66 Metascore
    • 80 Critic Score
    The cable network might have found "Chappelle's" worthy replacement in Chocolate News.
  8. The first and second episodes drag a bit, taking a little too long to get to what The Comeback’s fans are here for--it’s more waiting on top of the nine years we’ve already waited. Soon enough, the show recaptures its old rhythm and we are rewarded.
  9. In the first of the new episodes, David seems all too eager to reach, and even stretch, for laughs. ... The good news is that as the weeks go on ... the show gets better and better, until the barnacles of self-consciousness fall off and David gets back to his old stride. It only requires a bit of patience, in other words, and viewers who find the first couple of episodes disappointing should stay with it, because at its lunatic best, "Curb Your Enthusiasm" is still one of the absolutely funniest half-hours on television. [3 Jan 2004]
    • Washington Post
  10. "Shark" is one of the season's best and fastest-moving new dramas.
  11. "The Drew Carey Show" bucks all the prevailing sitcom trends and does it endearingly. [17 Sep 1995]
    • Washington Post
  12. HBO's The Sunset Limited--faithfully adapted from Cormac McCarthy's 2006 play and directed by its co-star, Tommy Lee Jones--more than overcomes the challenge of getting a satisfying piece of theater to work on a TV screen.
  13. It seems an imaginative improvement over previous sequels "Next Generation" and "Deep Space Nine." [16 Jan 1995]
    • Washington Post
  14. Though not as artfully constructed as Penny Lane’s excellent documentary “Our Nixon,” which aired last year on CNN, Nixon by Nixon is similarly judicious in its use of visuals and old footage.
  15. Smart, sassy and delightful.
  16. Gosh, that's a lot of derivative teen-movie influences for a half-hour show. Yet the swift pacing and simplicity of Awkward remind us that awkwardness can still be freshly painful and funny material, so long as there are still teenagers and high schools.
  17. Beyond its breakneck speed and miles logged, Citizen U.S.A. couldn't be more easy or straightforward: From tiny ceremonies in county courthouses to massive arena-sized gatherings in big cities, Pelosi presents a surprising collage of that essential moment when people who've immigrated to the United States become official Americans.
  18. A lavish, exciting, well-acted and admirably thorough movie adaptation of Herman Melville's 1851 classic.
    • 80 Metascore
    • 80 Critic Score
    We can only be assured that Gunn's presence in the workroom will keep Project Runway's creative fires burning bright and any maudlin meltdowns to a satisfying but tasteful minimum.
  19. Director Nancy Buirski's engaging HBO documentary (a Valentine's Day treat, airing Tuesday night), rescues the Lovings from the perfunctory realm of footnotes and newspaper clippings and brings them into a more emotional light.
  20. The show has a happily palpable likability going for it, a lot of that courtesy of Zachary Levi, who plays the unlikely and in fact unwilling hero.
  21. Whatever else it is, the show is supremely entertaining. Smartly edited and cleverly constructed--the George Washington Bridge serving as a visual transition--the series marks another auspicious entry to television's vast stockpile of Guilty Pleasures.
  22. Creator Michael Weithorn (“The King of Queens”) effortlessly pulls Weird Loners past the usual pilot-episode blues to deliver a single-camera show that is harmlessly offbeat and even fun to watch (with something of a “Happy Endings” vibe), thanks to a cast that clicks instantly.
  23. There's enough going on in Caprica to keep a sci-fi fan, or anyone who likes to settle into a good story, satisfied and even beguiled--and though it's shot too dark those watching on an upscale, big-screen TV will be treated to a visual spectacular.
  24. Effortlessly smart, easy to like and exciting to follow.
    • 72 Metascore
    • 80 Critic Score
    It’s a chore to watch and a delight to decrypt. Its overwhelmingness contributes to its initial underwhelmingness. But in time, with a moment to reflect, it begins to feel like the fullest and fraughtest expression of its form. It is, in a perverse way, the “Ulysses” of sitcoms.
  25. Scorsese (with Tedeschi’s help) has found a more worthy sweet spot between introducing viewers to a whole other world and simply making film tributes to people he knows and likes.
  26. Whatever it is, it's fascinating, the television equivalent of the book you can't put down and maybe the jigsaw puzzle you never quite complete.
  27. Thanks to Adams and Kreskoff's delightfully wicked power struggle, Hung feels fresher now than it felt last summer and more textured.

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