Washington Post's Scores

For 1,010 reviews, this publication has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this publication grades 10.7 points lower than other critics. (0-100 point scale)
Average TV Show review score: 54
Highest review score: 100 Arrested Development: Season 1
Lowest review score: 0 Charlie's Angels: Season 1
Score distribution:
  1. Mixed: 0 out of 413
  2. Negative: 0 out of 413
413 tv reviews
    • 66 Metascore
    • 80 Critic Score
    The cable network might have found "Chappelle's" worthy replacement in Chocolate News.
  1. The first and second episodes drag a bit, taking a little too long to get to what The Comeback’s fans are here for--it’s more waiting on top of the nine years we’ve already waited. Soon enough, the show recaptures its old rhythm and we are rewarded.
  2. In the first of the new episodes, David seems all too eager to reach, and even stretch, for laughs. ... The good news is that as the weeks go on ... the show gets better and better, until the barnacles of self-consciousness fall off and David gets back to his old stride. It only requires a bit of patience, in other words, and viewers who find the first couple of episodes disappointing should stay with it, because at its lunatic best, "Curb Your Enthusiasm" is still one of the absolutely funniest half-hours on television. [3 Jan 2004]
    • Washington Post
  3. "Shark" is one of the season's best and fastest-moving new dramas.
  4. "The Drew Carey Show" bucks all the prevailing sitcom trends and does it endearingly. [17 Sep 1995]
    • Washington Post
  5. HBO's The Sunset Limited--faithfully adapted from Cormac McCarthy's 2006 play and directed by its co-star, Tommy Lee Jones--more than overcomes the challenge of getting a satisfying piece of theater to work on a TV screen.
  6. It seems an imaginative improvement over previous sequels "Next Generation" and "Deep Space Nine." [16 Jan 1995]
    • Washington Post
  7. Though not as artfully constructed as Penny Lane’s excellent documentary “Our Nixon,” which aired last year on CNN, Nixon by Nixon is similarly judicious in its use of visuals and old footage.
  8. Smart, sassy and delightful.
  9. Gosh, that's a lot of derivative teen-movie influences for a half-hour show. Yet the swift pacing and simplicity of Awkward remind us that awkwardness can still be freshly painful and funny material, so long as there are still teenagers and high schools.
  10. Beyond its breakneck speed and miles logged, Citizen U.S.A. couldn't be more easy or straightforward: From tiny ceremonies in county courthouses to massive arena-sized gatherings in big cities, Pelosi presents a surprising collage of that essential moment when people who've immigrated to the United States become official Americans.
  11. A lavish, exciting, well-acted and admirably thorough movie adaptation of Herman Melville's 1851 classic.
    • 80 Metascore
    • 80 Critic Score
    We can only be assured that Gunn's presence in the workroom will keep Project Runway's creative fires burning bright and any maudlin meltdowns to a satisfying but tasteful minimum.
  12. Director Nancy Buirski's engaging HBO documentary (a Valentine's Day treat, airing Tuesday night), rescues the Lovings from the perfunctory realm of footnotes and newspaper clippings and brings them into a more emotional light.
  13. The show has a happily palpable likability going for it, a lot of that courtesy of Zachary Levi, who plays the unlikely and in fact unwilling hero.
  14. Whatever else it is, the show is supremely entertaining. Smartly edited and cleverly constructed--the George Washington Bridge serving as a visual transition--the series marks another auspicious entry to television's vast stockpile of Guilty Pleasures.
  15. There's enough going on in Caprica to keep a sci-fi fan, or anyone who likes to settle into a good story, satisfied and even beguiled--and though it's shot too dark those watching on an upscale, big-screen TV will be treated to a visual spectacular.
  16. Effortlessly smart, easy to like and exciting to follow.
    • 72 Metascore
    • 80 Critic Score
    It’s a chore to watch and a delight to decrypt. Its overwhelmingness contributes to its initial underwhelmingness. But in time, with a moment to reflect, it begins to feel like the fullest and fraughtest expression of its form. It is, in a perverse way, the “Ulysses” of sitcoms.
  17. Scorsese (with Tedeschi’s help) has found a more worthy sweet spot between introducing viewers to a whole other world and simply making film tributes to people he knows and likes.
  18. Whatever it is, it's fascinating, the television equivalent of the book you can't put down and maybe the jigsaw puzzle you never quite complete.
  19. Thanks to Adams and Kreskoff's delightfully wicked power struggle, Hung feels fresher now than it felt last summer and more textured.
  20. There's exactly one hour left for a fall TV show that tells its tale in a deliberate, well-written and subtly acted way. That one hour belongs to Fox's Lone Star.
  21. I trust completely the template laid out for The Killing by the original "Forbrydelsen" (which I've not seen) and the artistic instincts evident in the first three episodes.
  22. The show is point-blank, but somewhat brilliantly so.
  23. This plot sounds laughably bizarre, but Hit & Miss has a strikingly strong sense of pace and character.
  24. The Flag is precisely the sort of film we should be making and watching at this particular distance from the attacks.
  25. Reaper works on its own cleverly devilish level and proves one of the happier, snappier surprises of the season.
  26. Most of History of the Eagles is rich in detail and bemused reflection, perhaps because sobriety has worked wonders on some of the band members’ sense of recall. Frey, Walsh and Don Henley are wonderful storytellers.
  27. In the Flesh skillfully navigates several genres at once, all of them heavy, none of them comic.

Top Trailers