Washington Post's Scores

For 1,024 reviews, this publication has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this publication grades 10.5 points lower than other critics. (0-100 point scale)
Average TV Show review score: 54
Highest review score: 100 Homicide: Life on the Street: Season 1
Lowest review score: 0 Hidden Palms: Season 1
Score distribution:
  1. Mixed: 0 out of 424
  2. Negative: 0 out of 424
424 tv reviews
  1. " 'Til Death Do Us Part" would be sort of ultimately ordinary, the very definition of a negligible trifle, if Waters weren't lurking around.
  2. There isn't much in "Supernatural" to engage viewers older than Sam and Dean, but it's certainly not the worst of the new troop of spookers.
  3. Public Speaking often seems to be trying to relaunch the Fran Lebowitz brand, 25 years past its expiration date. It feels like the kind of movie that old friends would make about an old friend. Which is precisely what it is.
  4. The result is a mildly alluring dark comedy. Schwartzman is difficult to like, but he always has been. The show is lifted greatly by "The Hangover's" Zach Galifianakis as Jonathan's strange friend, Ray, a comic-book artist with a complementary set of his own strange-but-cute neuroses.
  5. Detailed, but not terribly illuminating.
  6. Distracting and annoying as some of its bad habits are, "John Doe" is still hauntingly distinctive enough to warrant further investigation. Who knows but that eventually we may even find -- yes, I'm going to say it -- Doe a dear.
  7. Timbaland produces the original songs that give Empire its real oomph, while the actors try to figure out what kind of characters they’ve agreed to play.
  8. Menace so permeates the atmosphere that a certain glum predictability has set in to the scenes. [28 Oct 2003]
    • Washington Post
  9. Stylista is--what is the phrase?--like a little tick that you want to flick off, but it's no worse than other reality games that have come before and will come after.
  10. Though deliberately and even artfully paced, Lights Out also feels protracted. It has difficulty establishing momentum in its first few episodes, even with a smattering of intriguing subplots and story lines, and no one character exerts that intangible ability to make us keep watching.
  11. Moving up to the big time, and relocating to the earlier time slot, seems to have robbed Conan of much of his charm. Much--but not all.
  12. Too Big to Fail has momentum and a certain wonky remove, but is too epic in scope, as Gould's script struggles to match the breadth of the original journalism while the actors try to convince us that they understand all their lines.
  13. While the film could not be called a rollicking success, it seldom if ever pauses long enough to be ordinary, complacent or conventionally minded.
  14. The laughs generated are not subtle, but at least they're there.
  15. On the whole, Intelligence trafficks in the usual request to suspend your disbelief and then some, but it’s also mildly intriguing--especially in the idea that its macho lead character is also treated as a vulnerable prize who needs to be protected at all costs.
  16. The show suffers from the same banal characteristics of most paint-by-numbers network sitcoms.
  17. Throughout the pilot, you’ll wonder why this couldn’t all be handled in a mediocre two-hour action movie.
  18. Once you get past the utter silliness of the idea, Reign is kind of a kick.
  19. It's more of a character sketch than a fully realized story.
  20. Janney and Faris seem to have fun, even when the material in the pilot episode is a tad too seedy and even off-puttingly icy. If Mom could dial it down a notch, it would find a better balance between bawdy and snide.
  21. The tepid laughs here are already in need of a jolt, as Partners cries out for its Karen.
  22. Everyone here, including "Oz's" Eamonn Walker as the battalion chief, is working from the same medium-grim setting, with medium-grim dialogue, which quickly drags the story and action into the still-smoldering ruins of other fire-and-rescue dramas.
  23. Barry takes off so fast that a viewer hardly gets a chance to know him--or care much about where he’s headed.
  24. Boss works hard to resist the usual "this is how we do things in Chicago" nonsense and dutifully aims for a somewhat "Wire"-esque believability. Yet it can also feel like a burden to watch.
  25. An arty and somewhat entertaining movie with a muddled message.
    • 70 Metascore
    • 50 Critic Score
    Somehow, even after following these girls from ninth through 12th grade, Confidential manages to make their stories boring.
  26. Accidentally on Purpose doesn't have the smarts to be the salvation of a genre, but neither does it look like the torpedo to sink the ship. Not great, but nothing heinous.
  27. "Underbelly" does indeed aim narrow, likely appealing only to those who are pregnant or have recent memories of it.
  28. There's perhaps the coppiest cop show of the century so far, the soppy and self-satirizing CBS melodrama Blue Bloods, about an entire family--"the Reagans" yet!--involved in the crime biz.
  29. Unlike the misuse of celebrity willingness on "The Marriage Ref," "Who Do You Think You Are?" has a purer heart and an underlying appreciation for marriage, family, longevity and memory. Also to its credit, it encourages people to go to libraries and museums and to look for things online besides the latest Perez Hilton gossip.

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