Washington Post's Scores

For 1,264 reviews, this publication has graded:
  • 40% higher than the average critic
  • 2% same as the average critic
  • 58% lower than the average critic
On average, this publication grades 9.2 points lower than other critics. (0-100 point scale)
Average TV Show review score: 56
Highest review score: 100 Curb Your Enthusiasm: Season 3
Lowest review score: 0 Scorpion: Season 1
Score distribution:
  1. Mixed: 0 out of 556
  2. Negative: 0 out of 556
556 tv reviews
  1. A series that started out merely good and has now become, like NBC's "Cheers," a comedy essential, a good reason to stay home and laugh. [18 Sep 1989]
    • Washington Post
    • 99 Metascore
    • 100 Critic Score
    Bitterly, brutally, blatantly hilarious. [19 Jul 1995]
    • Washington Post
  2. Calling Steven Bochco's Murder One the best new series of the season is too easy and over-understated. The episode airing tonight on ABC is one of the classiest, best-written and most assured dramatic pilots ever seen on television, and next week's installment, "Chapter Two," is nearly as good. This is super-gripping, diamond-bright, edge-of-your-couch TV.
  3. This brilliant and aching and achingly brilliant series is the best original sitcom in the history of cable TV. [15 Mar 1998]
    • Washington Post
  4. Mike Judge, creator of "Beavis and Butt-head," made a darn good try at a seriously funny workplace comedy with his 1999 film "Office Space," but Gervais and Merchant have even greater success. "The Office" is hilarious in a very hip and flippant way. [30 Jan 2003]
    • Washington Post
  5. So is "The Wire" as good as ever? Perhaps even better.
  6. The story's a good one, all right, and beautifully related--but there's a lot more going on in "The Sopranos" than good storytelling. This is one of the most unpretentiously profound and troubling dramas in the history of American television. [16 Jan 2000]
    • Washington Post
  7. Even though this is not the strongest season opener in the history of the series, it still makes most of the sitcoms on the broadcast networks look weak of knee and soft of head. [13 Nov 1996]
    • Washington Post
  8. The show is as darkly gleeful as ever, shrewdly and even elegantly put together and, in a way that perhaps no other TV drama series has ever been, troublingly seductive and irresistible. [3 Mar 2001]
    • Washington Post
    • 96 Metascore
    • 90 Critic Score
    Take a look at the second season's first episodes, and you'll see it in a nervy concoction of writing and acting.
  9. A captivating blend of the existential and the pulpy, the surreal and the neo-real, the grim and the farcical, Twin Peaks is new age music for the eyes, a show that careens off the wall and out into left field and yet supplies some of the basic satisfactions we humans have demanded of our storytellers since we first wriggled out of primordial goop.
  10. It is nothing short of a towering achievement.
  11. Creator Vince Gilligan's much-lauded meth lab saga Breaking Bad, which is back for what looks to be another superior season Sunday night on AMC, is one of those shows that comes from such a dark hole of the American cultural psyche that you sometimes have to wonder how it ever made it on TV.
  12. Television's greatest drama series has only gotten greater.
  13. The only complaint one could muster about Fargo this time is that it spreads itself on too thickly in the first two episodes. In moments that count, the show can seem more interested in style than substance. Season 2 also introduces so many characters (played by equally strong actors, including Ted Danson as Trooper Solverson’s father-in-law, Hank; Cristin Milioti as Solverson’s wife, Betsy; and Nick Offerman as Karl, Luverne’s most conspiracy-minded lawyer--to name a few) and so many fascinating threads at once that it threatens to collapse under its own weight. The intricacies do begin to cohere by Episode 4.
  14. Sadness and dread have settled in, handled with the same skill with which Catastrophe subverted the notion of a love story.
  15. Enlightened comes through with a triumphant eight-episode arc that broadens its characters, quickens the pace and finishes strong.
  16. As FX’s gripping, magnificent Cold War drama The Americans jumps into its fourth season Wednesday night with its usual hypertension, its makers are always quick to remind us that their show is first and foremost about a marriage.
    • 94 Metascore
    • 100 Critic Score
    Homicide isn't only riveting drama; it's really about something, and it says what it's about in credible and haunting ways, sometimes with a dramatic jolt, sometimes with a painfully funny jab, almost always with compelling command. It is, in short, a killer. It's murder. That is meant as a compliment.
  17. Watching this season’s first three episodes, one is struck by how sumptuously far this epic now spreads.
  18. As much as any other Western town in any other Western, Deadwood -- which is really a camp hoping to be a town hoping to be part of the United States -- seems really to exist, so vivid are the characters and so rich the texture. [5 Mar 2005, p.C01]
    • Washington Post
  19. Each episode of "Curb Your Enthusiasm" flies by in a dizzying blur of neurotic delight. [14 Sep 2002]
    • Washington Post
  20. This is a long way from a half-hour sitcom about a dysthymic guy comedian and his everyday nuisances. It’s good to see that Louie intends to keep pressing our limits.
  21. As full of wit and mischief as it was last year. [11 Oct 1990]
    • Washington Post
  22. The first four episodes of Season 3 of The Americans, which returns Wednesday night on FX, are just as absorbing and dark and impeccably realized as what we saw in Season 2.
  23. What makes Homeland rise above other post-9/11 dramas is Danes's stellar performance as Carrie--easily this season's strongest female character, who is also hiding some personal secrets of her own. The latter half of the first episode is exhilarating. I'm hooked.
  24. [A] magnificent and effectively haunting 10-episode series.
  25. Transparent is the best streaming-network pilot since Netflix’s “Orange Is the New Black.”
  26. It is a uniquely rendered creepshow that specializes in meaningful silences, emotional stress and dour moods. In so doing, it takes its place among recent miniseries that artfully elude their genres.
  27. There is a certain pretentious artiness to the new series, as there was to "thirtysomething," but the characters have life and authenticity; they seem really to live and breathe, at least for one vital hour each week -- especially Angela, a fully dimensional being in contrast to all the stereotyped teenagers that dominate prime time...Controversial or not, My So-Called Life is even better than first-rate.

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