With the death of young Jimmy threatening to leave a void, Season 3 was under pressure to deliver. It was clear to me within the first 4 episodes the show had made a clear decision to creatively move on pass Jimmy. If anything, his death showed us that anything is possible on The Boardwalk and no one is safe from judgement or execution. Season 4 showcased the flexing muscles of a beautiful ensemble cast. Steve Buscemi's star shine brighter in this season than previous ones in episodes like "The Milkmaid's Lot" & "Two Imposters." Boardwalk is a slow burning oven, it may take a while to get there but you always arrive at a pleasant surprise that rewards the patient viewer.… Expand

Steve Buscemi as the unflappable Nucky Thompson has to be the coolest ganster I've ever seen on any screen. Many people find the pace of the show a bit pedantic. Personally I love the writers attention to detail and character development.

The show experienced a slight drop in quality last season, but I'm glad to see that the stories are changing along with the characters and I'm excited to see what direction the series will go from here. One of the best television shows on the air.

Great first episode! The costumes were stunning, the music was fun as always. I'm so excited for Margaret's story and Harrow's story this season. That hopeful look on Margaret's face at the end as she climbed up the beach dune brought me to tears. I didn't understand why Harrow killed Munya but I'll stay tuned to find out...

i always thought that BE was great show but season 3 kind of astonished me. The already good developed characters even get more fascinating with their stories on their own, always managing the split between extremely brutal and beautiful, Besides Breaking Bad the only (running) show that really grips. Kelly McDonalds the icing on the cake....

Wow, why is season 3 rated so low? I thought it was the pinnacle of TV in 2012. Anything can happen in this show! And does. And not absurdly(ahem, Homeland...) The acting, direction, writing is all top notch, and the plot is the best there is. Richard, Capone, Chalky, Rothstein, all side characters, but so full and amazing. Any character can do anything (or be killed) at any moment. This is the top show on TV.… Collapse

Starting with the positives, Boardwalk Empire's third season is it's greatest so far. In a similar manner to the previous seasons, it builds slowly from the start but accelerates to top gear by the fourth episode and while there are some slight dips in between, the momentum is largely maintained, sometime single handedly by Rosetti, to the final four episodes, from which point on the season is outstanding.

Season three probably featured more of Rothstein, Luciano, Lansky (at a cost to Chalky White and van Alden) and Capone than before, and with the additions of Rosetti and NY boss Joe Masseria, meant the season had a truly mob feel to it. In my eyes this was greatly needed as Nucky and his Atlantic City team of politicians and bootleggers just don't have the cool factor and threat of the Italian Americans. In part this is down to Steve Buscemi, after three seasons you would think I would have made my mind up about his casting as the Atlantic City crime boss but I still can't quite decide. The tagline of the season is 'You Can't Be Half A Gangster' but it still feels like Nucky is just that, especially in comparison with the representatives of New York and Chicago. The dips in momentum during the season are usually due to Nucky's relationship with his new mistress, actress Billie, or his political scheming. These distractions serve a purpose, in the first instance to Nucky's mindset after the attempt on his life at Bebette's, and in the second in giving Nucky options other than violence but they don't half leave you craving for a scene where someone upsets Rosetti.

Such are the abundance of great characters in the show that it isn't until you stop and think about it that you realise how much Michael Williams' Chalky White and Michael Shannon's van Alden are underused and marginalised respectively. Thankfully both appear likely to continue into the next season, following changes for both in season three. The writers pen some fantastic lines, with Al Capone being given the line of the season when he turns up in Atlantic City, "I've been on the road for 18 hours. I need a bath, some chow, and then you and me sit down, and we talk about who dies."

Season three really gets going in episode four, Blue Bell Boy, an episode which reminded me of The Soprano's episode Pine Barrens where Paulie and Chris end up lost in the woods (an episode written by Boardwalk creator Terence Winter and regular director Tim van Patten and directed by Steve Buscemi). Nucky and Owen are trapped in a cellar for the entire episode and Nucky's discomfort and jealousy in Owen's role in his operation becomes uncomfortably apparent. While trapped and out of the decision making process, Mickey delivers a shipment straight into Rosetti's ambush, Joe Masseria is introduced and Al Capone takes out his anger over his deaf son's bullying on a local rival. The final four episodes deal with alternated attempts on the lives of various characters, culminating in a Goodfellas style montage of a full scale gang war in Atlantic City at the beginning of the fantastic final episode Margate Sands.… Expand

Gyp Rosetti is a gangster. I was starting to wonder if the writing staff on this show had forgotten how to write one decently. I believe that's how gangsters would be. He's menacing and ruthless, and I'm truly afraid to meet his kind in real life. His character distracts you from the painful ending of the last season. If he hadn't been done good, I would have stopped watching after episode 1. This season was a massive improvement over the last one, which had pacing issues and a visible lack of creativity concerning the plot. Quite frankly, Jimmy and Nucky's characters had run their courses and something like this had to be done to save the show. The season was at its best in the first four episodes, and then later in the last two. The rest became tiresome at times. Rosetti became downright comical, and I was amazed at myself how I could ever have been awestruck by someone who runs away with his tail between his legs in the wake of Harrow's fury. After all these fictional characters are killed off, or sidelined, it makes you think if chronicling just the progress of the Sicilian Mafia and Jewish Mafia in America would not have been a better idea. There's no way anyone can run out of ideas there.… Expand