- Starring: Mykelti Williamson, Nina Garbiras, Lana Parrilla
"The victims, the cops, the press and the politicians...each has their own perspective."
Boomtown depicts crime in Los Angeles from the very different perspectives of the four groups most intimately involved in the pursuit of justice -- the police, the citizens, the politicians, and the media -- and artfully illustrates how they interconnect.
Boomtown features Joel Stevens (Donnie Wahlberg, Band of Brothers) as an emotionally drained, dedicated detective; "Fearless" Bobby Smith (Mykelti Williamson, Forrest Gump) as Stevens' easy-going, daredevil partner; David McNorris (Neal McDonough, Minority Report) as a politically savvy and ambitious Deputy D.A.; Ray Hechler (Gary Basaraba, Brooklyn South) as a veteran patrol officer, and Tom Turcotte (Jason Gedrick, The Last Don) as a beat cop struggling to prove himself. Nina Garbiras (The $treet) stars as Andrea Little, a tough metro reporter whose private life is less than perfect and Teresa Ortiz (Lana Parrilla, Spin City) as a compassionate paramedic who has already seen too much suffering. During 1st season, the show aired on Sundays at 10:00pm EST. It was moved to Friday nights for the 2nd season.
Show is currently being aired on HDnet
Wednesday, 9:00pm EST.… Expand
- Genre(s): Drama, Action & Adventure
- Show Type: Ended
- Season 1 premiere date: Sep 29, 2002
- Episode Length: 60
- Air Time: 10:00 PM
- More Details and Credits »
It's messy and confusing, often complex and contradictory, and moves in fits and starts, sideways and backward. It's the most startlingly original program on television in years, maybe ever, and it's also one of the best. [28 Sept 2002, p.E1]
There's no contest for the outstanding new series this fall. NBC's Boomtown looms over the competition like a giant surrounded by mostly pygmies. [29 Sept 2002, p.4]
Boomtown, created by Graham Yost, who wrote "Band of Brothers" and "Speed," has the potential to be NBC's best crime drama since "Homicide: Life on the Street." [27 Sept 2002]
Stylish and briskly paced, Boomtown clearly shows the impact of "Pulp Fiction" in its quirky dialogue. The impact of "Rashomon," Kurosawa's film about a murder recounted in different ways, is most obviously seen in the program's structure. [29 Sept 2002, p.J1]
What makes Boomtown so immediately interesting is that each of these people is treated like a main character, at least for a few moments. Rather than the standard objective, all-seeing-all-knowing camera, this show teases the viewer by using several highly subjective cameras, including some trained on bit players. I've seen this verite approach in documentaries, but this is the closest any fictional drama has come to approximating the effect. [28 Sept 2002, p.G1]
In the first two episodes provided for preview, the formula gets the plot across with minimal confusion, although you wonder at times if all the time-shifting and multiple storytelling is really necessary...Well, maybe. Because if this show gave it to you straight, it would run the risk of becoming just another violent L.A. cop show.
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