• Network: HBO
  • Series Premiere Date: Mar 1, 2004
  • Season #: 1 , 2 , 3
Metascore
85 out of 100

Universal acclaim - based on 20 Critics

Critic score distribution:
  1. Positive: 19 out of 20
  2. Negative: 0 out of 20
  1. The language, the acting, the themes - everything in "Deadwood" is good as gold. In TV entertainment terms, maybe even better.
  2. 100
    Its scripts - always among the finest on TV - are even stronger this time around.
  3. This series is one of a kind.
  4. Reviewed by: Keith Uhlich
    100
    Milch has a keen eye for his actors' untapped resources--he doesn't so much cast against physical types as he does psychological ones--and this is what makes Deadwood's expansive ensemble so continually exciting to watch.
  5. To call "Deadwood" great television doesn't begin to do it justice.
  6. 100
    Milch's darkly hilarious exploration of the American frontier spirit is back for a third season of twisted human conniving.
  7. 90
    Every scene teems with an enthralling, fully realized vision of life, the kind of jostling pageant of humanity in the most satisfying works of Dickens or Trollope.
  8. 90
    A gorgeously living thing.
  9. 88
    For all the artificiality of the language, there has seldom been a show that felt more authentic.
  10. The series returns with its creative six-shooters blazing, its florid language and baroque manner of storytelling still gloriously riveting.
  11. Like last season, the plots are thick and quick-flying. (Also like last season, the abstruseness can sometimes feel showy.)
  12. The dialogue is "Deadwood's" calling card, with its mixture of gutter and Elizabethan grace. It layers Milch's broader, working theme -- the coming-together of various organisms to create a single, functioning one.
  13. As it lurches to its conclusion, the politics of "Deadwood" keep growing more dense and colorful, and that magnificent obsession crowds out other primal forces.
  14. Reviewed by: Matt Roush
    80
    The circuitous plot is challenging, but the true glory of Deadwood is in its vivid creation of a volatile world where scoundrels, wretches and tormented heroes coexist in an unvarnished time capsule of Wild West history.
  15. Reviewed by: Brian Lowry
    80
    "Deadwood" remains a series like none other.
  16. The third season, as much as the two preceding ones, continues to breathe new life and vigor into the Western genre. What's more, the actors have become so comfortable in the skins of their characters, we can now appreciate the complexity of their personalities and desires.
  17. [A] fascinating, challenging series.
  18. What makes Deadwood so fascinating is not the action we put up with; it's the language we listen to.
  19. Reviewed by: James Poniewozik
    70
    It's worth hopping on this poetic, profane story of frontier money lust before it rides into the sunset.
  20. Reviewed by: Verne Gay
    40
    Yes, "Deadwood" was incomprehensible last season. It is incomprehensible this season. Fans will be delighted.
User Score

Universal acclaim- based on 101 Ratings

User score distribution:
  1. Positive: 59 out of 62
  2. Negative: 2 out of 62
  1. 10
    Astonishingly good. With a cast of characters that boasted better villians than fellow TV titans The Wire and The Sopranos, Deadwood was one of a kind. The show died far too young, but it's three seasons shine brighter for it. Full Review »
  2. JenB
    4
    Well-acted, as usual, but I was bored and confused and skeptical all season about the inclusion of certain subplots, and the writers' ability to pull them together in a meaningful way. I was right to have doubts. The acting was strong as always, but this season otherwise was a long, boring, anti-climactic mess. Full Review »
  3. halb
    9
    Have yet to view seasons 2 and 3, but if they're anywhere close to the level of season 1, then they deserve AT LEAST a "9". This is amazingly good television, one of the best series I've ever watched. Granted, I had to get past the language at first (every other exclamation seems to include the "f word" or c**k-s**ker)... and I had at least one female co-worker tell me she just couldn't get past the depiction of women as whores and drunks and/or crippled lackeys)... But I think, on balance, most of the male characters are portrayed as MUCH worse than the women, who are simply trying to survive in a world dominated by violent machismo, evil and pestilence. This is not Gunsmoke, that's for sure. It's more like Cormac McCarthy's incredibly dark/violent novel, Blood Meridian, brought to roaring life. One of the central themes is the challenge of holding onto one's essential humanity in the midst of such a violent and amoral culture. Olyphant, McShane, Dourif and Parker (Alma Garrett) are particularly excellent in their roles; but really, ALL the cast -- including relatively minor supporting characters -- are top notch. Don't miss Robin Weigert as Calamity Jane! Kudos to Milch (sp?) and HBO for creating such an amazing cast of characters and such an incredible story line. The dialogue, acting, cinematography and sets are all top-calibre. Just an incredibly gripping and entertaining series. Full Review »