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100Season one set the bar high. Season two clears it.
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100Julian Fellowes has created such a vivid group of characters and assembled such an impeccable cast--effortlessly oscillating from comedy to drama--that the hours fly by, addictively pulling viewers from one into the next.
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100For those of us who hungered for a year to witness these new chapters, the appetite is insatiable.
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91Much grimmer, grayer and (gasp) dowdier. Still mostly wonderful.
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100There's nothing in Downton you won't recognize, and almost nothing you won't enjoy.
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100The series seamlessly moves between the horrors of war and the gentility of life in the show's titular 100-room manor.
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90The characters are so beautifully and thoroughly rendered that we, as viewers, are caught up in their lives.
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83Despite all the repetition and longueurs, this Downton Abbey frequently works, as the first one did, as a peppery little trifle.
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83The ideas behind most of these developments are fine, but they get thrown at the viewer so haphazardly as to require dramatic organ music when each is introduced.
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90It is big, beautiful, beautifully acted and romantic, its passions expressed with that particular British reserve that serves only to make them burn brighter.
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83Series creator and writer Julian Fellowes has a habit of using dialogue to telegraph the obvious.
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100The emotional authenticity of Downton Abbey continues to make it a classic.
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100The vibrant brew of upstairs-downstairs relationships is more savory now, the characters more complicated.
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88Some of the characters are so simplistically drawn that it's laughable. On the other hand, we love these characters so much and we're having such a jolly good time that we just can't resist Downton Abbey.
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90Judging by the first five hours of the second season, it successfully broadens the storylines of several key characters. The cast is first-rate; only Elizabeth McGovern? occasionally rings a false.
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90Rarely do they strain the credulity of real situations or the constraints of the time.