- Network: AMC
- Series Premiere Date: Jul 19, 2007
Universal acclaim- based on 225 Ratings
Apr 22, 2013Sorry to be Debbie Downer but after all these seasons, I'm finding Mad Men's formula is getting a bit stale. (Warning, this got longer than ISorry to be Debbie Downer but after all these seasons, I'm finding Mad Men's formula is getting a bit stale. (Warning, this got longer than I expected.) Let's see:
Don is the same old angsty, misogynist womanizer, cheating and demanding to get his way, as always, even though it's apparent he's starting to become a relic of the 1950's in a rapidly changing late 1960's world. Roger, who used to be one of my favorite characters, has become a caricature rather than a meaningful player (the epitome of this shift was season 5's LSD episodes). Pete's the same jerk he's been since day one, just with more power, while Harry and Ken are still bit pieces who have never been compelling to watch. Despite the events of season 5, Joan is still the same old Joan, confident but angry because of the glass ceiling, yet happy to employ the double standard of exploiting her sexuality while complaining about being treated like a sex pot.
I find myself NOT missing Betty, Henry, and Sally at all and the characters of Megan and Trudy are exceedingly stereotypical and grate my nerves to the point where I'd rather mute the TV when they're on.
Peggy is the only character this season who has undergone MEANINGFUL change this season and it's sad to see she's getting minimal screen time. More screen time than Betty, at least. Barely.
I miss the Mad Men of the first three seasons. Characters like Paul Kinsey and the dynamic story of his beliefs on civil rights and interracial relationships or characters like Salvatore Romano and dealing with homosexuality in the early 1960's. Those were compelling stories that ran along side the main story lines and they were GREAT secondary characters. Even recently, the story of Lane Pryce and his relocation from England, coming to terms with being an immigrant, and his tragic end was a solid secondary story line, yet his contributions to SCDP have been all but forgotten except in scant one liners.
The show used to feel fluid and organic. We knew who the main characters were but the secondary characters were interesting as well. They could craft a story about even the most mundane aspect of advertising and make it watchable. Now it just feels completely predictable. We know how the main characters are going to act and react, there are almost no plot "twists" that could shock the viewers anymore, and there are almost no compelling secondary characters or storylines.… Full Review »
Apr 8, 2013Mad Men is back, and it's better than ever. Most shows at this point tend to hiccup as they find their identity and decide how to end theirMad Men is back, and it's better than ever. Most shows at this point tend to hiccup as they find their identity and decide how to end their show. Not Mad Men. It would seem that Matthew Weiner, the shows creator and former Sopranos writer, has a specific ending in mind. The themes of existentialism still run very heavily through the show in the sixth season. The acting is superb as usual and the writing hews close the bone. Even though I've only seen the first two hours, I can easily tell this is shaping up to be a fantastic season of Mad Men.… Full Review »