SummaryPrimeval, a high-budget series, follows Professor Nick Cutter and his team as they investigate anomalies in time found in the Forest of Dean. An unfortunate side-effect of the anomalies is that dinosaurs are moving through them and into the present time, making the team's investigations that much more stressful. Cutter's wife also disapp...
SummaryPrimeval, a high-budget series, follows Professor Nick Cutter and his team as they investigate anomalies in time found in the Forest of Dean. An unfortunate side-effect of the anomalies is that dinosaurs are moving through them and into the present time, making the team's investigations that much more stressful. Cutter's wife also disapp...
Primeval mixes elements of "Jurassic Park” and "Stargate," rarely taking itself seriously while also warning of the consequences of not confronting these threats to mankind.
With a story this compelling and characters this interesting to watch it's no wonder this is such a beloved sci-fi series. From the dinosaurs to the anomalies I'm still extremely pissed that they cancelled it all before they could wrap it up.
I will always love this series and feel truly blessed to have been able to experience it as it happened rather than seeing it after it had been cancelled like many others.
Primeval has to be my favourite sci-fi TV show of all time. It has funny relatable characters, awesome creatures, a plot that makes sense and an awesome cast. 10 OUT OF 10!!!!
Dinosaurs are certainly alive and well in Primeval, a crackling-good new BBC America sci-fi series thriller that's packed with vivid CGI prehistoric predators galore and a story line that's almost plausible.
Though it’s kid-friendly, there are things for adults to enjoy. Henshall is a quietly appealing actor, the pace is crackling and the dialogue has its share of witty asides.
The soapy elements are generally a rollicking snooze, and in the premiere, one worries that too many of the dinosaurs will resemble those in "Land of the Lost," stampeding around but never really doing much. Yet the investigation surrounding the anomalies--and Cutter's personal story--does thicken as the series progresses, and many of the computer-animated visuals are striking, especially given the TV budget.
Almost from the get-go there's far more galumphing than trotting going on, and not all of it done by prehistoric feet. Things pick up in the third episode and there are dodos in the fourth, but it's not enough, no, not nearly enough.
The creature designs were great and the characters were great(especially Conner)I really found it enjoyable and I with Netflix would put it back on Netflix.
Season 1 launches the series off strongly, with solid character development and a tidy, well-contained story. Some of the creatures are underwhelming (not even one dinosaur?), and the plot is more linear than the other seasons, but overall it makes for a fast, offbeat, funny, engaging, and all-around epic viewing experience.
Having watched Series 1-5, I can say that Primeval is a really gripping show to watch. Rarely predictable, there are many twists and turns in the plot to keep the viewer satisfied. The special effects weren't too good in Series 1, but gradually got better, and Series 3 onwards all keep a satisfying level of visual effects. Hopefully, we'll get a Series 6, because I really want this to continue.
Having watched seasons 1-4, I decided to post a General Review on the beginning.
This is perhaps a prime example of bad thinking - British style! And I hate pointing this out, being British myself, but no one seems to either want to or to see it.
Everything, from the writing, casting, development and production is flawed, in -oh so many ways. There are no genuine characters in this series, only 'character types' i.e. the angry and surly genius, the gun toting hotty, the token female sex kitten, the goofy oddball and the main character love interest. This kind of sloppy, ham-fisted way of writing is(unfortunately)a staple of British drama, with only a few things not tied to that horrible brush.
While I will express interest and general enthusiasm in the visuals(the animals are all very well done, especially for a British TV budget)-I'm not willing or able to forgive the horrid thing that the visuals make up for. You watch a show, not for the graphics you get to see, but to watch the story unfold, to become interested in the characters and want them to succeed. If-as I am-you're a sci-fi lover, do not expect rational explanations for this, the flag of suspension of disbelief is flying high over this series from the get-go. While with time travel, you can use the flag, this series uses it unabashedly constantly and gives tenchobable answers that would make the crews of Voyager and the NX Enterprise turn and say 'Huh?'
As the series progresses, you'd think that the writing would improve and the story would get going(we all can agree that it's a rarity that any series gets it all right on the first season)but you'd be wrong, as the series progresses, the rationalizations get more and more ludicrous, to such a level at the end of season three that I practically had to turn off my brain to get through it.
I'm not expecting a great deal out of season five and I seriously hope that they don't do a season six, plug that money for something that has decent characters and story.
All in all, the series was flawed from the beginning, with the creator of the documentary Walking with Dinosaurs coming up with the initial pitch idea-ideas for documentaries don't translate well into drama-EVER!