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Stars indicate the most critically-acclaimed shows.

Grey Gardens

EMAILPRINTMOVIE: HBO, Saturday 4/18 at 8:00p (104 minutes)

Grey Gardens
77
8.7 User Score:

Generally favorable reviews

Based on 21 critic reviews
How did we calculate this?

Based on 14 votes
Read user comments
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Show Info

Genre(s): Biography, Drama, True Story

Created By: Michael Sucsy

First Air Date: April 18, 2009

Summary

Starring Drew Barrymore, Jessica Lange, Malcolm Gets, Ken Howard, Jeanne Tripplehorn, and Daniel Baldwin

The 1973 documentary about Little Edie (Barrymore) and her mother, Big Edie (Lange), having been made into an award-winning Broadway play of the same name, is again dramatized as a film for HBO.

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

New York PostLinda Stasi

I will tell you that Lange and Barrymore deserve Emmys as does the production, which is so authentic you can see the real silk char meuse oozing off socialite shoulders.

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100

NewsdayVerne Gay

The Beales' story--predictably, sadly--descends into mutual recrimination, then near madness. It's all rescued by two stunning performances.

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100

San Francisco ChronicleDavid Wiegand

People who watched the Maysleses' documentary when it came out probably found the women strange, to say the least, but may have also felt sympathy for them in the end. That's the feeling that director and co-screenwriter Michael Sucsy is going for in the HBO film, and he achieves it in spades.

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90

VarietyBrian Lowry

All told, it's an impeccably rendered piece, down to the smallest details--the kind of lush, meticulous little parcel that relatively few outlets these days have the means or latitude to cultivate.

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90

Wall Street JournalNancy DeWolf Smith

The HBO film Grey Gardens shines new light on old subjects, and the result--including a fantastic performance from Drew Barrymore--is beyond entertaining.

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88

USA TodayRobert Bianco

Luckily, in Drew Barrymore and Jessica Lange, HBO has found precisely the right people to convey the peculiar blend of courage and craziness that were the two Edie Beales, daughter and mother.

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83

Entertainment WeeklyMissy Schwartz

Jessica Lange brings typically impressive textures to Big Edie. And just wait till you see Drew Barrymore, as Little Edie, deliver the doc's most famous line, ''This is the best costume for today.'' She's a dead ringer for the real thing.

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80

Baltimore SunDavid Zurawik

Just sit down in front of the TV and savor the spirited and daring performances of Jessica Lange and Drew Barrymore as Big and Little Edie.

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80

SlateTroy Patterson

Now comes Grey Gardens, largely enjoyable in spite of being almost entirely superfluous.

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80

Los Angeles TimesMary McNamara

Anchored by amazing performances by Jessica Lange and Drew Barrymore, the Grey Gardens that premieres tonight is, like its subjects, a brilliant, moving, hilarious and mesmerizing mess of a movie that miraculously captures what made the Beales such iconic characters.

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80

Philadelphia InquirerJonathan Storm

There's art aplenty in a film that elicits emotion as it slowly draws you into a place you've certainly never been before, even if it may leave you wondering why you made the journey.

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80

Washington PostTom Shales

Grey Gardens is tragicomedy of a very rare and rarefied kind--priceless, precious and, thanks largely to Lange, potentially unforgettable.

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70

Boston GlobeMatthew Gilbert

It's a generally pleasing but flawed production.

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70

Hollywood ReporterRandee Dawn

Director/co-producer/co-writer Michael Sucsy gets their plight, and he's unflinching about exploiting it. But it's hard to say he exposes the heart of his characters; Little Edie's motivation remains a mystery.

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70

The New York TimesAlessandra Stanley

The acting is compelling, and the costumes are sumptuous, but the staging is static, too “Masterpiece Theater” for the story at hand.

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70

Philadelphia Daily NewsEllen Gray

Lange disappears into Big Edie, particularly in her later years, conveying both her frustrations and her sometimes poisonous personality so successfully that you might almost forget how much makeup was required to make her look like that. But for all Barrymore's efforts to do the same with Little Edie, she's a little too obviously making an effort, succeeding best when she's channeling her character's desperation for the world's (and her mother's) approval.

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70

Pittsburgh Post-GazetteMaria Sciullo

It must be said that viewing Grey Gardens without prior knowledge of the Beales' story would make it easier to like the HBO version....Michael Sucsy directs an HBO version that takes a little of this, a little of that, in building toward a (sort-of) happy ending that's hard to swallow.

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63

Slant MagazineDan Callahan

Sensitive and well acted as this new Grey Gardens is, it feels like a wish-fulfillment fantasy that gives Little Edie a happy ending; the truth of this woman's life must have been much grimmer and messier.

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60

Orlando SentinelHal Boedeker

Grey Gardens is thoughtful and swank but ultimately mediocre. Two actresses in top form are required to put this story across.

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50

New York MagazineEmily Nussbaum

The original documentary may have been predatory, but it captured something powerful, the face of failed optimism, the many meanings of the word “spoiled.” Sometimes it’s better to let strange be strange.

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40

New York Daily NewsDavid Hinckley

Lange is fine as the senior Edie, but Barrymore, for reasons not entirely her fault, seems off her game.

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What Our Users Said

The average user rating for this show is 8.7 (out of 10) based on 14 User Votes

Note: User votes are NOT included in the Metascore calculation.

Nerijus D gave it a10:
Brilliant, moving, true to the original documentary.

ed s gave it a0:
The accents were just terrible and distracting. It was like listening to Rose Kennedy trying to put on southern accent.

Ellen K gave it a10:
I was too busy living my own life in performance (first female radio talk show with daily call in show in Miami and Boston 1971-72) when all this happened to pay much note of the real story. However, Drew Barrymore and Jessica Lange certainly captured the true essence of these two fascinating and provocative women. As the film progressed, I began to remember the story in all of its sordid details. I hope the "square-off" in the Best Actress Category for the Emmys results in a tie between the two of them, and awards for both of them. I give this HBO program an "A" on Ellen's Entertainment Report Card.

Ray G gave it a10:
Awesome. Should have been released to the theaters.

DeWayne G gave it a9:
This is the perfect and necessary companion piece to the Maysles brothers’ work of the same name. The Maysles brothers’ film lacks the background and thus seems to me to be exploitative of these two poor deluded women. That film is so sad I can hardly stand to watch it. However, with the much more generous background that this new HBO production provides the two women become much more three dimensional people. The acting and makeup are just superb! Both Barrymore and Lang deserve major awards for becoming their characters to the point that we completely forget who the really are. It is simply astonishing. And since we know, if we have seen the Maysles brothers’ film, who these Ediths are, and that Barrymore and Lang have become their Ediths, as well as losing themselves. Their performances literally bring this production to life, and yet keep their characters within the bounds of the documentary done by the Maysles, while giving them greater depth. All this without a hint of exploitation.

Armond A gave it a7:
Having seen the original documentary film on which this docudrama is based I was left with a number of questions about the story surrounding the narrow time frame presented to us. After watching HBO's production last night my itch of curiosity felt well-scratched. As others have noted, the production values were excellent and the acting ranged from acceptable to astonishing. Drew Barrymore's Little Edie impression was sometimes dead on and sometimes spoiled by personal mannerisms. Jessica Lange's work was terrific. A film like this shouldn't have an "ending", in the conventional sense of "wrap up" or "resolution", and the attempt to tack one on to this sad, grinding tale of human deterioration and decay seems unnecessary and insulting. So too is the heavily dramatic background music that moves right into the foreground as we head into the final scenes in the grand old family mansion. But rather than close this little comment on a sour note, let me again emphasize that the film does a fine job for those of us who've long been interested in this dark and strange true-life riches-to-rags story of squandered privilege. And compared to the MUSICAL!? that was based on the same original material...one could hardly call this straight dramatic version EXPLOITATIVE.

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