• Network: HBO
  • Series Premiere Date: Oct 20, 2012
  • Season #: 1
User Score

Generally favorable reviews- based on 4 Ratings

User score distribution:
  1. Positive: 3 out of 4
  2. Mixed: 0 out of 4
  3. Negative: 1 out of 4

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  1. Dec 27, 2012
    For lovers of the master of suspense this will certainly be an eye opener. As presented here Alfred **** was a sadistic, probably impotent lech who put leading lady Tippi Hedren through hell whilst making classic films 'The Birds' and 'Marnie' The film pulls no punches in depicting an uncomfortable scenario for both characters and viewers alike. Because the film is so expertly written and directed, one is compelled to keep watching with growing unease as to where the director's obsession with his leading lady will go. Toby Jones is excellent as Hitch capturing certain mannerisms and vocal cadences whilst not being an exact copy of his subject physically. Sienna Miller gives a career best performance as the ice blond actress. She at first presents her as vibrant and full of life. Then, as her relationship with Hitch degenerates, she brings to the fore her confusion, vulnerability and lack of confidence. Miller is a revelation here and certainly looks the part. The film looks fantastic and recreational moments of the original films are credibly presented. The music score also enhances the mood of the piece and the tension generated on screen between the two protagonists. The whole thing is a wonderful conceit that should only be avoided by **** purists who refuse to believe that such an artist could have no dark side. Expand

Generally favorable reviews - based on 21 Critics

Critic score distribution:
  1. Positive: 13 out of 21
  2. Negative: 1 out of 21
  1. Reviewed by: Troy Patterson
    Oct 23, 2012
    This HBO original [is] clean and smart and dull.
  2. Reviewed by: David Rooney
    Oct 23, 2012
    It's disappointing that this is a diverting curio rather than a deep plunge into the cold waters of obsession.
  3. Reviewed by: Joanne Ostrow
    Oct 19, 2012
    The Girl, directed by Julian Jarrold, impeccably re-creates the film technology of the time. It also delivers a psychologically astute reading of one of Hollywood's more bizarre entanglements.