User Score
7.7
out of 10
Generally favorable reviews- based on 236 Ratings
User score distribution:
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Positive: 198 out of 236
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Mixed: 17 out of 236
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Negative: 21 out of 236
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Jun 22, 20114
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Jun 17, 20114Pales in comparison to the Danish original. The many red herrings seem contrived; the characters (with the notable exception of Joel Kinnaman's nuanced performance) are sadly two-dimensional; and the atmospherics (i.e. darkness, constant rain) are oppressive rather than mood-setting. I'm not convinced the show-runner has any idea where this is going.
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Jun 22, 20114nice camera work and good acting. but compared to the original show, there are much more 'inconsistencies' and some rather weird and unbelievable story twists. it doesn't manage to build up the same atmosphere that one finds in the original show.
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Aug 10, 20114
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Nov 20, 20114
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Apr 22, 20113
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May 18, 20113I've been watching this series from the beginning. "The Killing" just goes on and on and on .... are the detectives never going to solve this case? I have absolutely no interest in suffering through the grief of Rosie's family and the politician's story is just as dull.
I want the story to stay with the two--interesting--detectives. Hurry up! -
May 14, 20123
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Apr 18, 20112I really wanted to like this. I watched the first 4 episodes and in the end it just came across as one piece of depressing, badly acted , TV detective series. I am sure there must be some mystery to the whole thing but i could not fathom having to endure any more damp depressive dialogue. Awful, Awful, Awful.
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Apr 4, 20111
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May 30, 20111
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Jun 20, 20111
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Jul 27, 20111
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Apr 27, 20110
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Jun 21, 20110How funny to see the Critics give this the highest score this season, one of the worst shows out there. Thank God I stopped watching after episode 2 and didn't have to bare witness to the turd they but out as their final episode. I feel sorry for the people that watched them all this year.
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80Sharply contrasting with the florid Borgias is AMC's emotionally spare and atmospherically dank series The Killing.
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80In the suspenseful early hours of The Killing, Rosie's family goes about its bereavement in muted tones, and a subplot about a mayoral candidate drawn into the crime's eccentric orbit flashes with potential, and, primarily, our expectations for cop shows are teased, gratified, and artfully upended.
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90The Killing is also the least prepossessing, an eerily quiet, yet compelling and complex, tale of the way the murder of a teenager affects the lives of many people.