- Summary: Ken Burns returns with his four-hour sequel to his Emmy-winning documentary "Baseball." The two-part documentary covers a variety of issues that followed "Baseball's" airing. These include: the strike, the Red Sox's World Series victory, home run records, and steroid scandals.
- Genre(s): Reality, News/Documentary
- Show Type: Between Seasons
- Season 1 premiere date: Sep 28, 2010
- Episode Length: 60
- Air Time: 08:00 PM
- More Details and Credits »
For two nights and four fabulous hours, this sequel to 1994's Baseball, still PBS' most-watched program, reminds us why baseball retains its hold on our imagination, and why Burns and Novick remain TV's pre-eminent popular historians.
There's always a surprise in baseball," says one of the game's biggest fans, Boston scribe Mike Barnicle. His lifelong emotional roller-coaster as a Red Sox loyalist--years of disappointment turned to rapture by the team's 2004 World Series victory--is one of the most enjoyable narrative threads in the glorious four hours of Baseball: The Tenth Inning.
The game has always been better and more joyous than many of the people who played it. "The Tenth Inning," like its predecessor, makes that point as cleanly as a line-drive single to left-center.
Burns puts forth a dazzling spread of vintage clips and still photographs, and his love for baseball is palpable throughout. Fellow fans will appreciate how the film celebrates the resilience and enduring appeal of the game.
An argument could be made that so much attention to the history-making World Series runs of both of their favorite teams - which happened after the original documentary aired - is excessive, particularly with the Yankees. But that's a minor quibble in an otherwise superb, informative account.
These highlight reels can be enjoyed for their own sakes. Mr. Burns and Ms. Novick try to construct a larger story around the career of Barry Bonds, who set the single-season and career home run records while becoming embroiled in the steroid scandals, but it never really coheres into something that can give shape to the entire four-hour documentary.
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