• Network: Syfy
  • Series Premiere Date: Dec 2, 2007
  • Season #: 1
Metascore
54

Mixed or average reviews - based on 20 Critics

Critic score distribution:
  1. Positive: 8 out of 20
  2. Negative: 5 out of 20
  1. This version, while imaginative and ambitious--as Halmi's sumptuous visions almost invariably are--is less successful.
  2. To say that Tin Man is not as good as its near-perfect models is not to damn it, even faintly. Like Sci Fi's "Flash Gordon" update--which the Halmis also produce and which it resembles far more than it does "The Wizard of Oz"-- it's a good-looking, entertaining fantasy adventure, with a cast that is easy to spend time with.
  3. It's a cornucopia of fanciful sets and costumes and more computer graphic imaging than you'll find anywhere else on TV, and a lot of it is pretty cool.
  4. Once we've all acknowledged there really was no need to remake "The Wizard of Oz" because the original creators did a pretty good job back in 1939, it's safe to admit that the way it's been handled in Tin Man, a new miniseries, is a lot of fun.
  5. 70
    Tin Man’s heart is in the right place, even if the execution of the story evokes, from time to time, creakiness of the metal man’s limbs.
  6. A big, sonorous dungeons-and-dragons affair that seems at every moment to call attention to its epicness, Tin Man would have benefited above all from more minimizing.
  7. It's like a miniseries built out of spare parts. Yet there's a reason those parts get chosen over and over, and thanks to Deschanel, whose DG plays it straight in a script that's one long wink, Tin Man brings them together to a place that feels a bit like home.
  8. 63
    Ambitious and intriguing though it may be, Tin Man is simply too long, too grim and too determined to impose a Lord of the Rings universe-saving quest on top of a simpler, gentler story.
  9. The miniseries' trite finish falls short of capturing the amazement we felt the first time we saw Judy Garland bring Dorothy to life.
  10. Reviewed by: Ken Tucker
    58
    Unfortunately, Robertson's heaving bodice is her most expressive aspect; this miniseries needed a villain with a wicked sense of humor, but she and the rest of Tin Man are dour and punitive.
  11. Reviewed by: Matt Roush
    50
    Replacing "Oz"'s joyfully timeless charm with perverse irony and nightmarish, hallucinatory imagery makes this three-night miniseries more of a lavishly quirky curiosity than a keeper.
  12. Some of the performances are good, particularly by Deschanel (who gets to sing near the end, good news for anyone who saw "Elf"), McDonough and Cumming, but solid acting and monkeys flying out of, um, someplace aren't enough to justify spending six hours over three nights on a labored attempt to make a classic children's story seem grown-up and cool.
  13. Reviewed by: Brian Lowry
    40
    Tin Man proves a bit of a mess. Sci Fi has done well with minis in December, but despite the intriguing concept three consecutive nights of this adventure falls several Yellow Bricks shy of a load.
  14. 40
    Peeps of sentimentality only serve to emphasize the film's uneven mix of the sardonic and the heartfelt. Tin Man unfortunately seems as bereft of an efficiently functioning ticker as is the titular character himself.
  15. While the preening and the chewed scenery from the cast are at times glorious to behold, there is no substance to wrap our heads around, no one to really root for
  16. 30
    It's a dour retelling of the L. Frank Baum story, and it just keeps sinking further and further into pointless thematic complexity and visual density.
  17. Writers Steven Long Mitchell and Craig W. Van Sickle are certainly inventive, if inventive can mean willing-to-crib-from-sci-fi-culture-past, but the Tin Man story doesn't hang together well.
  18. Baum's work almost collapses under the weight of a misguided re-interpretation.
  19. 25
    The execution of "Tin Man" is flat, flatter, flattest. The dialogue is utilitarian, except when it's "Dungeons and Dragons" cliche.
  20. 12
    There is a point to this mess, but what it is, I can't say.
User Score
6.3

Generally favorable reviews- based on 97 Ratings

User score distribution:
  1. Positive: 38 out of 68
  2. Negative: 23 out of 68
  1. Feb 22, 2013
    7
    This review contains spoilers, click full review link to view. Several years ago, the SyFy channel decided to take a crack at re-inventing the classic Wizard of Oz, a noble task, that many have tried and failed. I didn't know what to expect, but I assumed it would be some variation of the classic tale, hoping it would be more the like books and less like the films. Tin Man is defiantly not for kids and takes a unique approach to the classic story. In this version, OZ is not the friendly loveable place with strange characters and happy times for all. It's a dark story, about a dark place, where presently there is a lot of pain and misery. The big twist in the story is that this OZ is centuries past the one visited by Dorothy Gale. In the Outer Zone (O.Z.), Dorothy Gale is a revered as the start of the royal families bloodline, but she has been dead for centuries! That being said, quite ingeniously, the future residents of the O.Z. parallel the old story, but not because they have to, they are in a sense mocking the original story in subtle ways. There's D.G. (Zooey Deschanel), the girl from the other side, who was forced into the O.Z., with no memory of ever having been there before. She soon meets Glitch, (Alan Cummings) a man who had part of his brain removed for disobeying the Queen. As they try to figure out what is happening around them, they run into a man (Neal McDonough) being punished in a Tin Man suit. This man was a Cop or Tin Man in the O.Z. who was deemed a threat, and put into this horrible form of torture. Finally, they come to the rescue of a native healer, named Raw (Raoul Trujillo), who has become trapped by carnivores and is about to become dinner. Together they go to see the wise man, to find out how to proceed in helping D.G. The Wise Man (Richard Dreyfuss) turns out to be a drugged out magician doing parlor tricks! There are a million other parallels to the original story that make the journey through the O.Z. that much more enjoyable. Zooey Deschanel is the star and even though people often mistake her unique style of acting for inexperience, she was the perfect choice to play D.G. The other standout is veteran character actor, Neal McDonough, who gives a gut wrenching and strong performance as the tortured former cop, in search of his family. The rest of the supporting cast was equally as impressive, taking you through the full range of emotions. As I said before, this is certainly not the OZ you grew up with and it's certainly not what I expected. Everything from the special effects, to the story, and even the modernization, was extremely impressive. It really is a shame that this was only a three part mini-series, but this would have made for one hell of a regular series. Some of the parallels are obvious, but there were plenty of times where I legitimately forgot that I was watching The Wizard of Oz. Leave the musical for the kid, this is what Frank Baum had in mind when he started this series, and it's most defiantly meant for mature audiences only. Full Review »