This haunting New Zealand miniseries boasts a strong, tense performance from Mad Men's Elisabeth Moss as a detective, but it's very much the work of director Jane Campion. [25 Mar 2013, p.44]
After the forced setup, evolves into a rich portrait of hard lives and the possibility of healing. By episode 3, the miniseries feels like a smart crime novel, steeped in very specific locales and individuals.
Top of the Lake is reminiscent of AMC's The Killing in ways both good (its moodiness) and unfortunate--Robin has a fiancé back home who keeps pleading for her to return--but its world is so specific and transcendently trippy, haunted by mythic legends rooted in this unforgiving geography, that it feels wondrously fresh, alien and unforgettable.
Most of the elaborately introduced plotlines fizzle out (or simply vanish), and the final surprise is the worst kind of twist ending, arrived at arbitrarily and seemingly presented for its shock value.
Apr 11, 2013Directing, acting scenery are working together perfectly to create a realistic drama. I really enjoyed the first 4 episodes and i am lookingDirecting, acting scenery are working together perfectly to create a realistic drama. I really enjoyed the first 4 episodes and i am looking forward for next ones to come!… Expand
Jun 13, 2013This review contains spoilers, click expand to view. Top of the Lake is a unique and captivating mini-series that offers great writing, acting and direction, and a fantastic setting. At first glance a crime drama, it defies genre conventions, but the tip of the hat to the horror genre in the opening sequence and music is not to be ignored.
Make no mistake; Top of the Lake is about New Zealand. Any local will tell you that New Zealand is Paradise; Top of the Lake tells us about the dark side of that paradise. Yes, there is an Appalachian (for example) version of this story but this is a distinctly New Zealand story.
Top of the Lake is a portrayal of New Zealand culture and its problems as few other films or series have done. “Once Were Warriors” is a notable exception, and it is no coincidence that that film also deals with issues of misogyny, violence, rape, teen suicide, child abuse and child molestation.
There is a lot of feminism in Top of the Lake, but it is New Zealand culture that is indicted, and men and women are both guilty. There are many victims in Top of the Lake, but there are few innocents. Women seem to limit their sins to denying, defending and otherwise enabling the behavior of men, and the dark side of the culture in general, but Top of the Lake wants us to question whether they are any less guilty. We probably see this most clearly in Campion’s main character Robin Griffin, played by Elizabeth Moss.
There are many good reasons to like Robin, and to identify with her. But the viewer suspects Al Parker (David Wenham) early on, and grows uncomfortable as Robin fails to follow up on some fairly clear warning signs, especially when she blacks out and wakes up in his bed and clothes, but fails to have a rape kit done, or a blood test, or to do anything more than give Al a light questioning. She has suspicions, but she fails to follow through on them. It begins to resemble the denial and willful blindness that is so much a part of the local culture, and a strong theme of the series.
Robin continues to get drunk in bars filled with overtly misogynist men, including one who actually raped her as a teenager. She rekindles an old relationship with an old flame, Johnno (Thomas M. Wright) in a no-means-yes moment in a pub toilet. This old flame had abandoned her at a high school dance just before she was raped by four drunk local men. He comes clean about being there, but refuses to deny planning it with them ahead of time. She continues seeing him.
When the local drug lord, Matt Mitchum (Peter Mullan), the most obvious villain of the series, reveals to her that he is her father, and that her lover is therefore her half-brother, we feel her horror as she realizes that many of the local demons are inside of her as well, and have been all along (Al has DNA testing done, and reports that Johnno is not Matt’s son. However he also reports that Tui’s baby is Matt’s, almost certainly a lie. We never know for sure).
As ugly as this all might sound, I continue to have a lot of sympathy and patience for Robin, as do most viewers I think. Credit this to the acting of Elizabeth Moss, but of course Campion knows that it is important that the audience care about even such a deeply flawed character.
Campion may have less patience for Robin than we do. GJ, the reluctant “guru” of Paradise, played by Holly Hunter, is inspired by the late Indian philosopher U.G. Krishnamurti, a friend of Campion’s. GJ has no more patience for Robin than for any of the “crazy living at Paradise. Robin is apparently the “crazy that broke the camel’s back, sending GJ off to Reykjavik, about as far from New Zealand as a person can get.… Expand
Apr 17, 2013watched the whole series yesterday.......woot woot!!!! Loved Elisabeth Moss...she did her typical great job....Cant wait for Copper and Hellwatched the whole series yesterday.......woot woot!!!! Loved Elisabeth Moss...she did her typical great job....Cant wait for Copper and Hell on Wheels to start again...… Expand
Mar 26, 2013Interesting albeit extremely quirky and fairly involving so far. It could really use subtitles as the accents are sometimes completelyInteresting albeit extremely quirky and fairly involving so far. It could really use subtitles as the accents are sometimes completely incomprehensible.… Expand
Apr 30, 2013Mediocre, no wait, it was slightly below mediocre. What it lacks is a
good story line, the plot is just so painfully obvious; Detective goesMediocre, no wait, it was slightly below mediocre. What it lacks is a
good story line, the plot is just so painfully obvious; Detective goes
back to her home town to solve a case (sound familiar?), the town is
small and quiet, ruled over by a rural gangster who controls pretty
much everything which leaves our detective wondering who to trust
(sound familiar?), during the course of the investigation our detective
discovers truths about her own dark past (if it doesn't sound familiar
to you by now, you really haven't been watching much TV/films over the
last 20 years). The plot twists (if they can be called that) are just
as obvious, I figured out who the bad guy was half way through this and
then just sat around waiting for her to figure it out.....which was
sort of dull.
Apart from being a bad story, it's also badly told. A lot of the times
you are left confused over who these people are and what exactly their
relations are with each other. So when something actually happens to
them you don't really find yourself caring much about it. Speaking of
characters I almost feel like I have to mention the women on the lake
top; a bizarre collection of horny, middle-aged women who follow some
guru like figure who gives them bashful, plaintive advice. The entire
thing is so stupid that you're just left there gaping at the screen
thinking "what the Hell?"
The acting is okay, nothing to boast or complain about that.
To sum up, for a suspense/thriller there is really little actual
suspense or excitement, just the plaintive progression of a plaintive
storyline. The only possible reason you might have to watch this show
is to see the stunning beautiful New Zealand landscape.… Expand
Jul 21, 2013Absolutely ludicrous plot. A bunch of scenes designed for sensational effect. I. e. the chimpanzee story --shameless exploitation of aAbsolutely ludicrous plot. A bunch of scenes designed for sensational effect. I. e. the chimpanzee story --shameless exploitation of a tragedy, not even an attempt to fictionalize.
I'd recommend BBC's Luther or Prime Suspect way above this for acting, action, drama, believable multidimensional characters you can care about.
Moss's accent came & went & was awful. Didn't she ever watch Flight of the Conchords to pick up pointers?
Unbelievable critics fell for this horsedoodle and gave it 100--how'd that happen?… Expand
Jan 17, 2015This review contains spoilers, click expand to view. How does anyone think this is good? Both my wife and I struggled to finish it. Too many story lines that barely intersect. In one scene they track a guy into the woods, then while tracking him spontaneously have sex, 2 guys just happen to be walking by to film it. If I had a nickel for every time that's happened to me... No one on the entire thing is normal, the kid helping girl with food, bangs his head on the wall and smacks himself, why? Crazy woman who had a chimpanzee as a boyfriend, guy who whips himself while talking to his dead mom, another crazy woman in charge of a storage container commune, her husband who flies into the middle of nowhere in a helicopter, their daughter attracts people in the woods with her guitar playing, drug dealing motorcycle gang. I know it was written and directed by the same person but it seemed more like it was written using the mad lib process.… Expand
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