• Network: HBO
  • Series Premiere Date: Apr 11, 2010
Season #: 1, 2, 3, 4

Universal acclaim - based on 32 Critics

Critic score distribution:
  1. Positive: 31 out of 32
  2. Negative: 0 out of 32

Where To Watch

Stream On
Stream On

Critic Reviews

  1. 100
    The artistic achievement of Treme is that it blends bluntness with the nuances of gorgeous music.
  2. Reviewed by: Verne Gay
    This is a spectacular new series, with some stunning performances--Pierce, Peters, Zahn, in particular--and gorgeous music.
  3. Just like "The Wire," Simon has again delivered a series unlike anything you've seen on television before.
  4. 100
    Treme is like Cajun food--it's spicy, it's weird and it's good, but it takes a while to appreciate.
  5. 100
    Treme puts everything into every scene. The camerawork is rich and the direction squeezes every nuance from the actors. The city's history has been painstakingly researched and effortlessly inserted into the writing. As a result, the moments-or notes-that make up this show are all that much richer, that much livelier.
  6. 100
    Treme tells its story incredibly well, but it just may not be a story everyone wants to follow. Some will hear its music and some won't. But if you do, this could be the rare TV show that makes you dance.
  7. 100
    I'm not saying "Treme" is necessarily in a league with "The Sopranos," "The Civil War" or even "Homicide" at its best. But the pilot moved me as those productions did--and in the world of television, that is something special.
  8. 100
    Treme is a true gift, a way to finally appreciate and embrace one of our most beloved but neglected cities.
  9. 100
    A feast for the senses and a gritty tribute to the soul and irresistible culture of a mighty city, this series is a pungent slice of New Orleans life, set in the aftermath of Katrina. This show sings, and it cooks with all creative burners firing on high.
  10. The best parts of Treme are breathtaking. And then it exceeds that.
  11. Treme, probably more than any piece of cinematic fiction set in New Orleans, feels like an authentic experience. As you watch it--and slowly savor it--you can practically taste the red beans and rice.
  12. 90
    Treme sketches and interweaves stories and desires, hopes and disenchantments.
  13. 90
    Yes, it's quite good. Sunday's episode is nearly flawless and a textbook example of how to launch an ensemble saga that may eventually embroider itself into a haunting tapestry.
  14. 90
    This is the kind of TV that viewers ask for but rarely get, driven by characters who are more than the sum of one or two qualities and who harbor depths that are revealed slowly, subtly, and authentically.
  15. With Treme (which refers to a New Orleans neighborhood and is pronounced treh-MAY), Simon, co-creator Eric Overmyer and their team of writers (including the late, great David Mills) have proved that television as an art form cannot only rival Dickens, it can hold its own against Wagner.
  16. Treme may lack the obvious narrative engine that the cops vs. drug dealers narrative gave "The Wire," but it's already a smart, engaging, moving and funny series, one that in many ways is more accessible than its predecessor.
  17. Reviewed by: Brian Lowry
    If you're not enamored of jazz, Treme's extended musical interludes will play like something of a slog, and keeping track of the disparate stories is nettlesome at first. Fortunately, the talent on display--particularly Goodman, Alexander, and "Wire" alums Pierce (a New Orleans native) and Peters--is such that watching them read the phone book would be superior to much of what's on TV.
  18. People Weekly
    Reviewed by: Tom Gliatto
    Co-created by David Simon and Eric Over­myer, the team behind The Wire, this is a lovingly textured, slowly unfolding series set in post-Katrina New Orleans. [26 Apr 2010, p.40]
  19. Treme, created by "Wire" mastermind David Simon, may not ultimately get to the level of those others, because it's going to take a while to sort out the characters and lay down the themes. It also looks to have a deliberate pace, and it doesn't seem to be setting up for a lot of blood-and-guts action, so it may end up attracting a more cerebral crowd.
  20. The combination of music and some humor, particularly from Mr. Goodman's character, make "Treme" easier to digest than a David Simon series might otherwise be.
  21. Through three episodes, there are enough funny, frustrating, sad and beautiful moments to make me hope Treme sticks around for a while.
  22. 80
    Treme features the kind of indelible characters we've come to expect from Simon and Overmyer in "Homicide" and "The Wire."
  23. It's all done so masterfully that by the third installment, Treme has the old-shoe feeling of a series that has been on for years, not weeks. Still, those first three episodes do move slowly, and if there's a sour note to be sounded it's that it takes awhile for the series to find its centerpoint.
  24. Yes, Treme is a tremendous document of the period following Katrina, how it shattered not just homes and infrastructure and tourism but, most important, families. All of that is on the surface and pretty accessible.
  25. Certainly there's nothing fussy about the almost instantly endearing Treme, which matches some of the best actors working today with characters worth the hustle you'll need to catch up with their interwoven stories.
  26. Treme takes us beyond the tourists' view, beyond the canned performances and ersatz Big Easiness, into the soul of a uniquely fragile American city built on a bedrock of pride.
  27. This is an elliptically told tale, and it takes a few episodes for the plot and the characters to pick up steam.
  28. Reviewed by: James Poniewozik
    As a whole, Treme is a kind of intimate, loose, indie-film version of TV, its various stories almost an anthology connected by musical moments.
  29. 80
    Those patient viewers who do stay will be richly rewarded with a humanist story that gains traction as it goes--a vivid and intimate character piece meant to be savored like a spicy gumbo.
  30. 75
    By the third episode of the three that HBO sent, the show had begun to find a rhythm, and the sometimes sprawling narrative (which will unfold over 10 episodes in the show's first season) had begun to gel in a promising way.
  31. 63
    As a series, Treme is a tough slog. I was by turns confused, bored and sad.
  32. Unlike "The Wire," the pacing is lazy. Many of the moments seem authentic, but to paraphrase director Alfred Hitchcock: A good show is life minus the boring parts.
User Score

Generally favorable reviews- based on 124 Ratings

User score distribution:
  1. Positive: 96 out of 124
  2. Negative: 13 out of 124
  1. Oct 20, 2015
    I just couldn't get into it.. I wanted to become as absorbed with New Orleans as much I was absorbed with Baltimore in "The Wire". I justI just couldn't get into it.. I wanted to become as absorbed with New Orleans as much I was absorbed with Baltimore in "The Wire". I just didn't like any of the characters much. Some of them I really disliked to be honest. It could have been really good but it just never took off for me.. Full Review »
  2. Mar 13, 2011
    I tried to watch this show wanting to lke it but just could not. I was bored and finally just gave up. I am wondering who gave it 10's andI tried to watch this show wanting to lke it but just could not. I was bored and finally just gave up. I am wondering who gave it 10's and wrote the reviews. Doesn't seem like an average television watcher to me..too well written. Maybe people that work for the show?? They have been known to do that. Full Review »
  3. DavidN.
    Apr 21, 2010
    Treme gets New Orleans right. Simon's wise and novelistic approach is perfectly suited to this most blessed and cursed city. Instinct, Treme gets New Orleans right. Simon's wise and novelistic approach is perfectly suited to this most blessed and cursed city. Instinct, deep research and beaucoup talent bode well for the show's future. Full Review »