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Average User Score: 8.0Dec 21, 2011David Fincher's "The Girl With The Dragon Tattoo" is exceptional. I write this having read the novel only one week before. It was amazing toDavid Fincher's "The Girl With The Dragon Tattoo" is exceptional. I write this having read the novel only one week before. It was amazing to see a master filmmaker lend his vision and excellent craft to a story that I truly enjoyed. Fans of the novel will note that a few side-plots are deleted and unfortunately a very revelatory journey at the end of the story is omitted. But the the detailed character development, thriller, mystery, romance (?), and real-life horror elements are all there.
For a few days I've been reading deprecatory reviews that said this is a "slicker" version than the original Swedish film. They were correct in that it is more streamlined and wrong in that it is the worse for it. The book is 682 pages, how do you fit that into 2.5 hours? The director and screen-writer have to move plot points along at a brisk pace.
Immediately after seeing Fincher's version I watched the original Swedish movie online. The difference is night and day. I loved the original movie when I saw it in an art-house theater a few years ago. But now that I've seen Fincher's vision? David Fincher and his Director of Photography bring a true cinematic brilliance to what is at first a whodunnit and then turns out to be a mix of emotional character study and real life horror on many levels.
Daniel Craig as the male lead is great but maybe not as "real" and haggard as Nyqvist in the original film. But the standout of the whole movie, above and beyond the harrowing script, is Rooney Mara's portrayal of Lisbeth Salander.
Where Noomi Rapace excellently portrayed Salander in the original film as an aggressive punk, Mara conveys social and emotional scars not just through her appearance (peircings and black leather) but also through her physicality and dialogue. Mara's Salander averts her gaze from the world, but when she looks into your eyes you see pain and fear that will quickly turn to aggression. In the original film Salander's sexuality is an extension of her aggressiveness. Here it's a crack in her armor that makes her human. My only complaint is not in the length of the denouement but how the details go by so quickly. All in all, f@#king brilliant. I want to see it again soon.… Expand