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Year One
Stars indicate the most critically-acclaimed movies.
Aberdeen

Generally favorable reviews
Based on 17 critic reviews
How did we calculate this?
Based on 5 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Drama
Written by:
Kristin Amundsen
Hans Petter Moland
Lars Bill Lundholm (story)
Directed by: Hans Petter Moland
Release Date:
Theatrical: August 17, 2001
DVD: April 23, 2002
Running Time: 106 minutes, Color
Origin: Norway / Sweden / UK
Summary
RATING: Not Rated
Starring Stellan SkarsgÄrd, Lena Headey, Ian Hart, and Charlotte Rampling
A modern, raw, pitch-black comedy about a young woman who travels from Scotland to Norway to find her estranged, alcoholic father and bring him home. (First Run Features)
Also On Metacritic
FILM: The Beautiful Country
Also On The Web: Internet Movie Database Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Los Angeles Times Kevin Thomas
It could have done with fewer plot devices, but it is ultimately far more satisfying than countless less ambitious and risky films.
Read Full Review >Washington Post Michael O'Sullivan
It is difficult to watch, but it's also impossible to take your eyes off the screen. It does not blench at the things that Hollywood routinely blenches at: substance abuse, dying, family dysfunction, love.
Read Full Review >Chicago Reader Lisa Alspector
Sumptuously hued in its emotional and visual tones, this drama is also a fairy tale, its plot contrivances beautifully justified by its minimalism.
Village Voice Leslie Camhi
Norway's hallucinatory, edge-of-the-world beauty imbues the story with a woozy, alcoholic haze and a sense of the marginal spaces into which the messiest aspects of private life are shoved.
Read Full Review >Miami Herald Marta Barber
A film of rare beauty, lifted by some of the best acting you may see in any film this year.
Read Full Review >Boston Globe Loren King
It is an uncompromising family tale, one that's dark but lyrical and moving in its rendering of the ties that bind even the most dysfunctional families, despite valiant efforts to destroy them.
Washington Post Stephen Hunter
It's clean and transparent, with no movie director tricks. The characters, not the montages, speak the loudest.
Read Full Review >The New York Times Stephen Holden
Skarsgard and Headey deliver perfectly meshed lead performances in a small, beautifully acted film that will make you squirm.
Read Full Review >Variety Eddie Cockrell
A humanistic, warts-and-all battle of wills between a dissolute father and an emotionally ravaged daughter.
Read Full Review >LA Weekly F. X. Feeney
Writer-director Hans Petter Moland (The Last Lieutenant, Zero Kelvin) has a fine eye for landscapes, but an even surer touch with actors.
Read Full Review >New York Post Jonathan Foreman
Intelligent, moving and often beautifully photographed, Aberdeen boasts superb performances.
Read Full Review >New York Daily News Jami Bernard
A journey that goes from prosaic to existential. Director Hans Petter Moland's raw drama of father-daughter reconciliation features an excellent cast.
Read Full Review >Chicago Tribune Michael Wilmington
In the end, grips us precisely because its actors are so utterly absorbed in their roles, so unfettered and nakedly expressive. This is the kind of acting we always look for, but rarely see.
Read Full Review >Seattle Post-Intelligencer Sean Axmaker
Behind the narrative twists and contrived dramatic complications is a searing and scary look at dysfunction.
Read Full Review >New Times (L.A.) Andy Klein
Headey, Skarsgård and Rampling flesh these people out marvelously, bringing them fully to life. It's almost a pity: The more real they become, the less pleasant is the time we spend with them.
Read Full Review >Charlotte Observer Lawrence Toppman
The characters, irritating as they can be at first, grow on you as they grow up.
What Our Users Said
The average user rating for this movie is 8.8 (out of 10) based on 5 User Votes
Note: User votes are NOT included in the Metascore calculation.
Asenath F. gave it a9:
Dry and Dark, yet witty and amazing. Woman, all hopes for a life she enjoys get's talked into coming to see her dying mother, not knowing that she is dying. She also has to find her father, a drunk Scott, an dpull him along for the ride.
Chad S. gave it a 7:
"Aberdeen" answers the question, "Who makes the better companion on a road trip: an alcoholic or a cocaine addict?" You're probably better off with the alcoholic, even though the cocaine addict, by default, makes for better company. When Kaisa asks her father, "Why can't you always be like this," she probably isn't aware of the irony. We'd like to pose the same question towards Kaisa, because the sober version of this broken soul is a lot more tolerable than the foul-mouthed bitch we encounter at the beginning. When Kaisa warms up to her estranged father, it's because she's coming down from her cocaine high, but what's nicely understated, is that this change of heart is directly related to her dying mum. Because Kaisa is strung out on drugs half the time, "Aberdeen" never wallows in sentimentality like other films about dying parents.
Paul D. gave it a 9:
Harrowing and touching, with stellar performances by Skarsgard and Headley, and a fine supporting turn from Ian Hart.
Pam G. gave it a 10:
Excellent movie. Excellent , brilliant and funny actors.
