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63
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29
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39
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70
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xx
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53
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77
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74
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43
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92
Diving Bell and the Butterfly, The
92
There Will Be Blood
85
Savages, The
84
Before the Devil Knows You're Dead
83
Sweeney Todd: The Demon Barber of Fleet Street
81
Juno
81
Bamako
78
Starting Out in the Evening
77
Nanking
74
Orphanage, The
71
Water Horse: Legend of the Deep, The
71
Manda Bala (Send a Bullet)
70
Lars and the Real Girl
69
Charlie Wilson's War
68
Business of Being Born, The
68
Delirious
68
War Dance
65
Great Debaters, The
64
Cloverfield
63
Walk Hard: The Dewey Cox Story
63
11th Hour, The
63
Hannah Takes the Stairs
60
I Want Someone to Eat Cheese With
57
Romulus, My Father
57
Teeth
55
Resurrecting the Champ
53
Music Within
52
Hollywood Dreams
51
Golden Compass, The
49
Good Night, The
47
Bella
47
Lions for Lambs
47
27 Dresses
46
Reservation Road
44
Nina's Heavenly Delights
43
Youth Without Youth
43
Final Season, The
41
Mad Money
41
First Sunday
39
Alvin and the Chipmunks
39
P.S. I Love You
38
Trailer Park Boys: The Movie
37
P2
32
Untraceable
30
Over Her Dead Body
30
Cover
29
Aliens vs. Predator: Requiem
24
One Missed Call
15
In the Name of the King: A Dungeon Siege Tale
7
Hottie and the Nottie, The
xx
Moondance Alexander
Stars indicate the most critically-acclaimed movies.
|
Aberdeen
First Run Features
FILM:
MPAA RATING: Not Rated
Starring
Stellan SkarsgÄrd,
Lena Headey,
Ian Hart,
and
Charlotte Rampling
A modern, raw, pitch-black comedy about a young woman who travels from Scotland to Norway to find her estranged, alcoholic father and bring him home. (First Run Features)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Kristin Amundsen
Hans Petter Moland
Lars Bill Lundholm (story)
|
| DIRECTED BY: |
Hans Petter Moland
|
| RELEASE DATE: |
DVD: April 23, 2002
Video: April 23, 2002
Theatrical: August 17, 2001
|
| RUNNING TIME: |
106 minutes, Color |
| ORIGIN: |
Norway / Sweden / UK |
Audience Award, Best Dramatic Feature Film, Hamptons International Film Festival

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
90
Los Angeles Times
Kevin Thomas
It could have done with fewer plot devices, but it is ultimately far more satisfying than countless less ambitious and risky films.

90
Washington Post
Michael O'Sullivan
It is difficult to watch, but it's also impossible to take your eyes off the screen. It does not blench at the things that Hollywood routinely blenches at: substance abuse, dying, family dysfunction, love.

90
Chicago Reader
Lisa Alspector
Sumptuously hued in its emotional and visual tones, this drama is also a fairy tale, its plot contrivances beautifully justified by its minimalism.
90
Village Voice
Leslie Camhi
Norway's hallucinatory, edge-of-the-world beauty imbues the story with a woozy, alcoholic haze and a sense of the marginal spaces into which the messiest aspects of private life are shoved.

88
Miami Herald
Marta Barber
A film of rare beauty, lifted by some of the best acting you may see in any film this year.

88
Boston Globe
Loren King
It is an uncompromising family tale, one that's dark but lyrical and moving in its rendering of the ties that bind even the most dysfunctional families, despite valiant efforts to destroy them.
80
Washington Post
Stephen Hunter
It's clean and transparent, with no movie director tricks. The characters, not the montages, speak the loudest.

80
The New York Times
Stephen Holden
Skarsgard and Headey deliver perfectly meshed lead performances in a small, beautifully acted film that will make you squirm.

80
Variety
Eddie Cockrell
A humanistic, warts-and-all battle of wills between a dissolute father and an emotionally ravaged daughter.

80
LA Weekly
F. X. Feeney
Writer-director Hans Petter Moland (The Last Lieutenant, Zero Kelvin) has a fine eye for landscapes, but an even surer touch with actors.

75
New York Post
Jonathan Foreman
Intelligent, moving and often beautifully photographed, Aberdeen boasts superb performances.

75
New York Daily News
Jami Bernard
A journey that goes from prosaic to existential. Director Hans Petter Moland's raw drama of father-daughter reconciliation features an excellent cast.

75
Chicago Tribune
Michael Wilmington
In the end, grips us precisely because its actors are so utterly absorbed in their roles, so unfettered and nakedly expressive. This is the kind of acting we always look for, but rarely see.

75
Seattle Post-Intelligencer
Sean Axmaker
Behind the narrative twists and contrived dramatic complications is a searing and scary look at dysfunction.

70
New Times (L.A.)
Andy Klein
Headey, Skarsgård and Rampling flesh these people out marvelously, bringing them fully to life. It's almost a pity: The more real they become, the less pleasant is the time we spend with them.

63
Charlotte Observer
Lawrence Toppman
The characters, irritating as they can be at first, grow on you as they grow up.
60
TV Guide
Maitland McDonagh
It's a raw, haunting experience.


The average user rating for this movie is 8.8 (out of 10) based on 5 User Votes
Note: User votes are NOT included in the Metascore calculation.
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