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Acid House, The
Zeitgeist Films

Acid House, The reviews
Critic Score
Metascore: 55 Metascore out of 100
User Score  
4.5 out of 10
based on 15 reviews
Read critic reviews
How did we calculate this?
based on 4 votes
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MPAA RATING: Not Rated

Starring Ewen Bremner, Gary McCormack, Jemma Redgrave, Kevin McKidd, Martin Clunes, Arlene Cockburn, Maurice Roƫves, and Irvine Welsh

A surreal triptych adapted by "Trainspotting" author Irvine Welsh from his acclaimed collection of short stories. Combining a vicious sense of humor with hard-talking drama, the film reaches into the hearts and minds of the chemical generation, casting a dark and unholy light into the hidden corners of the human psyche. (Zeitgeist Films)


GENRE(S): Drama  
WRITTEN BY: Irvine Welsh (also stories)  
DIRECTED BY: Paul McGuigan  
RELEASE DATE: DVD: August 28, 2001 
Video: September 4, 2001 
Theatrical: August 6, 1999 
RUNNING TIME: 112 minutes, Color 
ORIGIN: UK 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

80
Chicago Reader Staff(Not Credited)
It's MTV meets Merchant-Ivory, at once manneristic, hallucinatory, and exhilarating.
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75
San Francisco Chronicle Edward Guthmann
A blast of manic energy in the form of a film.
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70
Variety Brendan Kelly
The Acid House makes "Trainspotting" look like a mild-mannered youth comedy.
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70
Los Angeles Times John Anderson
A virulent but thoroughly entertaining trilogy of tales about the besieged lower classes of Edinburgh, ripe with vulgarity, self-loathing, violence and economic disorder.
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70
The Onion (A.V. Club) Tasha Robinson
The Acid House comes across as a shadow of "Trainspotting," albeit a vibrant, noisy, frantic shadow.
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63
The Globe and Mail (Toronto) Liam Lacey
There are flashes of excitement in this film, mostly from the verbal play and sulphurous humour of Welsh's perspective, but there's a lot that makes you wonder why you're sitting through it.
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60
Village Voice Jessica Winter
There's so little leavening humor here, and so much physical and emotional violence visited upon the already abject, that the film seems as pointless as the wasted lives it purports to examine.
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60
TV Guide Maitland McDonagh
God moves in mysterious -- some might say positively spiteful -- ways in this trio of scabrous tales adapted from short stories by "Trainspotting's" Irvine Welsh.
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60
The New York Times Stephen Holden
With a cackling nihilistic glee, the movie rubs our faces in the stinking, screaming muck of raw human appetite and insists that that's all there is.
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58
Seattle Post-Intelligencer Paula Nechak
It's not the direction that feels flaccid in this film. Surprisingly, it's the stories themselves, which provide a bit of a giggle but little else.
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50
LA Weekly Paul Malcolm
Sympathy is disturbingly cast aside so we can wallow in the pathetic. It’s a bad trip, man.
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50
San Francisco Examiner Wesley Morris
It feels like a trumped up trifle, disinterested in narrative exercises, using instead technique (cinematography, editing and, omigod, a soundtrack!) to swing moods and heighten reality, then send it crashing to earth.
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40
Austin Chronicle Marc Savlov
A mess, albeit one with occasional flashes of brilliance.
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40
Film Threat Ron Wells
Over all, the short stories never gel together or create a unified whole.
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25
Entertainment Weekly Lisa Schwarzbaum
Three stories by the guy who wrote Trainspotting, banged and smashed into a film by Paul McGuigan with none of Trainspotting's charm and all its grotesquerie.
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What Our Users Said

Vote Now!The average user rating for this movie is 4.5 (out of 10) based on 4 User Votes
Note: User votes are NOT included in the Metascore calculation.

Amurabi M. gave it a3:
if you are the kind of optimistic guy and you don`t share the kind of nihilistic mood of the 90s, maybe you can be disappointed from this material from the creator of that 90s milestone: "trainspotting". While "Trainspotting" offers hope and redemption with a woderful sense of humor and no chance for kirtsch and corny, this awful filme doesn`t offer anything. For those who loved tha boyle filme, this material (from this intrascendent mcguigan) is gonna be like mediocre filmmaking and poorly provocative material. Trying to be a comedy, this exercise of repulsion, pathetism, bad technique and "hilarious" scenes is no more than a bad film surrounded by the "prestige" of the writer. We know, now, that "trainspotting" was a fluke of Irvine Welsh but a great filme of Danny Boyle. "The acid house" is just a lack: of a mature writer, a disciplined director and, above all, a spark of talent.

Gilbert M. gave it a 5:
This is a violent movie. I don't mean that in the sense that it depicts brutal fisticuffs (it doesn't, much - though it depicts brutal just-about-everything-else-you-can-think-of). I mean that in the sense that it PUNCHES YOU IN THE FACE almost RELENTLESSLY and WITHOUT EXPLANATION - Paul McGuigan obviously read the stories and looked at - but didn't properly watch - Trainspotting, and thought, "Right, weird, horrible, pounding junglist club massive in a area soundtrack, that's easy enough. Make everything go really fast and loud and we're away". But Trainspotting knew there was an audience watching. It knew when to keep its head down. It knew not to draw attention to itself. The Acid House gave me a headache. It gets a 5 because the stories are pretty good. But you'll probably more "enjoy" (if that's the right word - or maybe "get more out of") reading them.

Jak gave it a 10:
F..... brilliant man.

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