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A.I. Artificial Intelligence
Warner Bros.


5.5

based on 32 reviews
Read critic reviews
How did we calculate this?

based on 194 votes
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FILM:

MPAA RATING: PG-13 for some sexual content and violent images

Starring Haley Joel Osment, Jude Law, Frances O'Connor, Sam Robards, and William Hurt

Started by Stanley Kubrick and finished by Spielberg, this project was adapted from Brian Aldiss's 1966 short story "Super-Toys Last All Summer Long." The film explores the idea of programming a child robot so that he is able to love.

GENRE(S):	Sci-fi
WRITTEN BY:	Steven Spielberg Ian Watson (screen story) Brian Aldiss (short story Supertoys Last All Summer Long)
DIRECTED BY:	Steven Spielberg
RELEASE DATE:	DVD: March 5, 2002 Video: March 5, 2002 Theatrical: June 29, 2001
RUNNING TIME:	140 minutes, Color
ORIGIN:	USA

Earned two Golden Globe nominations, including one for director Spielberg.

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Chicago Tribune Michael Wilmington

Pure magic, a three-act movie fantasy that transports us -- as the best films do -- to a world of its own, a place of ambiguous joy and delirious terror.

100

Chicago Reader Jonathan Rosenbaum

A film that might make you cry watching it is just as likely to give you the creeps thinking about it afterward, which is as it should be.

Entertainment Weekly Lisa Schwarzbaum

There aren't many at all like Spielberg and Kubrick, directors willing to lasso dreams (that's Steven) and nightmares (that's Stanley) or die trying. A.I. is a clash of the titans, a jumble, an oedipal drama, a carny act. I want to see it again.

Seattle Post-Intelligencer William Arnold

The movie is exactly what it's billed to be: the successful blending of two distinctly different filmmaking sensibilities from two different generations. But the stronger, and more pessimistic, sensibility -- Kubrick's -- carries the day.

Newsweek David Ansen

The result is fascinating -- a rich, strange, problematical movie full of wild tonal shifts and bravura moviemaking.

Variety Todd McCarthy

This is not "E.T.," nor is it a kid's film nor even necessarily a major mass-audience film, although Spielberg's name, high public anticipation and the child-oriented campaign will make it perform like one.

The New York Times Dana Stevens

(Spielberg) tells the story slowly and films it with lucid, mesmerizing objectivity, creating a mood as layered, dissonant and strange as John Williams's unusually restrained. modernist score.

Mr. Showbiz Kevin Maynard

Actually, it's a childhood "A Clockwork Orange," a reverent realization of the late Stanley Kubrick's final obsession.

Time Richard Corliss

A.I. will beguile some viewers, perplex others. Its vision is too capacious, its narrative route too extended, the shift in tone (from suburban domestic to rural nightmare to urban archaeology) too ornery to make the film a flat-out wowser of the E.T. stripe.

New York Daily News Jack Mathews

Most of its features work fine, and it will dazzle you with its tricks and illusions. But it is not what it claims to be on the package.

New York Post Jonathan Foreman

Audiences may find that the deliberate, Kubrickesque pacing -- without his intellectual rigor -- causes them to tune out.

Miami Herald Rene Rodriguez

This is speculative, heady stuff, far removed from traditional Hollywood summer entertainment, which alone will earn A.I. a devoted following.

Christian Science Monitor David Sterritt

Be warned that the violence-prone Spielberg of "Saving Private Ryan" and "Schindler's List" is also on display.

USA Today Mike Clark

This is a movie to be knocked, chewed and gummed, but not dismissed. It's the first 2001 release I've rushed to see twice.

Chicago Sun-Times Roger Ebert

Audacious, technically masterful, challenging, sometimes moving, ceaselessly watchable. What holds it back from greatness is a failure to really engage the ideas that it introduces.

Boston Globe Jay Carr

Spielberg has said that in their collaboration, cut short by Kubrick's death, Kubrick had opened his heart as never before. Although the fingerprint of each is upon A.I, there are times when the prints are blurred and merged. And this film will blur the hitherto distinctive profiles of each.

Village Voice J. Hoberman

Less a movie than a seething psychological bonanza.

Los Angeles Times Kenneth Turan

The skill involved holds us in our seats, the project's inability to transcend its built-in limitations keep it from achieving the kind of overarching impact it is after.

Salon.com Charles Taylor

For everything wrong with it, A.I. is not a dismissible film. It's too richly imagined, too accomplished. Even as he botches the emotions and the issues he raises, Spielberg goes headlong into them, wrestles with the picture's conflicting impulses. It's the kind of screw-up you get only from a master filmmaker.

Rolling Stone Peter Travers

Whether audiences are pleased or vexed, very vexed, by A.I., any movie buff worth his salt will want to sift through this fascinating wreck of a movie.

Philadelphia Inquirer Desmond Ryan

A fascinating but flawed work that demonstrates that, contrary to popular wisdom, great minds do not think alike.

New York Magazine Peter Rainer

It's one of the weirdest achievements in film history: Temperamentally, Spielberg and Kubrick are such polar opposites that A.I. has the moment-to-moment effect of being completely at odds with itself.

TV Guide Staff (Not credited)

A slickly crafted fable, however dark, but it's shot with haunting poetry.

Slate David Edelstein

What's a shock is the crudeness with which Spielberg fills the scenario in -- how he neuters his protagonist and short-circuits the inner workings of his human characters.

Washington Post Desson Thomson

Intriguing, inspired, flawed, misbegotten and fascinating -- all of these qualities apply to the movie, at one point or another.

Washington Post Stephen Hunter

The result is fascinating, if uneven and ultimately rather silly. Problems with the ending, so common these days, dog this visionary film as well.

New Times (L.A.) Robert Wilonsky

It's by turns poignant and cold, twisted and sweet, dreamy and drab, effortless and overwrought. In short, the movie is a stunning, ambitious mess that leaves you wondering how much better it might have been without Kubrick's specter peering over Spielberg's heavy shoulders.

LA Weekly Manohla Dargis

Spielberg's infidelity to Aldiss (and perhaps to Kubrick, who knows?) would be pardonable if it didn't ruin his movie. In the end, he has failed to make a persuasive, smart movie about robots and people.

Austin Chronicle Marc Savlov

What we're left with -- Kubrick or no -- is a muddled, messy disaster of a film, something that seems more like a drastically edited miniseries, cut down to incomprehensible levels with whole sections missing.

Baltimore Sun Michael Sragow

Ends up neither fish nor fowl. It's a misanthrope's "E.T."

Wall Street Journal Joe Morgenstern

A grim disappointment for grown-ups, and far too violent for young kids. I found it to be clumsy, misanthropic and intractably lifeless.

San Francisco Chronicle Mick LaSalle

By the end A.I. exhibits all its creators' bad traits and none of the good. So we end up with the structureless, meandering, slow-motion endlessness of Kubrick combined with the fuzzy, cuddly mindlessness of Spielberg.

The average user rating for this movie is 5.5 (out of 10) based on 194 User Votes
Note: User votes are NOT included in the Metascore calculation.

Sean P. gave it a9:
This film is one of my largest personal enigmas. I usually, almost always, find myself agreeing with the critics, and consequently, I use this site constantly and love it to death. But, there are 4 films that have gotten mixed metacritic scores which I totally cannot be without: Fight Club, Requiem for a Dream, The New World, and this one. And it's very weird indeed. I recognize that this movie is very far from perfect, is very meandering and self-indulgent and weird and incoherent, and yet while I am actually watching it, my eyes can't leave the freaking screen. It's just one of those very imperfect but very vivid and addicting pieces of art. Much of this film, especially the ending, feels much like a dream, maybe because dreams are also meandering and hazy and incoherent, but dreaming is still essential and likable. Much like this.

Shane S. gave it a10:
I'm a bit surprised, actually, by all the negative ratings this film has gotten. I disagree, though, because this film is great with three things. [***SPOILERS***] It pushes the imagination in a very uncomfortable way. That is, it actually distorts the modern happy ending and hands it an undertone of depressing creepiness, and it does it for a good reason. It speaks volumes of whether or not love is an exclusively human thing. And lastly, it's a subtle examination of modern evolutionary theory, expecting in its efforts to say "humans' time will eventually end on this planet." The ending scene is necessary for that reason, and without it the film would not really have a point. With these long endings, though, where the first fade-out tricks you into believing it actually ends at a certain point, people get a little angry and flabberghasted that they didn't get to leave the theatres that much earlier.

Manveer R. gave it a6:
Palin average one speilbergs half hearted efforts good visuals and not bad acting but movie dragged on way too long it was pathetic.

[Anonymous] gave it a4:
Despite its Spielberg gloss and philosophical pretensions, the movie lacks either a true emotional or intellectual heart and is full of inconsistencies. (For example -- a spoiler -- New York is inundated by water from melted icecaps but at the end when they have refrozen it is then under ice (?!).) To my mind it's more dross trading on uncritical reviewers and dismissive of its audience -- a view it ironically takes right from its redundant title "A.I.: Artificial Intelligence."

S. Gold gave it a1:
This movie is a bad creepy, boring, overlong, pointless, and weird among other things avoid if you can. Spielberg's worst!

Mike G. gave it a9:
I was blown away by the way this movie was conceived and realized. The best movies about the future are really movies that look at the present and where we're heading, and this movie did that with aplomb, as it never stopped questioning the relationships between robots and humanity, and the "rights" of the AI. Meanwhile, within all this, was a very touching and exciting movie. I still give Speilberg more credit for this movie than Kubrick, and think that Speilberg kept in a superb mix of dark and light, making this movie as captivating as it was.

Nick H gave it a7:
Very much an imperfect movie, but it's one that doesn't leave you disappointed. The driving force behind this movie - which is, of course, Kubrick's genius - shines through the muck of a flawed production. Kubrick's dark, dreary nature has sadly been exchanged for a lighter tone, "Speilberg-ian happiness" if you will. Yes Kubrick wrote it, but it seems to be delivered to us in a family friendly nature, one with a thick coating of joy smeared across the original sadness. One has to wonder, if Kubrick were still alive would this movie be darker, creepier, more unusual and even more logical? Would he have made it completely his own or would he have worked in unison with Speilberg? We'll never know, but in the meantime, watch this movie again. Give it another chance. RATING: *** / ****

A.I. Artificial Intelligence Warner Bros.

A.I. Artificial Intelligence
Warner Bros.