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63
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47
27 Dresses
29
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39
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81
Bamako
84
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69
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64
Cloverfield
30
Cover
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92
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43
Final Season, The
41
First Sunday
51
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49
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65
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63
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7
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60
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15
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81
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70
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47
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41
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71
Manda Bala (Send a Bullet)
xx
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53
Music Within
77
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44
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24
One Missed Call
74
Orphanage, The
30
Over Her Dead Body
39
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37
P2
46
Reservation Road
55
Resurrecting the Champ
57
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85
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78
Starting Out in the Evening
83
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38
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32
Untraceable
63
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68
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71
Water Horse: Legend of the Deep, The
43
Youth Without Youth
92
Diving Bell and the Butterfly, The
92
There Will Be Blood
85
Savages, The
84
Before the Devil Knows You're Dead
83
Sweeney Todd: The Demon Barber of Fleet Street
81
Juno
81
Bamako
78
Starting Out in the Evening
77
Nanking
74
Orphanage, The
71
Water Horse: Legend of the Deep, The
71
Manda Bala (Send a Bullet)
70
Lars and the Real Girl
69
Charlie Wilson's War
68
Business of Being Born, The
68
Delirious
68
War Dance
65
Great Debaters, The
64
Cloverfield
63
Walk Hard: The Dewey Cox Story
63
11th Hour, The
63
Hannah Takes the Stairs
60
I Want Someone to Eat Cheese With
57
Romulus, My Father
57
Teeth
55
Resurrecting the Champ
53
Music Within
52
Hollywood Dreams
51
Golden Compass, The
49
Good Night, The
47
Bella
47
Lions for Lambs
47
27 Dresses
46
Reservation Road
44
Nina's Heavenly Delights
43
Youth Without Youth
43
Final Season, The
41
Mad Money
41
First Sunday
39
Alvin and the Chipmunks
39
P.S. I Love You
38
Trailer Park Boys: The Movie
37
P2
32
Untraceable
30
Over Her Dead Body
30
Cover
29
Aliens vs. Predator: Requiem
24
One Missed Call
15
In the Name of the King: A Dungeon Siege Tale
7
Hottie and the Nottie, The
xx
Moondance Alexander
Stars indicate the most critically-acclaimed movies.
|
Amati Girls, The
Providence Entertainment
MPAA RATING: PG for mild language and brief sensuality
Starring
Cloris Leachman,
Mercedes Ruehl,
Dinah Manoff,
Sean Young,
Lee Grant,
Mark Harmon,
and
Paul Sorvino
A warm, emotional story centered around four sisters and the relationship they share with their recently widowed mother. While trying to help her cope, each of the sisters begins to understand what is missing in their own lives and relationships, and the lessons they learn affect the entire family. (Providence Entertainment)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Anne De Salvo
|
| DIRECTED BY: |
Anne De Salvo
|
| RELEASE DATE: |
DVD: September 4, 2001
Video: September 4, 2001
Theatrical: January 19, 2001
|
| RUNNING TIME: |
91 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
67
Seattle Post-Intelligencer
William Arnold
Plays like a series of well-done but disconnected acting-class sketches, filled with a huge cast of first-rate actors whose careers have all gone into decline.

52
Mr. Showbiz
Kevin Maynard
The movie is as schmaltzy as I'd feared, and yet De Salvo does elicit some nice performances from her ensemble cast.

50
New York Post
Lou Lumenick
A soggy cannoli of a domestic dramedy.
50
Village Voice
Nico Baumbach
An earnest ensemble weeper I'd at least feel comfortable seeing with my grandmother.

50
Dallas Observer
Gregory Weinkauf
Although DeSalvo performs the miracle of making these characters seem like people we actually know, occasionally her delivery definitely makes us wish we didn't.

50
Philadelphia Inquirer
Desmond Ryan
Rather like listening to Vladimir Horowitz play "Chopsticks."
50
Miami Herald
Curtis Morgan
Annie DeSalvo, a first-time director and screenwriter, can't escape the made-for-TV feel but does manage to give her cast, mostly once-big names fallen from grace and popularity, flashes of humanity between lessons about various saints and sermons disguised as dialogue.
40
TV Guide
Maitland McDonagh
Smacks of a certain kind of TV movie filled with pious uplift, even as it makes token concessions to contemporary lifestyles.

38
New York Daily News
Elizabeth Weitzman
Only a memorably commanding Ruehl transcends the limitations of her two-dimensional character.

38
Chicago Tribune
John Petrakis
All the obligatory plot elements are there. Love and loss, anger and forgiveness, illness and death. But they never flow together to make a coherent story. Instead, they just pop up whenever the script is in trouble. Which is all the time.
30
Los Angeles Times
Kevin Thomas
Has plenty of warmth, affection and conventional wisdom, but too much of the time it plays out in routine fashion with moments of contrivance.

25
San Francisco Chronicle
Mick LaSalle
We all know how actors overact when they play Italians, and we all know how actors overact when they play brain-damaged characters, so just imagine Knight's performance as a brain-damaged Italian American.

25
Chicago Sun-Times
Roger Ebert
The movie should be praying to St. Jude, patron saint of lost causes. Maybe he could perform a miracle and turn this into a cable offering, so no one has to buy a ticket to see it.

20
LA Weekly
Chuck Wilson
The cast, which includes Cloris Leachman as the sisters' mother and Paul Sorvino, Jamey Sheridan and Mark Harmon as their various men, emote like pros, even as they deplete any audience goodwill left over from past triumphs.

20
Chicago Reader
Lisa Alspector
The characters seem both reduced and idealized, and the plot has turns a dispassionate dramatist would avoid.

20
Variety
Robert Koehler
Most discomforting of all is the sight of world-class actors stuck in such threadbare material.

10
The New York Times
Stephen Holden
Although the concept seems promising enough, it is undone by disastrous casting decisions and an utter lack of ensemble unity.


The average user rating for this movie is 10.0 (out of 10) based on 6 User Votes
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