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Stars indicate the most critically-acclaimed movies.



American Beauty
DreamWorks

American Beauty reviews
Critic Score
Metascore: 86 Metascore out of 100
User Score  
8.7 out of 10
based on 33 reviews
Read critic reviews
How did we calculate this?
based on 89 votes
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MPAA RATING: R for strong sexuality, language, violence and drug content

Starring Kevin Spacey, Annette Bening, Thora Birch, Peter Gallagher, Wes Bentley, and Mena Suvari

Provoked by forbidden passions, Lester Burnham (Spacey) decides to make a few changes in his rut of a life, changes that are less midlife crisis than adolescence reborn. The freer he gets, the happier he gets, which is even more maddening to his wife, Carolyn (Bening), and daughter Jane (Birch) --especially when he turns his lustful gaze toward Jane's friend, the sultry Angela (Suvari). (Dreamworks SKG)


GENRE(S): Drama  
WRITTEN BY: Alan Ball  
DIRECTED BY: Sam Mendes  
RELEASE DATE: DVD: October 24, 2000 
Video: May 9, 2000 
Theatrical: September 15, 1999 
RUNNING TIME: 121 minutes, Color 
ORIGIN: USA 
LANGUAGE(S): English 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Chicago Sun-Times Roger Ebert
Spacey, an actor who embodies intelligence in his eyes and voice, is the right choice for Lester Burnham.
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100
TNT RoughCut Christopher Brandon
A dark comical masterpiece that single-handedly announces the collapse of the American family infrastructure as it exists on the brink of Y2K.
100
Dallas Observer Bill Gallo
It gracefully defies the usual categories, gets under your skin in ways you cannot anticipate, then works its way straight toward the heart. It's far and away the bravest and best movie of the year.
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100
New York Daily News Jami Bernard
A tart, funny and tremendously sobering movie about the deepest recesses of personal unhappiness.
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100
Boston Globe Jay Carr
Spacey is diamond-brilliant in a role that plays as if custom-made for him.
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100
San Francisco Chronicle Edward Guthmann
A wonder of a film -- a luminous, beautifully executed drama that gathers the best cast of the year -- the best American film of the year.
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100
Seattle Post-Intelligencer William Arnold
A dynamite comedy-drama that, unless it stiffs big-time at the box office, should be up for multi-Oscar nominations come February.
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100
USA Today Mike Clark
A singular accomplishment so specifically keyed to Spacey's talents that it mandates going out on a limb to say it contains the performance that will ultimately be regarded as "the one."
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100
New York Post Rod Dreher
A flat-out masterpiece, surely the best movie of the year; indeed, an all-time classic.
100
Rolling Stone Peter Travers
A triumph of acting, writing and directing that defies glib description...the kind of artful defiance that Hollywood is usually too timid to deliver: a jolting comedy that makes you laugh till it hurts.
100
Baltimore Sun Ann Hornaday
A movie that will endure.
90
The New York Times Janet Maslin
If you don't share the film's piercing vision of what really matters, someday you will.
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90
Chicago Reader Jonathan Rosenbaum
A brilliant satirical diagnosis of what's most screwed up about life in this country, especially when it comes to sexual frustration and kiddie porn.
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90
Los Angeles Times Kenneth Turan
A blood-chilling dark comedy with unexpected moments of both fury and warmth, a strange, brooding and very accomplished film that sets us back on our heels from its opening frames.
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90
Film.com Peter Brunette
Hilarious, slightly sick, and super-edgy ...the acting of its two principals, Annette Bening and Kevin Spacey, is so sublime that it's worth seeing on that grounds alone.
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90
Washington Post Desson Thomson
Hilarious, painful and brutally frank.
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90
Variety Todd McCarthy
A script as fresh and distinctive as any produced in the States in recent memory.
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89
Austin Chronicle Marc Savlov
A brilliant, exhilarating piece of filmmaking. It may even be the best mainstream film of the year thus far.
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88
Charlotte Observer Lawrence Toppman
(Mendes') film debut shows he can shock not only with noise and nakedness but with subtle observations.
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88
Chicago Tribune Michael Wilmington
I've got to admit it's a stunner.
88
Miami Herald Rene Rodriguez
Remarkably astute and devastatingly funny.
83
Portland Oregonian Shawn Levy
Though excellent in many ways, American Beauty is, finally, an uneasy mix of assured technique and simplistic satire.
83
Entertainment Weekly Owen Gleiberman
You know you're in the hands of a true filmmaker when you feel invited, at every turn, to share his sense of entrancement. I got that feeling in just about every frame of American Beauty.
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80
TV Guide Maitland McDonagh
Black comedy of the deepest, richest darkness laid over an aching meditation on the atrophy of dreams.
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80
Time Richard Schickel
Kevin Spacey (gives) a truly great performance.
80
LA Weekly Ella Taylor
Surprises you with a kind of hardheaded romanticism.
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75
Christian Science Monitor David Sterritt
A ruthless dissection of suburban malaise.
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75
Philadelphia Inquirer Carrie Rickey
Mendes nonetheless works this screenplay like a jazz virtuoso plays with a familiar theme such as "Mary Had a Little Lamb."
70
Film.com Robert Horton
If it is never really as profound as it seems to think it is, American Beauty is consistently entertaining, and it earns points simply for acknowledging that all may not be perfect in the current boom years.
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63
San Francisco Examiner Wesley Morris
A satire whose dead aim stops wounding - and starts making - stereotypes of white middle-classness.
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60
Salon.com Andrew O'Hehir
It remains a puzzling dream, vivid in detail and overly obvious in symbolism, fueled by half-digested lumps of malice and wonder.
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40
Village Voice J. Hoberman
Bland and nasty, American Beauty has the slightly stale feel of a family sitcom conceived under the spell of "Married . . . With Children."
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40
Newsweek Ann-Rebecca Laschever
In the end, the film lacks the skill of its actors and ends up feeling disjointed and confused about its own message.
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What Our Users Said

Vote Now!The average user rating for this movie is 8.7 (out of 10) based on 89 User Votes
Note: User votes are NOT included in the Metascore calculation.

Daniel P. gave it an8:
A brilliant film, that shows forbidden love and family destruction.

Patrick D. gave it a10:
Touching, beautiful and very original.

Harry E. gave it a10:
This film definitely is one of my all time favourites with such beautiful moments combined with great satire and sadness. Spacey and Bening are flawless.

Dandy Pants gave it a10:
Superb movie. Although it probably wouldn't have received a 10 if Spacey wasn't playing the lead. Easily the most convincing and memorable character / performance ever. It's clear that many of the "reviewers" of this movie didn't understand the underlying themes. Although family is a part of the movie, it is not the central theme. The portrayal of family life is incidental, and is only part of the bigger picture. One reviewer said that the movie relied on "rote cliche" and as pointed out by another reviewer, this is deliberate. Ultimately the film is about the desire to be free and the consequences of this desire in American culture. A culture that supposedly is based on freedom. Lester wants to be free from his career and his dominant wife. Carolyn wants to be free from her own meticulous nature and self-doubt. Jayney wants to be free from her parents. Ricky wants to be free from his Dad's expectations. Frank wants to be free to express his homosexuality. Angela wants to be free to be herself but for whatever reason plays a role instead. Despite living in the land of the free, every character experiences great difficulty in being who they want to be and the consequences for their desires are great. [***SPOILER***]Lester is eventually killed, Carolyn's marriage is ruined and her lover ends the relationship. Ricky is estranged from his father. Frank murders to keep his secret and so on. It is clear that one has to find a balance between the desire to be free and the social responsibilites that we live by. The movie concludes that happiness and beauty is not in the grandiose religious, familial and economic pressures of 'ordinary' life, but is found in the daily appreciation of the little things we ignore as we try to 'succeed'. We all want to be free, but the way we live doesn't allow us to be.

S B. gave it a10:
American Beauty is my favourite film of all time, followed by Eternal Sunshine of the Spotless Mind and Mulhholand Drive. It is a near perfect movie. It's use of "cliche" is very deliberate. Each scene is flawlessly connected with the underlying theme, symbolized in red. If you don't understand what I am talking about, you need to rewatch the movie. Then Alan Ball gives us Six Feet Under - Genius.

Christopher J. gave it a7:
This movie had some uncomfortable twists, and I appreciated all of them. The tension was almost unbearable for me at times, but the releases were satisfying enough. When the husband throws a dinner plate across the room, I almost wet myself. Some nudity parts and parental abuse parts could have been removed or toned down to improve the overall quality, but overall a fun film to watch.

Patrick D gave it a5:
This film along with Chicago and Crash are some of the most overrated pictures of the last 10 years to win best picture. At heart, American Beauty is a failed satire. It takes rote cliches like the father with a midlife crisis to the amateur film maker to the gay retired soldier and does nothing about them. You have potential to skewer the American nuclear family and the suburban ennui, but instead we get a hackneyed plot. Notable mostly for Annette Benning's performance, this movie is pedestrian and worth watching if you like WASPs trying to emote.

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