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84
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83
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81
Juno
81
Bamako
78
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77
Nanking
74
Orphanage, The
71
Water Horse: Legend of the Deep, The
71
Manda Bala (Send a Bullet)
70
Lars and the Real Girl
69
Charlie Wilson's War
68
Business of Being Born, The
68
Delirious
68
War Dance
65
Great Debaters, The
64
Cloverfield
63
Walk Hard: The Dewey Cox Story
63
11th Hour, The
63
Hannah Takes the Stairs
60
I Want Someone to Eat Cheese With
57
Romulus, My Father
57
Teeth
55
Resurrecting the Champ
53
Music Within
52
Hollywood Dreams
51
Golden Compass, The
49
Good Night, The
47
Bella
47
Lions for Lambs
47
27 Dresses
46
Reservation Road
44
Nina's Heavenly Delights
43
Youth Without Youth
43
Final Season, The
41
Mad Money
41
First Sunday
39
Alvin and the Chipmunks
39
P.S. I Love You
38
Trailer Park Boys: The Movie
37
P2
32
Untraceable
30
Over Her Dead Body
30
Cover
29
Aliens vs. Predator: Requiem
24
One Missed Call
15
In the Name of the King: A Dungeon Siege Tale
7
Hottie and the Nottie, The
xx
Moondance Alexander
Stars indicate the most critically-acclaimed movies.
|
American History X
New Line Cinema
FILM:
MPAA RATING: R for graphic brutal violence including rape, pervasive language, strong sexuality and nudity
Starring
Edward Norton,
Edward Furlong,
Beverly D'Angelo,
Avery Brooks,
Stacy Keach,
and
Elliott Gould
A groundbreaking controversial drama about the tragic consequences of racism in a family. (New Line Cinema)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
David McKenna
|
| DIRECTED BY: |
Tony Kaye
|
| RELEASE DATE: |
DVD: April 16, 1999
Video: April 16, 1999
Theatrical: October 30, 1998
|
| RUNNING TIME: |
117 minutes, BW / Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Chicago Tribune
Gene Siskel
A shockingly powerful screed against racism that also manages to be so well performed and directed that it is entertaining as well. [30 October 1998, Friday, p.A]
91
Portland Oregonian
Shawn Levy
Feels as true as a documentary, as painful as a blow to the heart.
90
TNT RoughCut
Christopher Brandon
What makes this film so powerful is that its unanswered questions force the audience to examine hate and its consequences making American History X one lesson you can't miss.
83
Entertainment Weekly
Owen Gleiberman
This is the sort of incendiary role a lot of actors would kill for, yet the shock of Norton's performance isn't its showboat flamboyance. It's that he makes this sadistic junior sociopath rueful and intelligent.

80
The New York Times
Janet Maslin
An inflated yet gut-slugging film.

80
Mr. Showbiz
Kevin Maynard
American History X is a crash course on how to make a message movie that resonates with crackling power.
80
Variety
Todd McCarthy
Jolting, superbly acted film.

80
Film.com
Gemma Files
A true achievement -- no matter who eventually wants to take, or deny, credit for its creation.
80
Film.com
Norman Green
Despite a cheap, Hollywood ending and despite Kaye's kooky campaign, X is a killer.
75
Chicago Sun-Times
Roger Ebert
A series of well-drawn sketches and powerful scenes, in search of an organizing principle.

75
San Francisco Examiner
Craig Marine
Such an ambitious, well-acted film that it's easy to overlook its flaws as relatively minor.

75
New York Daily News
Jami Bernard
Unflinching in its depiction of racism, anti-Semitism, violence and jailhouse politics.

75
USA Today
Mike Clark
While this movie is sometimes overbaked, it is the first major studio release in a while to engross wall-to-wall.

75
ReelViews
James Berardinelli
May be flawed, but it's not easily forgotten.

70
Washington Post
Michael O'Sullivan
Trenchant and visceral, American History X may not be perfect, but it's a darn sight better than good.

70
Chicago Reader
Jonathan Rosenbaum
The movie can't explain as much as it wants to about what makes (and unmakes) a skinhead, but it carries us a fair distance.

70
TV Guide
Ken Fox
It's Norton who makes the film such an enlightening experience, and he's mesmerizing.

70
Slate
David Edelstein
It's a testament to Norton's utter immersion in the role that he can even halfway connect the dots between this fundamentally sweet, brainy kid and the magnetic, white trash monster who'll haunt our minds long after the movie's liberal pieties fade into static.

70
Film.com
John Hartl
Norton's performance, which is every bit as varied as his Oscar-nominated work in Primal Fear, once more demonstrates that he's one of the most remarkable chameleons working in film.
67
Austin Chronicle
Marc Savlov
A violent, sober cautionary tale, strictly middle-of-the-road when it comes to its much-ballyhooed politics and grimly obvious in its telling.

63
The Globe and Mail (Toronto)
Liam Lacey
Excellent in flashes, unintentionally absurd and lead-footed at other moments, the movie stumbles under the weight of its own grandiose intentions.

60
The Onion (A.V. Club)
Joshua Klein
There may be much to like about his movie, but it's all been done before to more challenging degrees of moral ambiguity. That's a pretty fatal flaw.

60
LA Weekly
Manohla Dargis
Director Tony Kaye may be reaching for opera, but screenwriter David McKenna has set his sights distinctly lower.

60
Newsweek
David Ansen
This material is charged enough without piling on the melodrama and the lip-smacking violence. The movie too often sacrifices reportage for razzle-dazzle.

60
Time
Richard Corliss
It's hard to know whom to blame for the film's choppiness, its mixture of rage and sentimentality, the stridency of some of the acting.

50
New York Post
Rod Dreher
The picture is smothered by solemn right-mindedness, and hobbled by scripter David McKenna's simplistic, knee-jerk liberal take on suburban white racism.
50
Los Angeles Times
Kenneth Turan
For all its surface verisimilitude and for all its focus on a problem that couldn't be more current, this film can't manage to feel more than sporadically real.

50
San Francisco Chronicle
Mick LaSalle
As a visit to a world and a way of life most of us will never experience, American History X is vivid, and it feels honest. At the very least, it's not typical.

40
Dallas Observer
Andy Klein
Fails dramatically as well as ideologically.

25
Christian Science Monitor
David Sterritt
Norton's high-energy acting is the only element that saves the picture from being a total loss.

20
Washington Post
Stephen Hunter
A mousy little nothing of a picture.

20
Village Voice
Gary Dauphin
A mess of a film.


The average user rating for this movie is 8.9 (out of 10) based on 100 User Votes
Note: User votes are NOT included in the Metascore calculation.
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