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American Psycho
Lions Gate Films

American Psycho reviews
Critic Score
Metascore: 64 Metascore out of 100
User Score  
8.4 out of 10
based on 35 reviews
Read critic reviews
How did we calculate this?
based on 26 votes
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MPAA RATING: R for strong violence, sexuality, drug use and language

Starring Christian Bale, Willem DaFoe, Jared Leto, Reese Witherspoon, Samantha Mathis, and Chloe Sevigny

Based on the novel by Bret Easton Ellis and featuring the sounds of Huey Lewis and other classic early 80s gems, this satire set in 1980s Manhattan follows the dual life of Patrick Bateman (Bale), zealously materialistic and misogynisitc Wall Street executive by day, murdering sociopath by night.


GENRE(S): Suspense/Thriller  
WRITTEN BY: Bret Easton Ellis (novel)
Mary Harron
Guinever Turner
 
DIRECTED BY: Mary Harron  
RELEASE DATE: DVD: September 5, 2000 
Video: September 5, 2000 
Theatrical: April 14, 2000 
RUNNING TIME: 100 minutes, Color 
ORIGIN: Canada / USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
The New York Times Stephen Holden
A lean and mean horror comedy classic.
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91
Entertainment Weekly Owen Gleiberman
Funny, pungent, and weirdly gripping.
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90
Time Richard Corliss
But the carnage, like the sex scenes, is shot so pristinely that it becomes a nouvelle-cuisine feast; this is a splatter film Martha Stewart could love.
90
TNT RoughCut Don Kaye
A provocative success; wiping away the gore, Harron and Bale have found a mirror that forces us to look at ourselves and ask tough, disturbing questions -- which is ultimately what the best satire always does.
90
Rolling Stone Peter Travers
An uneven movie that nonetheless bristles with stinging wit and exerts a perverse fascination.
90
Dallas Observer Robert Wilonsky
An ethereal, creepy, almost breathtaking meditation on the life of a mind snapped in two.
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90
Film.com Peter Brunette
Harron's adaptation of Ellis's novel is brilliant, probably better than the book itself.
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80
Chicago Reader Lisa Alspector
The slick satire cleverly equates materialism, narcissism, misogyny, and classism with homicide, but you may laugh so loud at the protagonist that you won't be able to hear yourself laughing with him.
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80
Film.com Elizabeth Weitzman
Bateman could have been much more interesting if he'd been played by someone who wouldn't need to work quite so hard (Charlie Sheen or Rob Lowe might have been fascinating here).
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80
LA Weekly Ella Taylor
Cloaking (Bateman's) world in a hyperrealist light so sharp you could cut yourself on it, Harron keeps the violence minimal, over the top and ghoulishly funny.
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75
Baltimore Sun Chris Kaltenbach
A withering condemnation of a culture where greed is a virtue, a culture that you don't have to feel guilty for laughing at.
75
USA Today Mike Clark
Exceedingly well cast and assembled with flashy visuals and pacing by Harron, this period piece is diminished by its relative pointlessness.
75
Miami Herald Rene Rodriguez
Has the feverish intensity of a bad dream, leavened with a subversive sense of humor that is both sophisticated and cracked.
75
Chicago Sun-Times Roger Ebert
Christian Bale is heroic in the way he allows the character to leap joyfully into despicability.
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75
New York Daily News Jami Bernard
The real highlight is when Bateman and his co-workers compare custom business cards in a grueling, ego-shattering game of one-upmanship that is so linked to their sense of self it might as well be Russian roulette.
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71
Mr. Showbiz Michael Atkinson
The film's details are spot-on, its tone ludicrously ironic, and its casting deft.
70
Variety Dennis Harvey
Pace is sleek, airless and apt.
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70
Slate David Edelstein
Nearly perfect for what it is.
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67
Austin Chronicle Marc Savlov
Neither bloodthirsty enough to trigger the gag reflex of anyone but the most anemic viewer nor clever enough to yield much in the way of particularly engrossing insights.
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67
Portland Oregonian Shawn Levy
It's so steeped in the coldness and inhumanity of its protagonist that it's ultimately more clinical than absorbing.
63
San Francisco Chronicle Edward Guthmann
Harron validates and largely clarifies the work.
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63
Chicago Tribune Michael Wilmington
A second-rate nightmare: the Reagan generation meets Leatherhead with flickers of brilliance drowned in blood and snobbery, a corpse dressed by Bloomingdale's.
60
Washington Post Desson Thomson
There's nothing beyond the bloodshed and gallows humor, just intellectually secondhand implications about materialism, conformity and misogyny.
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60
TV Guide Ken Fox
It's not a great film, but let's face it: Considering the source, this is as good as it was ever going to get.
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50
Boston Globe Jay Carr
In both senses of the word, American Psycho wastes its women.
50
Christian Science Monitor David Sterritt
A standard-issue slasher movie, stylishly shot, but with little to distinguish it from a long line of "Psycho"-spawned gorefests.
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50
Salon.com Stephanie Zacharek
(Harron) has made a passionless movie about a passionless man, and it's all supposed to add up to make us feel or even just think something, but what?
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50
Film.com John Hartl
(Herron) just doesn't make the case that this book was worth filming.
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50
Village Voice J. Hoberman
Lacking any equivalent to the Sadean excess of Ellis's prose, it is also further evacuated of purpose.
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50
Seattle Post-Intelligencer William Arnold
A fairly loathsome and shallow movie about loathsome and shallow people, but it's almost worth catching to see star Christian Bale chew up the scenery.
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38
New York Post Jonathan Foreman
A misfiring black comedy oddly reminiscent of all those bad 1990s movies about strippers getting killed at bachelor parties.
38
Philadelphia Inquirer Carrie Rickey
A high-end version of "The Texas Chainsaw Massacre" set in the rarefied bistros, boites and brokerages of Yuppie Manhattan in the 1980s.
38
Charlotte Observer Lawrence Toppman
Ambiguity can enrich a movie, but artists abdicate their responsibilities if they don't take a stance of any kind.
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20
Los Angeles Times Kenneth Turan
Stillborn, pointless piece of work.
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12
San Francisco Examiner Wesley Morris
Most of American Psycho just sits there, looking at trouble, rather than looking for it - complacent, overjoyed in fact to exist at all.
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What Our Users Said

Vote Now!The average user rating for this movie is 8.4 (out of 10) based on 26 User Votes
Note: User votes are NOT included in the Metascore calculation.

Orson O. gave it a10:
THE best film of 2000. Screw the stupid anti-suburban (its been done before better) American Beauty. American Psycho satirizes 90s materialistic narcisitic emptiness. People with wants, needs, and no ability to connect. Brilliant. Now "Feed me the kitty!"

Graham M. gave it a9:
First of all, this is a satire, not a comedy. Do not get those two very different things mixed up. Second, this is not a standard slasher movie, infact its hard to call this a slasher movie. This is not like a teen horror flick, such as freddy or Jason or Scream, This is far more sophisticated and intelligent. This is an intelligent film with very interesting characters and performances by great actors such as Christian Bale, Willem Dafoe as well as Reese Witherspoone. Once you start watching this film, it will be hard to look away because the beginnging sucks you right in with Bale's characters narration. To be honest, this isnt the goriest movie ever, far from it, this film has tension and suggests allot of the violence without showing. The ending is very thought provoking and will make you want to watch it through again, because to understand what happens, once isnt enough.

Ryan M. gave it an8:
Great book, good movie. One can only imagine what this movie could've been if tackled from a deeper, darker, artier style. Effective as satire and a look of the 80's, but could've been slightly edgier that delves into the twists and turns of the mind. Not bad though for a major release. Bale was excellently cast.

matt a. gave it a9:
People who call this movie childish and over the top really don't get the movie, and more than likely have not read or are not familiar with the source material, Bret Easton Ellis's brilliant novel. This is satire folks. And damn good satire at that. Christian Bale gave what I consider to be the best performance by a child actor in Empire Of the Sun, and here he shows that he still has talent that is equal to and even in many cases surpassing those of his generation.

Chad S. gave it a7:
When "American Psycho" goes off the rails with Patrick Bateman's imitation of Leatherface, you wonder if Charlie Kaufman was taking notes. If you credited the bogus screenwriting team of Charlie & Donald Kaufman to Mary Harron's film; the Robert McKee disciple would find Charlie's satirization of the eighties and its Wall Street suits who could listen to Huey Lewis & the News without irony great (Donald loves his brother, after all), but he would want to kick it up a notch by having Patrick go on a shooting spree and use his victim's apartment as a slaughterhouse. The commercially-minded Kaufman would make Patrick sorry for his crimes by reason of insanity, not because he wants this American psycho to skirt responsibility, but more out of a final fruition of what McKee teaches, the character arc, in which Bateman starts off unsympathetic and makes his way across the spectrum to redemption. Charlie, however, subverts Donald's intentions with an appearance by Ronald Reagan on CNN, explaining the Iran-Contra affair, to show how the Republicans, like Patrick, got away with murder. "American Psycho" plays like a precursor to "Adaptation", and deserves a second look. Another reason being, of course, a broad example of why other countries would hate us.

Craig B. gave it a 10:
This is a very worthy film version of Bret Easton Ellis' stunning novel. The director does an excellent job of capturing the book's tone, effectively bluring the line between reality and the morbid fantasies of Patrick Bateman. The movie is well cast, and all of the performances are beyond reproach.

Ninjs Mafia gave it an 8:
More of a comedy than a horror movie, American Psycho is good if you have a sick mind mind and understand some of its weird humor. The movie follows a man, Patrick Bateman, who one day goes over the edge and kills someone. He then goes on a mad cap killing spree. Nothing too deep, although the ending was kind of a mind screw. Where this movie shines though, is in its satirical look at the '80s and outstanding performances. Christian Bale plays one of the coolest killers in a horror movie ever. His calm and cool persona makes him seem even more sadistic when he does kill someone. Talking about killing, I did find some of the deaths in this movie to be hilarious. When Bateman starts dancing around behind a colleague of his and picks up and ax, then procceeds to dance back and stick the ax in his friends head was one of the most memorable deaths in this movie. Also funny, is how Bateman continues to tell people how he kills everyone, and everyone just takes it as though he is joking. a Really cool, slick, and funny horror movie that should deserve some attention.

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