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34
10,000 B.C.
37
Air I Breathe, The
52
Be Kind Rewind
47
Boarding Gate
46
Bonneville
42
Bucket List, The
70
Caramel
49
Cassandra's Dream
44
Chaos Theory
54
Charlie Bartlett
64
Chronicle of an Escape
63
City of Men
78
Control
66
Darfur Now
59
Definitely, Maybe
41
Drillbit Taylor
36
Eye, The
46
Finishing the Game
35
Flakes
38
Flash Point
57
Flawless
29
Fool's Gold
41
Funny Games
66
George A. Romero's Diary of the Dead
65
Grace Is Gone
57
Hammer, The
68
Honeydripper
67
In Bruges
xx
Jack and Jill vs. the World
35
Jumper
9
Meet the Spartans
52
My Blueberry Nights
48
National Treasure: Book of Secrets
50
Other Boleyn Girl, The
90
Persepolis
44
Rails & Ties
46
Rambo
36
Remember the Daze
47
Semi-Pro
24
Sex and Death 101
76
Shotgun Stories
63
Signal, The
62
Spiderwick Chronicles, The
12
Strange Wilderness
45
Tyler Perry's Meet the Browns
59
Under the Same Moon
40
Vantage Point
55
Walker, The
37
War, Inc.
46
Welcome Home Roscoe Jenkins
60
What Would Jesus Buy?
51
Wild West Comedy Show: 30 Days & 30 Nights - Hollywood to the Heartland
17
Witless Protection
90
Persepolis
78
Control
76
Shotgun Stories
70
Caramel
68
Honeydripper
67
In Bruges
66
Darfur Now
66
George A. Romero's Diary of the Dead
65
Grace Is Gone
64
Chronicle of an Escape
63
City of Men
63
Signal, The
62
Spiderwick Chronicles, The
60
What Would Jesus Buy?
59
Under the Same Moon
59
Definitely, Maybe
57
Flawless
57
Hammer, The
55
Walker, The
54
Charlie Bartlett
52
Be Kind Rewind
52
My Blueberry Nights
51
Wild West Comedy Show: 30 Days & 30 Nights - Hollywood to the Heartland
50
Other Boleyn Girl, The
49
Cassandra's Dream
48
National Treasure: Book of Secrets
47
Boarding Gate
47
Semi-Pro
46
Finishing the Game
46
Welcome Home Roscoe Jenkins
46
Bonneville
46
Rambo
45
Tyler Perry's Meet the Browns
44
Rails & Ties
44
Chaos Theory
42
Bucket List, The
41
Funny Games
41
Drillbit Taylor
40
Vantage Point
38
Flash Point
37
Air I Breathe, The
37
War, Inc.
36
Remember the Daze
36
Eye, The
35
Jumper
35
Flakes
34
10,000 B.C.
29
Fool's Gold
24
Sex and Death 101
17
Witless Protection
12
Strange Wilderness
9
Meet the Spartans
xx
Jack and Jill vs. the World
Stars indicate the most critically-acclaimed movies.
|
Basic Instinct
TriStar Pictures
FILM:
MPAA RATING: R
Starring
Michael Douglas,
Sharon Stone,
Jeanne Tripplehorn,
George Dzundza,
Denis Arndt,
Leilani Sarelle,
Bruce A. Young,
and
Chelcie Ross
A brutal murder. A brilliant killer. A cop who can't resist the danger. Michael Douglas and Sharon Stone co-star in this thriller about a man who finds within himself an instinct more basic than survival. [Artisan]
| GENRE(S): |
Suspense/Thriller
|
| WRITTEN BY: |
Joe Eszterhas
|
| DIRECTED BY: |
Paul Verhoeven
|
| RELEASE DATE: |
DVD: September 18, 2001
Video: November 8, 1999
Theatrical: March 20, 1992
|
| RUNNING TIME: |
123 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
90
Variety
Staff (Not Credited)
Grade-A pulp fiction. This erotically charged thriller about the search for an ice-pick murderer in San Francisco rivets attention through its sleek style, attractive cast doing and thinking kinky things, and story, which is as weirdly implausible as it is intensely visceral.

75
Rolling Stone
Peter Travers
The film is for horny pups of all ages who relish the memory of reading stroke books under the covers with a flashlight. Verhoeven has spent $49 million to reproduce that dirty little thrill on the big screen.

67
Entertainment Weekly
Owen Gleiberman
Beneath its heavy-breathing fripperies, though, Basic Instinct is mechanical and routine, a muddle of Hitchcockian red herrings and standard cop-thriller ballistics.

63
USA Today
Mike Clark
The film never makes total sense, but at its best (the first half-hour), it comes closer to solidly junky titillation than the hapless Final Analysis. [20 Mar 1992, Life, p.1D]
50
San Francisco Chronicle
Mick LaSalle
Uninvolving. Even the sex is boring. Are these scenes supposed to be wildly erotic? If they are, they don't work. [20 Mar 1992, Daily Notebook, p.D1]
50
Chicago Reader
Jonathan Rosenbaum
Despite (or maybe because of) his obligatory nods to Hitchcock, this is slick and entertaining enough to work quite effectively as thriller porn, even with two contradictory denouements to its mystery (take your pick--or rather, your ice pick).

50
Austin Chronicle
Kathleen Maher
Verhoeven's film is fascinating, if stupid and stylish, if shallow. The story has to move along at a fair clip because otherwise we'd notice how nonsensical it all is. And there is very little to connect with emotionally.

50
Chicago Sun-Times
Roger Ebert
The film is like a crossword puzzle. It keeps your interest until you solve it. Then it's just a worthless scrap with the spaces filled in.

50
Time
Richard Schickel
This reflects its fundamental flaw of arrogance, a smug faith in the ability of its own speed, smartness and luxe to wow the yokels. [23 Mar 1992, p.65]
50
TV Guide
Staff (Non Credited)
The worst things about Basic Instinct, though, are the explicit "love" scenes. They're supposed to contribute to a heady equation in which sex, violence and psychology are fused; instead, they're gratuitous, exploitative, and entirely unerotic.

40
Los Angeles Times
Kenneth Turan
A reminder of the difference between exhilaration and exhaustion, between tension and hysteria, between eroticism and exhibitionism. The line may be fine, but it is real enough to separate the great thrillers from the also-rans. And Basic Instinct is not a great thriller. [20 Mar 1992, Calendar, p.F-1]
40
Empire
Mark Dinning
There’s still a guilty pleasure to be had in the ludicrous sex scenes (either we’re doing it very wrong, or Sharon Stone suffers from the most melodramatic orgasms known to womankind) and in Michael Douglas’ spectacular tank tops, of course.

38
Christian Science Monitor
David Sterritt
Verhoeven's lurid thriller has moments of welcome self-parody, but most of the action manages to be sensationalistic, homophobic, and tedious at the same time. [20 Mar 1992, Arts, p.12]
30
Washington Post
Desson Thomson
What isn't so fascinating is this movie's absurdity of motivation. No one does anything that makes sense. No one seems real. When the actual perpetrator is uncovered, there is no enlightenment as to why the killing occurred.

30
The New York Times
Elvis Mitchell
The $3 million reportedly paid for Mr. Eszterhas's screenplay did not buy a coherent ending.

25
Chicago Tribune
Dave Kehr
Verhoeven does not explore the dark side, but merely exploits it, and that makes all the difference in the world. [20 Mar 1992, Friday, p.C]
20
Washington Post
Rita Kempley
What we have here is a movie with not just one, but a family pack of psychos.

20
The New Republic
Stanley Kauffmann
It's just one more dunk in the slime pit of exploitation. [13 Apr 1992, p.26]
10
The New Yorker
Terrence Rafferty
A vicious, grindingly manipulative urban mystery that uses a thick atmosphere of S & M kinkiness to distract the audience from the story's thinness and inanity.

0
The Globe and Mail (Toronto)
Jay Scott
A perverse, lame-brained thriller that is pornographic, misogynist and homophobic. If that makes it sound appealing, I should also add that it's silly, boring and intellectually insulting.


The average user rating for this movie is 6.9 (out of 10) based on 18 User Votes
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