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12 Rounds Stars indicate the most critically-acclaimed movies.
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Becoming Jane
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MPAA RATING: PG for brief nudity and mild language
Starring Anne Hathaway, James McAvoy, Julie Walters, James Cromwell, Maggie Smith, and Joe Anderson
Becoming Jane is the story of the great, untold romance that inspired a young Jane Austen. Willful and spirited, Jane is not ready to be tied down to anything but her writing. That is until she meets Tom Lefroy, a charming rogue from London who spends more time drinking and socializing than on his law studies. (Miramax Films)
| GENRE(S): | Drama | Romance |
| WRITTEN BY: |
Sarah Williams
Kevin Hood |
| DIRECTED BY: | Julian Jarrold |
| RELEASE DATE: |
DVD: February 12, 2008 Theatrical: August 3, 2007 |
| RUNNING TIME: | 120 minutes, Color |
| ORIGIN: | UK / USA |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The average user rating for this movie is 7.5 (out of 10) based on 20 User Votes
Note: User votes are NOT included in the Metascore calculation.
Mar F. gave it a10:
love it. It's so sad to think that Jane Austen wrote in her novels the happy ending she could't have in real life.
Sarah B. gave it a4:
A very bland movie with no heart or soul. No real chemistry between the actors. You sort of wonder if some producer type thought, "hey, we can make 'Shakespeare in Love' with Jane Austen!" What he forgot to procure, however, was a convincing script and a competent director.
Chad S. gave it a6:
According to "Becoming Jane", Austen(Anne Hathaway) wrote canonical literature for the same reason that other women read disposable romantic pap, to add a little spice to their sexless prosaic lives. Since "Becoming Jane" imitates the storyline for Austen's "Sense & Sensibility", the screenwriter intimates that the celebrated novel was a barely concealed memoir. In this sense, "Becoming Jane" has a patriarchal sensibility, by its very suggestion that Austen's calling card to the ether was a pioneering example of "me"-lit. Happy endings were par for the course in Austen novels; as was her life, a happy ending indeed, if professional success could be measured by a barometer. Although "Becoming Jane" provides a seemingly objective ending about the synchronicity between career and family, the camera sees what the rhetorical screenwriter sees, that a published novel is no match indeed for a naked hand, which tips the scales in favor of family, which makes Austen's life an unqualified failure. "Becoming Jane" leads the viewer to believe that Jane became a famous writer almost by default. Intentional or not, the film aligns itself with the spirit of the times; that a barefoot and pregnant woman is better than a witty, ironical one.
Jay H. gave it a5:
5.5/10. I have to be in the mood for period romances, unfortunately I haven't been in the mood for one in years. So, I was bored to death. It was tedious, but as most films of this nature, it was also exceptionally well produced. Superb cinematography, costumes etc. I just felt I was watching it for an eternity.
Don M. gave it a10:
A literate script, great actors at their peak, lovely to look at, a plot (!) - who could ask fro more from a date at the movies???
Sorrona Q gave it an8:
A charming movie, despite it smacking you repeatedly in the face with comparisons to Pride and Prejudice.
gus gave it a6:
The English in this is very proper, the manners -for the most part - beyond reproach, and the locales heavenly bosky and wind-swept, if you are into that kind of thing. But the story is a wee bit modernized, plagued by a number of themes that were cribbed from weekday afternoon soap operas rather than the heady and trying plots of Austen. Of course, there are the requisite parallels in this parade of characters to those in Austen's stories, but they are faint, marrowless reproductions. Still, I loved it and recommend it.

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