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Big Bounce, The

Mixed or average reviews
Based on 36 critic reviews
How did we calculate this?
Based on 9 votes
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Movie Info
Genre(s): Comedy | Crime | Romance | Suspense/Thriller
Written by:
Sebastian Gutierrez
Elmore Leonard (novel)
Directed by: George Armitage
Release Date:
Theatrical: January 30, 2004
DVD: July 20, 2004
Running Time: 107 minutes, Color
Origin: USA
Summary
RATING: PG-13 for sexual content and nudity, violence and language
Starring Owen Wilson, Morgan Freeman, Gary Sinise, Sara Foster, Bebe Neuwirth, Charlie Sheen, Harry Dean Stanton, and Vinnie Jones
A comedy caper based on the novel by legendary crime writer Elmore Leonard. Wilson stars as Jack Ryan, a likeable drifter who heads for the North Shore of Oahu, where he soon discovers that whether he is looking for a new con or a little romance, temptation is everywhere. (Warner Bros.)
Also On Metacritic
FILM: Grosse Pointe Blank
Also On The Web: Internet Movie Database View The Trailer Official Studio Site Official Elmore Leonard Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Entertainment Weekly Lisa Schwarzbaum
By not trying too hard, this remake of a dumb movie has got spring in its step. The bounce is on us.
Read Full Review >LA Weekly Hazel-Dawn Dumpert
It's Wilson who's the score here. Quick, scruffy and completely at ease, he takes on Jack's let-it-ride charms and foibles as if he were tossing a Frisbee with friends, and it's impossible to watch him without wanting in on the game.
Read Full Review >Chicago Tribune Michael Wilmington
Like the frosty tropical drinks the people keep sipping here, it's refreshing and icy-cool, a sinful pleasure mixed by experts.
Read Full Review >Christian Science Monitor David Sterritt
Wilson is the main reason to see The Big Bounce, where he's perfect as a reasonably smart guy who often seems to have no idea what he's getting into. The other reasons are a solid supporting cast.
Read Full Review >USA Today Mike Clark
It gets wackier as it goes, starting with Charlie Sheen cast against type as a guy who's getting no sex and turns down the chance. Bebe Neuwirth has some funny scenes as a lush.
Read Full Review >ReelViews James Berardinelli
There's some entertainment value, but the production as a whole is unfocused.
Read Full Review >The Onion (A.V. Club) Keith Phipps
When the general pleasantness of the atmosphere and the cleverness of the screenplay don't carry the movie, Wilson does -- at least until a hurried, confounding finale that reveals its casualness as sloppiness.
Read Full Review >The Hollywood Reporter Kirk Honeycutt
It's too loose and casual, all too willing to trade the writer's trademark wit and literary mischief for slapstick comedy.
Read Full Review >Empire Simon Braund
Its sexy, offbeat fun for the most part, but its way too laid-back for its own good and, in the end, obstinately refuses to be anything more than the sum of its highly promising parts.
Read Full Review >Seattle Post-Intelligencer Sean Axmaker
This is one of those capers doomed to unravel in comic chaos, but it finally plays less like a con gone wrong than a long, lazy, insubstantial shaggy dog story coasting on nothing but charm.
Read Full Review >Chicago Sun-Times Roger Ebert
The movie doesn't work. It meanders and drifts and riffs.
Read Full Review >Village Voice Amy Taubin
The best Elmore Leonard adaptations ("Jackie Brown," "Out of Sight") play behind the beat, and although The Big Bounce isn't top-shelf Dutch, the film finds its own pace.
Read Full Review >The Globe and Mail (Toronto) Liam Lacey
Breezy, sleazy and a little bit wheezy, The Big Bounce combines a short running time, a portrait of island-life corruption, and a retro surf-and-scam plot. Throw in a vintage, funky-soul soundtrack and you have the ingredients of ever so many bad television shows.
Read Full Review >Portland Oregonian Shawn Levy
At 80 minutes, it feels truncated and abandoned -- a sketch of a comic thriller rather than the real thing.
Read Full Review >Slate David Edelstein
The first half-hour or so of this caper comedy, which is based on an Elmore Leonard crime novel, goes down like a strawberry daiquiri with a little umbrella.
Read Full Review >Variety Joe Leydon
Modestly engaging, albeit instantly forgettable shaggy-dog story only gradually reveals itself as a seriocomic take on standard-issue noir.
Read Full Review >Philadelphia Inquirer Steven Rea
Doesn't take itself seriously, and that's a good thing.
Read Full Review >The New York Times Dana Stevens
The usual double-crosses and convolutions ensue, but the narrative is so haphazard that the whole thing -- both the caper and the movie that contains it -- seems to have been hastily improvised.
Read Full Review >Baltimore Sun Michael Sragow
The movie, brief though it is, feels as padded as a travelogue.
Read Full Review >Dallas Observer Bill Gallo
The low-wattage thrills, lukewarm jokes and unconvincing caricatures we encounter in The Big Bounce simply don't generate that kind of excitement.
Read Full Review >New York Daily News Jami Bernard
A sexy crime story. The double-crossing complications don't make much sense, but it's fun to watch Wilson turn the hard-boiled dialogue into a series of ironic one-liners under the hot Oahu sun.
Read Full Review >New York Post Lou Lumenick
That The Big Bounce works at all is a testament to Wilson, an Oscar-nominated screenwriter ("The Royal Tenenbaums") who probably could have come up with something better in his sleep.
Read Full Review >TV Guide Ken Fox
Gutierrez keeps some of Leonard's tart dialogue, but not enough to hide the fact that the story has no momentum -- those gratuitous shots of pro-sufers shooting curls don't compensate -- and there's zero chemistry between the whiny Wilson and Foster, who has yet to make the transition from model to actress.
Read Full Review >Salon.com Charles Taylor
The movie is a garage-sale conglomeration of anecdotes and oddballs.
Read Full Review >Film Threat Kevin Carr
To be fair to this film, the only real thing holding it together is the cast, which is one of the best ensembles in a while.
Read Full Review >Film Threat Rick Kisonak
By the way, good luck making sense out of the final fifteen minutes. I'd say people were asleep at the wheel on this one but the film is so pointlessly all over the place that I'm not sure there even was one.
Read Full Review >Miami Herald Connie Ogle
Mostly, though, The Big Bounce isn't offensive, or even terrible. It's just lazy, relying on numb moviegoers to fork over cash thinking they'll see the next "Get Shorty" or "Out of Sight."
Read Full Review >Chicago Reader J.R. Jones
Armitage adds a slick veneer of one-liners and slapstick to Leonard's novel, but the story has been so spun around that it barely knows how to end.
Read Full Review >Washington Post Michael O'Sullivan
A film so boring, unsexy, styleless, sluggish and physically ugly that its badness seems almost intentional.
Read Full Review >Wall Street Journal Joe Morgenstern
Go in with lowered expectations, and expect to have them dashed.
Los Angeles Times Manohla Dargis
There may once have been a real movie rattling inside the empty studio package known as The Big Bounce, but no longer.
Read Full Review >Austin Chronicle Marrit Ingman
The worst thing about Bounce isn't that it's bad but that it just isn't interesting.
Read Full Review >Rolling Stone Peter Travers
Except for a rare scene of shaggy charm, nothing works. Nothing.
Read Full Review >San Francisco Chronicle Mick LaSalle
A dreadful exercise, with a script full of contradictions and empty gestures and a leading lady who's such a novice it hurts to watch her.
Read Full Review >Washington Post Desson Thomson
An insipid potboiler set against the far more enticing surf and sand of Oahu's North Shore.
Read Full Review >What Our Users Said
The average user rating for this movie is 2.1 (out of 10) based on 9 User Votes
Note: User votes are NOT included in the Metascore calculation.
Peter J. gave it a1:
Simply put, this was pure garbage. I could not even finish watching it. I gave it one point because I used to live in Hawaii and enjoyed seeing some of my old stomping grounds on the North Shore.
Pat C. gave it a 2:
The expendable triumph over the worthless in this affirmation of how pathetic one's free time to take in a show can be.
Brandon E. gave it a 1:
Horrible...just plain horrible.
Emily gave it a 0:
This movie was so completely void of plot that I left 30 minutes into it, confused as hell as to what the point of the film was. Even though I was actually in the mood for a mindless film, Owen Wilson couldn't entertain me enough to make me want to stay. fans looking for bikini clad models running around will also be disappointed.
Fantasy gave it a 0:
Please tell me that these big name actors did not make this dreck and that I was dreaming? Don't even think of seeing this. Terrible. Enough said.
Steve S. gave it a 1:
The only scam that is clear to you upon leaving the theatre is that you're out ten bucks. This movie is as dull as a spork! Why would talented actors such as Morgan Freeman and Gary Sinise sign-on for such garbage? Apparently the economy really is bad and they're hard up for work. Sara Foster is somewhere on the sexy meter between Tori Spelling and my dog, Pete. Dye job, next time, Sara, please. No one likes a skunk! Just an awful movie--poorly written, no plot, no story, no acting--I was beginning to think turning around to watch the back wall of the theare would be more entertaining. Go ahead, see The Big Bounce, but don't say I didn't warn you that you'll just feel like a Big Chump!
Lee Foo Y. gave it a 3:
The movie just meanders along. you keep waiting for something to happen that is big, but it never does. when the 'con' comes along, you're like 'huh'. that was it? we saw it in a small theater with about 20 people. asked 4 or 5 folks what they thought of it, and everyone gave it a thumbs down. my fiance gave it an 'it was ok'. as for the women, sara foster was too dull for my tastes. i liked '#9' better. the only semi-chuckle i got involved a cell phone. the pacing was off...maybe the editing is what did this in. more than likely, the actors were in hawaii together and someone said "hey, remember...we gotta do a movie". sinise and charlie sheen were wasted. foster was sparkless.
