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Big Bounce, The

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Big Bounce, The reviews
42
2.1 User Score:

Mixed or average reviews

Based on 36 critic reviews
How did we calculate this?

Based on 9 votes
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Movie Info

Genre(s): Comedy  |  Crime  |  Romance  |  Suspense/Thriller

Written by: Sebastian Gutierrez
Elmore Leonard (novel)

Directed by: George Armitage

Release Date:
Theatrical: January 30, 2004
DVD: July 20, 2004

Running Time: 107 minutes, Color

Origin: USA

Summary

RATING: PG-13 for sexual content and nudity, violence and language

Starring Owen Wilson, Morgan Freeman, Gary Sinise, Sara Foster, Bebe Neuwirth, Charlie Sheen, Harry Dean Stanton, and Vinnie Jones

A comedy caper based on the novel by legendary crime writer Elmore Leonard. Wilson stars as Jack Ryan, a likeable drifter who heads for the North Shore of Oahu, where he soon discovers that whether he is looking for a new con or a little romance, temptation is everywhere. (Warner Bros.)

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

83

Entertainment Weekly Lisa Schwarzbaum

By not trying too hard, this remake of a dumb movie has got spring in its step. The bounce is on us.

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80

LA Weekly Hazel-Dawn Dumpert

It's Wilson who's the score here. Quick, scruffy and completely at ease, he takes on Jack's let-it-ride charms and foibles as if he were tossing a Frisbee with friends, and it's impossible to watch him without wanting in on the game.

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75

Chicago Tribune Michael Wilmington

Like the frosty tropical drinks the people keep sipping here, it's refreshing and icy-cool, a sinful pleasure mixed by experts.

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75

Christian Science Monitor David Sterritt

Wilson is the main reason to see The Big Bounce, where he's perfect as a reasonably smart guy who often seems to have no idea what he's getting into. The other reasons are a solid supporting cast.

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75

USA Today Mike Clark

It gets wackier as it goes, starting with Charlie Sheen cast against type as a guy who's getting no sex and turns down the chance. Bebe Neuwirth has some funny scenes as a lush.

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63

ReelViews James Berardinelli

There's some entertainment value, but the production as a whole is unfocused.

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60

The Onion (A.V. Club) Keith Phipps

When the general pleasantness of the atmosphere and the cleverness of the screenplay don't carry the movie, Wilson does -- at least until a hurried, confounding finale that reveals its casualness as sloppiness.

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60

The Hollywood Reporter Kirk Honeycutt

It's too loose and casual, all too willing to trade the writer's trademark wit and literary mischief for slapstick comedy.

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60

Empire Simon Braund

It’s sexy, offbeat fun for the most part, but it’s way too laid-back for its own good and, in the end, obstinately refuses to be anything more than the sum of its highly promising parts.

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58

Seattle Post-Intelligencer Sean Axmaker

This is one of those capers doomed to unravel in comic chaos, but it finally plays less like a con gone wrong than a long, lazy, insubstantial shaggy dog story coasting on nothing but charm.

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50

Chicago Sun-Times Roger Ebert

The movie doesn't work. It meanders and drifts and riffs.

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50

Village Voice Amy Taubin

The best Elmore Leonard adaptations ("Jackie Brown," "Out of Sight") play behind the beat, and although The Big Bounce isn't top-shelf Dutch, the film finds its own pace.

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50

The Globe and Mail (Toronto) Liam Lacey

Breezy, sleazy and a little bit wheezy, The Big Bounce combines a short running time, a portrait of island-life corruption, and a retro surf-and-scam plot. Throw in a vintage, funky-soul soundtrack and you have the ingredients of ever so many bad television shows.

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50

Portland Oregonian Shawn Levy

At 80 minutes, it feels truncated and abandoned -- a sketch of a comic thriller rather than the real thing.

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50

Slate David Edelstein

The first half-hour or so of this caper comedy, which is based on an Elmore Leonard crime novel, goes down like a strawberry daiquiri with a little umbrella.

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50

Variety Joe Leydon

Modestly engaging, albeit instantly forgettable shaggy-dog story only gradually reveals itself as a seriocomic take on standard-issue noir.

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50

Philadelphia Inquirer Steven Rea

Doesn't take itself seriously, and that's a good thing.

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50

The New York Times Dana Stevens

The usual double-crosses and convolutions ensue, but the narrative is so haphazard that the whole thing -- both the caper and the movie that contains it -- seems to have been hastily improvised.

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50

Baltimore Sun Michael Sragow

The movie, brief though it is, feels as padded as a travelogue.

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50

Dallas Observer Bill Gallo

The low-wattage thrills, lukewarm jokes and unconvincing caricatures we encounter in The Big Bounce simply don't generate that kind of excitement.

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50

New York Daily News Jami Bernard

A sexy crime story. The double-crossing complications don't make much sense, but it's fun to watch Wilson turn the hard-boiled dialogue into a series of ironic one-liners under the hot Oahu sun.

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50

New York Post Lou Lumenick

That The Big Bounce works at all is a testament to Wilson, an Oscar-nominated screenwriter ("The Royal Tenenbaums") who probably could have come up with something better in his sleep.

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40

TV Guide Ken Fox

Gutierrez keeps some of Leonard's tart dialogue, but not enough to hide the fact that the story has no momentum -- those gratuitous shots of pro-sufers shooting curls don't compensate -- and there's zero chemistry between the whiny Wilson and Foster, who has yet to make the transition from model to actress.

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40

Salon.com Charles Taylor

The movie is a garage-sale conglomeration of anecdotes and oddballs.

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40

Film Threat Kevin Carr

To be fair to this film, the only real thing holding it together is the cast, which is one of the best ensembles in a while.

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40

Film Threat Rick Kisonak

By the way, good luck making sense out of the final fifteen minutes. I'd say people were asleep at the wheel on this one but the film is so pointlessly all over the place that I'm not sure there even was one.

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38

Miami Herald Connie Ogle

Mostly, though, The Big Bounce isn't offensive, or even terrible. It's just lazy, relying on numb moviegoers to fork over cash thinking they'll see the next "Get Shorty" or "Out of Sight."

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30

Chicago Reader J.R. Jones

Armitage adds a slick veneer of one-liners and slapstick to Leonard's novel, but the story has been so spun around that it barely knows how to end.

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30

Washington Post Michael O'Sullivan

A film so boring, unsexy, styleless, sluggish and physically ugly that its badness seems almost intentional.

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30

Wall Street Journal Joe Morgenstern

Go in with lowered expectations, and expect to have them dashed.

30

Los Angeles Times Manohla Dargis

There may once have been a real movie rattling inside the empty studio package known as The Big Bounce, but no longer.

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30

Austin Chronicle Marrit Ingman

The worst thing about Bounce isn't that it's bad but that it just isn't interesting.

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25

Boston Globe Ty Burr

No one on the screen bothers to commit to a character.

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25

Rolling Stone Peter Travers

Except for a rare scene of shaggy charm, nothing works. Nothing.

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25

San Francisco Chronicle Mick LaSalle

A dreadful exercise, with a script full of contradictions and empty gestures and a leading lady who's such a novice it hurts to watch her.

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20

Washington Post Desson Thomson

An insipid potboiler set against the far more enticing surf and sand of Oahu's North Shore.

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What Our Users Said

The average user rating for this movie is 2.1 (out of 10) based on 9 User Votes

Note: User votes are NOT included in the Metascore calculation.

Peter J. gave it a1:
Simply put, this was pure garbage. I could not even finish watching it. I gave it one point because I used to live in Hawaii and enjoyed seeing some of my old stomping grounds on the North Shore.

Pat C. gave it a 2:
The expendable triumph over the worthless in this affirmation of how pathetic one's free time to take in a show can be.

Brandon E. gave it a 1:
Horrible...just plain horrible.

Emily gave it a 0:
This movie was so completely void of plot that I left 30 minutes into it, confused as hell as to what the point of the film was. Even though I was actually in the mood for a mindless film, Owen Wilson couldn't entertain me enough to make me want to stay. fans looking for bikini clad models running around will also be disappointed.

Fantasy gave it a 0:
Please tell me that these big name actors did not make this dreck and that I was dreaming? Don't even think of seeing this. Terrible. Enough said.

Steve S. gave it a 1:
The only scam that is clear to you upon leaving the theatre is that you're out ten bucks. This movie is as dull as a spork! Why would talented actors such as Morgan Freeman and Gary Sinise sign-on for such garbage? Apparently the economy really is bad and they're hard up for work. Sara Foster is somewhere on the sexy meter between Tori Spelling and my dog, Pete. Dye job, next time, Sara, please. No one likes a skunk! Just an awful movie--poorly written, no plot, no story, no acting--I was beginning to think turning around to watch the back wall of the theare would be more entertaining. Go ahead, see The Big Bounce, but don't say I didn't warn you that you'll just feel like a Big Chump!

Lee Foo Y. gave it a 3:
The movie just meanders along. you keep waiting for something to happen that is big, but it never does. when the 'con' comes along, you're like 'huh'. that was it? we saw it in a small theater with about 20 people. asked 4 or 5 folks what they thought of it, and everyone gave it a thumbs down. my fiance gave it an 'it was ok'. as for the women, sara foster was too dull for my tastes. i liked '#9' better. the only semi-chuckle i got involved a cell phone. the pacing was off...maybe the editing is what did this in. more than likely, the actors were in hawaii together and someone said "hey, remember...we gotta do a movie". sinise and charlie sheen were wasted. foster was sparkless.

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