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Big Lebowski, The

EMAILPRINTGramercy Pictures

Big Lebowski, The reviews
69
9.6 User Score:

Generally favorable reviews

Based on 22 critic reviews
How did we calculate this?

Based on 102 votes
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Movie Info

Genre(s): Comedy

Written by: Ethan Coen
Joel Coen

Directed by: Joel Coen

Release Date:
Theatrical: March 6, 1998
DVD: November 5, 2002

Running Time: 117 minutes, Color

Origin: USA / UK

Summary

RATING: R for pervasive strong language, drug content, sexuality and brief violence

Starring Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, David Huddleston, Philip Seymour Hoffman, Tara Reid, and John Turturro

A scattered farce about a pothead bowler who is mistaken for a deadbeat philanthropist.

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Austin Chronicle Marjorie Baumgarten

It's paved with delightfully irregular and unanticipated bits of business that stimulate the viewer to stay fully alert, while renewing our faith in the sheer joy of watching movies.

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100

Chicago Tribune Michael Wilmington

It put a smile on my face that never left for 117 minutes.

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90

Washington Post Desson Thomson

With their inspired, absurdist taste for weird, peculiar Americana-but a sort of neo-Americana that is entirely invented-the Coens have defined and mastered their own bizarre subgenre.

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80

Washington Post Rita Kempley

The movie is as visually inventive and wildly eccentric as the Coens' earlier movies, but it lacks the emotional maturity and moral clarity of 1996's "Fargo."

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80

The New York Times Elvis Mitchell

Watching it amble along is enough of a treat, since the Coens populate this story with oddballs and bowling balls of such comic variety.

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80

Film Threat Merle Bertrand

Brilliantly scripted and full of a virtual Who's Who of familiar faces, The Big Lebowski is yet another golden hunk of totally unique celluloid from the versatile Brothers Cohen.

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75

ReelViews James Berardinelli

This is a comic amusement park ride – a wildly uneven movie that offers tremendous pleasure for the moment, even if it doesn't stand up well to post-screening analysis and scrutiny.

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75

Christian Science Monitor David Sterritt

Viewers with a taste for bizarre, even surreal, humor will have a ball.

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75

The Globe and Mail (Toronto) Rick Groen

It's a pinball arcade of a flick -- the Coens invent a bunch of wonderfully flaky characters, stick them into a Plexiglas narrative, and let them bounce off each other.

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75

Chicago Sun-Times Roger Ebert

Some may complain The Big Lebowski rushes in all directions and never ends up anywhere. That isn't the film's flaw, but its style.

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70

Dallas Observer Michael Sragow

It's neither the clean strike Coen-heads expected after Fargo nor the gutter ball anticipated by Coen-phobes like myself.

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70

Variety Todd McCarthy

Spiked with wonderfully funny sequences and some brilliantly original notions, The Big Lebowski, a pseudo-mystery thriller with a keen eye and ear for societal mores and modern figures of speech, nonetheless adds up to considerably less than the sum of its often scintillating parts.

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70

Chicago Reader Jonathan Rosenbaum

The Big Lebowski is packed with show-offy filmmaking and as a result is pretty entertaining.

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67

Entertainment Weekly Owen Gleiberman

Nearly everything in The Big Lebowski is a put-on, but all that leaves you with is the Coens' bizarrely over-deliberate, almost Teutonic form of rib nudging.

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60

Los Angeles Times Kenneth Turan

This film feels completely haphazard, thrown together without much concern for organizing intelligence.

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60

Slate Alex Ross

The great flaw in most of the Coens' work is, surprisingly, an inability to sustain a plot over a two-hour span.

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60

Newsweek Jack Kroll

Frothing from two mouths, they parody film noir, megaviolent thrillers, sports allegories, ravaged-war-veteran movies, existentialist Westerns, even Busby Berkeley musicals.

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60

New York Magazine David Denby

An off-kilter thriller with a sad-sack hero.

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50

The New Yorker Daphne Merkin

The clever dialogue, seductive camera work, and beautiful production design (the lavish dream sequences look like Busby Berkeley on Ecstasy) almost make you forget the vacancy at the movie's core, but in the end there's no escaping the feeling that the Coens are speaking a secret language.

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50

San Francisco Chronicle Edward Guthmann

Although some of its parts are brilliantly executed and played by a terrific cast, the result is scattered, overamplified and unsatisfying.

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50

San Francisco Examiner Barbara Shulgasser

It is a visual tour de force, but as a whole the movie slowly deflates into a cross between "Arizona" and "The Hudsucker Proxy".

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30

TV Guide Ken Fox

If it's all supposed to be in fun, why does it feel so much like an insult?

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What Our Users Said

The average user rating for this movie is 9.6 (out of 10) based on 102 User Votes

Note: User votes are NOT included in the Metascore calculation.

Derek B gave it a10:
Many people get frustrated with this film with the fact that the story does not make sense or goes anywhere. To me, this is part of the reason why this is one of the best movies ever to be executed. It's more about the amazing characters created along with the perfectly crafted jokes and timing of them. This movie also has some great visual work. It is an original work of art. Perfectly cast, directed, and edited.

Crab B gave it a5:
What a terribly overrated film. A hardly funny stoner flick, it goes for to long and is quite simply a bore. Cult classics are supposed to be good not haphazard mediocrity. On a more positive note the directing was at times brilliant with many memorable shots and some of the jokes amusing. The worst Coen film I have seen.

German N. gave it a10:
This movie is spectacular....I must admit that the first time I saw it I thought it was "OK" but I've seen it many times since and it gets better as I listen to the dialog more carefully. John Goodman is like a cranky Grizzly bear and steals many scenes with his angry outbursts and irrelevant rationale. The "real" Lebowski is like Dick Cheney poured into a wheelchair with a porn star wife......Phillip Semour Hoffman is a brilliant brown noser and the Dude really ties the movie together with turns of defeated slacker logic and certain charming familiarity that makes him an ironic and lovable hero.

Jim S gave it a10:
Masterfully written, cast, acted, and directed, this is an absurdist romp that never disappoints, sometimes surprises, and always entertains. Eminently quotable and relentlessly funny, this movie is worthy of its cult status. I feel sorry for the people who do not enjoy it; one of my all time favorite movies.

Matthew B gave it a10:
This is as close to a masterpiece as a movie about an unemployed bowler embroiled in a kidnapping scam can be.

Brendino C. gave it a10:
This is a masterpiece. I don't know much about film but I do know when something is great. This is something that is great. Take the scene when the Dude is talking to an apparently despondent Mr. Lebowski in front of his fireplace. While Lebowski laments, Dude just sits there dumbly, as if only half-aware of his surroundings. This scene could have been an emotional window into Lebowski's soul, but all such connotations are ruined by the Dude in all his stonerdom. The hero is just that, a stoner walking though life as if by accident.

Eric C. gave it a10:
Some of the most surreal sequences I have ever seen, this has to be the slacker equivalent to Pulp Fiction. Like it or not, we all know the Dude, and there is a little of the Dude in a lot of us.

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