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Brick

EMAILPRINTFocus Features

Brick reviews
72
7.6 User Score:

Generally favorable reviews

Based on 34 critic reviews
How did we calculate this?

Based on 76 votes
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Movie Info

Genre(s): Drama  |  Mystery

Written by: Rian Johnson

Directed by: Rian Johnson

Release Date:
Theatrical: March 31, 2006
DVD: August 8, 2006

Running Time: 110 minutes, Color

Origin: USA

Summary

RATING: R for violent and drug content

Starring Joseph Gordon-Levitt, Lukas Haas, Nora Zehetner, Noah Segan, Noah Fleiss, Emilie de Ravin, and Meagan Good

Brick, while taking its cues and its verbal style from the novels of Dashiell Hammett, also honors the rich cinematic tradition of the hard-boiled noir mystery, here wittily and bracingly immersed in fresh territory – a modern-day Southern California neighborhood and high school. (Focus Features)

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

91

The Onion (A.V. Club) Scott Tobias

Manages to be visually arresting, packed with geeky allusions to everything from Raymond Chandler to "Blue Velvet."

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91

Baltimore Sun Michael Sragow

A Big Sleep with underage bozos, a Maltese Falcon where the stuff that dreams are made of rests in the lockers of a well-worn high school, Brick is a remarkable oddity, audacious and engaging.

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90

Film Threat Jeremy Mathews

With brilliant dialogue out of the 1940s and graceful visuals that add depth to the dark comedy, Johnson debuts with a smart, self-assured feature that portrays adolescence like no other film has.

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88

Boston Globe Ty Burr

Brick is Bogart goes to high school, in other words, but that thumbnail description doesn't begin to convey the lasting pleasures of Rian Johnson's directorial debut.

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83

Entertainment Weekly Lisa Schwarzbaum

Johnson also grabs hold of a fundamental truth and seduces us with it: The schoolyard can be the noirest burg of all.

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83

Christian Science Monitor Peter Rainer

It's reminiscent of David Lynch, who is a master at mixing the ghastly and the risible. Brick would be better with a bit more Lynch in its soul, but Johnson is his own man, and I look forward to what he comes up with next.

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80

Empire Damon Wise

With a superb lead turn by rising star Joseph Gordon-Levitt, Rian Johnson’s debut is a smart, original neo-noir that works as an ingenious mindgame as well as a slick Hollywood calling card.

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80

The New Yorker David Denby

All in all, this twerpy little movie is one of the most entertaining pictures to be released so far this year.

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80

The Hollywood Reporter Duane Byrge

The mean streets don't get any nastier than the high school parking lots in this cool-crafted mystery.

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80

Los Angeles Times Carina Chocano

Johnson has taken a well-worn, much-revised genre, adapted to what's become a clichéd setting and transcended both in the process.

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80

Salon.com Andrew O'Hehir

Brick doesn't work 100 percent of the time, but it's a striking achievement, beautifully shot, often hilarious and occasionally moving.

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75

Premiere Ethan Alter

It takes a good fifteen minutes to fully adjust to the screenplay's rhythms, but once you do, the dialogue is a lot of fun to listen to.

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75

Rolling Stone Peter Travers

"Sensational" is the word for Joseph Gordon-Levitt (equally striking in Mysterious Skin), who stars as Brendan, the teen outsider who becomes a budding Bogart.

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75

New York Post Lou Lumenick

It's Gordon-Levitt's pitch-perfect work that makes Brick a hardboiled treat.

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75

TV Guide Maitland McDonagh

First-time writer-director Rian Johnson's gimmick is that his SoCal teens talk like film-noir yeggs and dames, slinging hard-boiled shade and spitting out terse, rat-a-tat dialogue peppered with slang that was yesterday's news 40 years before they were born. But the result is, against all odds, marvelously entertaining.

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75

Chicago Sun-Times Roger Ebert

This movie leaves me looking forward to the director's next film; we can say of Rian Johnson, as somebody once said about a dame named Brigid O'Shaughnessy, "You're good. You're very good."

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75

Seattle Post-Intelligencer Sean Axmaker

The concept is clever and Johnson's brisk editing, dynamic camerawork and snazzy transitions has fun with it all. It makes for an inspired time-warped teenage film noir.

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75

San Francisco Chronicle Neva Chonin

A weird and near-perfect polyglot of indie art film and noir mystery.

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75

Portland Oregonian Shawn Levy

Brick is kinda brilliant and kinda demented, and you love it for the former far more than you hold the latter against it.

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75

The Globe and Mail (Toronto) Rick Groen

Mainly, it's a clever gimmick, cleverly wrought, offering further evidence that you can dress up the student body in all manner of garb for all types of genres.

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70

Washington Post Desson Thomson

Like a good campfire storyteller, writer-director Rian Johnson knows how to fuse the amusing and the edgy. And, in Brendan, he has created an endearing character.

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70

Slate Troy Patterson

Like the best noirs, Brick is a triumph of attitude, and there's no arguing that its brand of deadpan cool is precisely unique.

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70

Variety Todd McCarthy

The story, while derivative, isn't half bad, and the picture gains in finesse and confidence to the point where Johnson more or less pulls off his peril-fraught exercise.

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70

Chicago Reader J.R. Jones

It's worth seeing for the tightly coiled plot, well-realized characters, and novel take on rapacious teen culture.

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70

Village Voice Michael Atkinson

The hair may thin considerably under Brick's hat after a while, and Hammett redone remains Hammett half done, but while the plates are in the air, it's a spectacle of nerve.

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70

New York Magazine David Edelstein

Writer-director Rian Johnson gives the usual teen angst an entertaining kick. But the joke wears off, and what's left is as convoluted and monotonous as any conventional hard-boiled mystery.

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70

LA Weekly Scott Foundas

Johnson pulls us into his world and keeps things oddly plausible, despite the intense stylization

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67

Austin Chronicle Marjorie Baumgarten

Gordon-Levitt already proved in last year's "Mysterious Skin" his captivating command as a dramatic actor; with Brick he further demonstrates his remarkable dexterity and range.

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63

Miami Herald Peter Debruge

This is neither the noir world of old '40s movies, of which he's clearly fond, nor something new and original enough to fit the concept. Instead, it feels like a blueprint for someone else to figure out.

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63

New York Daily News Jack Mathews

Johnson combines the elements of classic 1940s film noir and "Rebel Without a Cause"-style teen angst in a movie that is as phony as it is ambitious. It's an A+ film school exercise with zero emotional or social impact.

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60

Wall Street Journal Joe Morgenstern

Has the inherent limits of all movies that feed on movies, rather than life -- it's original, yet it's not.

50

The New York Times Stephen Holden

It's all so seamy, sordid, lurid and shocking! And dull, despite a noirish gloss of wide-angle cinematography and a jaundiced, smoggy color scheme.

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50

Philadelphia Inquirer Steven Rea

Alas, Brick, from writer-director Rian Johnson, isn't as clever as its conceit.

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50

Chicago Tribune Allison Benedikt

Challenging to follow, at best.

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What Our Users Said

The average user rating for this movie is 7.6 (out of 10) based on 76 User Votes

Note: User votes are NOT included in the Metascore calculation.

Seth P gave it a10:
A damned good neo-noir.

Matthew F. gave it a10:
My favorite movie of all time.

Deunnero gave it a9:
A great movie for a Friday night after a gruelling week of work. A throwback to films of old. I thought this had simliar tones to "The Night of the Hunter" personally. Highly recommended.

the Guardian gave it a10:
Brilliant film and an excellent way to bring noir to the kids that are missing out on it.

Brad C gave it a10:
Amazing movie. Quite different from other high school or murder mystery movies.

Eric S gave it a10:
I thought everything about this movie yelled class (dialog, story, ambiance, costumes, direction) even though most of it takes place in a middle / lower-middle class environment.

Andy M. gave it a5:
This movie is best described as a bunch of 25 year-olds, acting like 17 year-olds, acting like 35 year-olds. It's ridiculous. This isn't high school, and it never will be. It tries to be original by placing a 50-years-late, washed-up detective genre into a high school setting, and it comes off as plain absurd. As the Wall Street Journal puts it, "It's original, yet it's not". No high school is filled with smooth talking, drug-running teenagers, who spit 1940's lingo like it's the normal thing to do. If you like detective stories and you just HAVE to have a new angle, despite the complete lack of believability, then this is for you. The movie isn't a bad one, don't get me wrong. The writing and the confined presentation just prevents it from being the amazing movie it desperately wants to be. And I mean desperately.

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