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Stars indicate the most critically-acclaimed movies.
Bright Star

Universal acclaim
Based on 34 critic reviews
How did we calculate this?
Based on 51 votes
Read user comments
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Movie Info
Genre(s): Drama | Romance
Written by: Jane Campion
Directed by: Jane Campion
Release Date:
Theatrical: September 16, 2009
DVD: January 26, 2010
Running Time: 119 minutes, Color
Origin: UK | Australia | France
Summary
RATING: PG for thematic elements, some sensuality, brief language and incidental smoking
Starring Ben Whishaw, Abbie Cornish, Paul Schneider, and Kerry Fox
London 1818: a secret love affair begins between 23 year old English poet, John Keats, and the girl next door, Fanny Brawne, and outspoken student of fashion. This unlikely pair started at odds, he thinking her a stylish minx, she unimpressed by literature in general. It was the illness of Keats' younger brother that drew them together. Keats was touched by Fanny's efforts to help and agreed to teach her poetry. By the time Fanny's alarmed mother and Keats' best friend Brown realized their attachment, the relationship had an unstoppable momentum. Intensely and helplessly absorbed in each other, the young lovers were swept into powerful new sensation, "I have the feeling as if I were dissolving," Keats wrote her. Together they rode a wave of romantic obsession that deepened as their troubles mounted. Only Keats' illness proved insurmountable. (Apparition)
Also On The Web: Internet Movie Database Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Los Angeles Times Kenneth Turan
Masterfully put-together, made with confidence, intelligence and command.
Read Full Review >San Francisco Chronicle Amy Biancolli
A fine-boned, luminous tribute to Keats and the sufferings of love.
Read Full Review >Philadelphia Inquirer Carrie Rickey
Intimate as a whisper, immediate as a blush, and universal as first love, the PG-rated film positively palpitates with the sensual and spiritual.
Read Full Review >Slate Dana Stevens
The rare film about the life of an artist that is itself a work of art.
Read Full Review >Entertainment Weekly Lisa Schwarzbaum
Campion's big-sisterly encouragement of Cornish's lovely, openhearted performance -- and Whishaw's well-matched response -- results in a character instantly, intimately recognizable to anyone remembering her own first love.
Read Full Review >The New Yorker David Denby
What makes the movie extraordinary, however, is not so much the portrait of a poet as the accuracy and the detail of the period re-creation.
Read Full Review >The New York Times A.O. Scott
Ms. Campion, with her restless camera movements and off-center close-ups, films history in the present tense, and her wild vitality makes this movie romantic in every possible sense of the word.
Read Full Review >Salon.com Stephanie Zacharek
The film works on its own as an unfussy, passionate and gently erotic love story that never tips into sentimentality.
Read Full Review >The Hollywood Reporter Ray Bennett
Bright Star may not be a joy forever but it will do until the next joy comes along.
Read Full Review >Variety Todd McCarthy
Breaking through any period-piece mustiness with piercing insight into the emotions and behavior of her characters, the writer-director examines the final years in the short life of 19th-century romantic poet John Keats through the eyes of his beloved, Fanny Brawne, played by Abbie Cornish in an outstanding performance.
Read Full Review >Wall Street Journal Joe Morgenstern
Jane Campion has performed her own feat of romantic imagination.
Read Full Review >Chicago Reader J.R. Jones
Its great distinction lies in re-creating an age when thoughts and feelings were to be carefully considered and precisely enunciated. The best costumers, set designers, and property masters can’t conjure up the mental and emotional spaces of a simpler era; that requires a filmmaker who knows the virtue of quiet, patience, and attentiveness.
Read Full Review >Austin Chronicle Marjorie Baumgarten
Campion’s story of a tubercular poet and his lady love recasts the hackneyed old stanza in refreshing new verse.
Read Full Review >Baltimore Sun Michael Sragow
Bright Star delivers a prismatic depiction - tart, funny and piercing - of the romance between poet John Keats and Fanny Brawne in the three years before he died, in 1821, at age 25.
Read Full Review >Boston Globe Ty Burr
Bright Star is a thing of beauty and a joy for a movie season that needs it.
Read Full Review >Chicago Sun-Times Roger Ebert
What Campion does is seek visual beauty to match Keats' verbal beauty. There is a shot here of Fanny in a meadow of blue flowers that is so enthralling it beggars description.
Read Full Review >Christian Science Monitor Peter Rainer
For a movie so sensuously mounted, it's remarkably grounded.
Read Full Review >The Onion (A.V. Club) Keith Phipps
It’s a studied movie that gives itself over to bursts of intensity, and between them sometimes threatens to become as spellbound by its subjects as they become with each other.
Read Full Review >New York Magazine David Edelstein
Young Edie Martin, with her chaotic swarm of red ringlets and deadpan dutifulness (she has few lines, but they’re goodies), is the movie’s sign of eternal spring--the butterfly atop the just-opened blossom.
Read Full Review >Washington Post Ann Hornaday
That rare, genuinely transporting movie that creates an alternate universe, invites the audience in and lets them sink ever deeper into its particular, sublime reverie.
Read Full Review >Empire Liz Beardsworth
Campion has created another resonant paean to love’s pain and joy, and gives new life to John Keats, too often now associated with dusty school books.
Read Full Review >St. Louis Post-Dispatch Joe Williams
What animates this dramatically constrained film are the lively words and the vitality of nature. An image of butterflies blooming in a bedroom is Keats' worldview in miniature.
Read Full Review >Portland Oregonian Shawn Levy
There are nice bits throughout, and your heart can’t help but go out to these impassioned young lovers whom you know are doomed. But Bright Star is too often tarnished by the ordinary.
Read Full Review >USA Today Claudia Puig
What the film does best is remind us of the brilliance of Keats flame and how it was extinguished far too early.
Read Full Review >The Globe and Mail (Toronto) Rick Groen
Mainly, though, it's the exquisite restraint - both of Cornish's performance and Campion's direction - that gives the film its power.
Read Full Review >ReelViews James Berardinelli
Bright Star is a nice ode to the poet, the love of his life, and the period in which he lived.
Read Full Review >Rolling Stone Peter Travers
Bright Star is the New Zealand writer-director's raw, sensual attempt to render Keats as experienced by a young girl who couldn't understand the genius of his verse.
Read Full Review >Village Voice J. Hoberman
It's more conventionally romantic than wildly Romantic--but no less touching for that.
Read Full Review >Chicago Tribune Michael Phillips
In its way Campion’s film is a thing of beauty, but its characters’ inner lives must be taken on faith.
Read Full Review >Film Threat Matthew Sorrento
Masterpieces of literature-to-film are a rare breed; this film falls short with satisfaction.
Read Full Review >New York Daily News Elizabeth Weitzman
There's nothing exceptional about Jane Campion's historical biography, but it's a sufficiently lovely tale to suit romantics with a taste for intimate period dramas.
Read Full Review >Miami Herald Connie Ogle
A well-acted, well-crafted but excruciatingly tepid romantic film about a subject that will attract poetry lovers and yet test even their considerable patience.
Read Full Review >Time Out New York Keith Uhlich
Writer-director Jane Campion approaches the tale with an artiste’s respectful solemnity, but it too often comes off like "Twilight" transplanted across oceans and centuries.
Read Full Review >What Our Users Said
The average user rating for this movie is 6.9 (out of 10) based on 51 User Votes
Note: User votes are NOT included in the Metascore calculation.
Scott P gave it a9:
Elemental and achingly beautiful, this is Jane Campion at her very best. Craft and emotion woven into poetry. Beautifully cast and acted down to the smallest role.
MSB gave it a1:
Sorry John V, but anyone who gives this movie more than a 1 knows nothing about Keats' life, his relationship with Fanny, his poetry, film-making in general, and the incredibly inept and pathetic Jane Campion. I should have known better than to see this film, considering I thought "The Piano" over-wrought and pompous. Sad that Campion knows nothing about Keats and yet chose to make a film about him. Those of us who have studied Keats' life and his poetry, and who are familiar with his letters to Fanny (she saved all of them, so why didn't Campion read them), who have written critically/analytically about the poetry, and who have taught Keats' work, either are or should be appalled at this incredibly inaccurate and simple-minded film. A pox on Jane Campion. She needs to go back to school---film-making school as well as a decent undergraduate liberal arts college.
Katherine S gave it a5:
Tepid, boring, and precious. I din't, actually, find the period detail convincing. It was distracting, and many of the scene reminded me of advertisers' idealizations or lifestyle images showing children of different ages all engaging in idyllic pastimes on large green lawns that only the priveleged can access. I also thought that both Cornish and Wishaw were miscast. Wishaw was turnoff and Cornish was stolid. I also couldn't catch a fair amount of the dialogue. An generally overrated film, I would say. I wonder what the UK reviews say.
Diana B gave it a7:
Disappointing although beautifully rendered. Sort of static. They meet, they love, he dies.
Elaine S gave it a10:
Beautiful film, loved Abbie Cornish as Fanny. It is so nice to see such an outstanding performance from an actress these days espcially in a time piece. The visual aspects and scenery were stunning.
Bill D gave it an8:
It's dry in a PBS sort of way, but it delivers exactly what it promises. And Abbie Cornish was (is) amazingly beautiful and talented.
Ken G gave it a7:
I don't know if the true life version of this love story was as chaste as this movie makes it seem, but otherwise this film does solid work all around.
