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Cadillac Records
EMAILPRINTTriStar Pictures (Sony)

Generally favorable reviews
Based on 30 critic reviews
How did we calculate this?
Based on 19 votes
Read user comments
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Movie Info
Genre(s): Drama | Musical
Written by: Darnell Martin
Directed by: Darnell Martin
Release Date:
Theatrical: December 5, 2008
DVD: March 10, 2009
Running Time: minutes, Color
Origin: USA
Summary
RATING: R for pervasive language and some sexuality
Starring Adrien Brody, Jeffrey Wright, Beyonce Knowles, Gabrielle Union, Columbus Short, Cedric the Entertainer, Emmanuelle Chriqui, Eamonn Walker, and Mos Def
In this tale of sex, violence, race and rock and roll in 1950's Chicago, Cadillac Records follows the exciting but turbulent lives of some of America's musical legends, including Muddy Waters, Leonard Chess, Little Walter and Howlin’ Wolf, Etta James and Chuck Berry. (Sony Pictures)
Also On The Web: Internet Movie Database Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
New York Magazine David Edelstein
The ensemble is stupendous--howlingly great--and the music goes deep.
Read Full Review >The New York Times A.O. Scott
This movie is crowded and sprawling, and if it rambles sometimes, that's just fine. Like those big, boxy Caddies (and like Howlin’ Wolf, if he did say so himself), it's built for comfort, not for speed. It hums, it purrs and it roars.
Read Full Review >Seattle Post-Intelligencer Gene Stout
The movie's biopic aspect is multiplied by the sheer number of players who made Chess the first family of Chicago blues, R&B and rock 'n' roll...That all of them were later inducted into the Rock and Roll Hall of Fame attests to their enormous influence on popular music and culture.
Read Full Review >Entertainment Weekly Owen Gleiberman
It's an enjoyable ramble, with a feel for what made the early days of rock as wild as any that followed.
Read Full Review >Christian Science Monitor Peter Rainer
The film suffers at times from biopic-itis – the narrative unfolds with the requisite heartbreak carefully apportioned – but it's always eye-catching.
Read Full Review >Slate Dana Stevens
One of the strengths of Cadillac Records, written and directed by Darnell Martin, is that it's a movie about music by someone who genuinely seems to enjoy listening to music.
Read Full Review >Salon.com Stephanie Zacharek
Such an exhilarating, spirited piece of work that its embellishments and omissions cease to matter.
Read Full Review >The Hollywood Reporter Kirk Honeycutt
In watching this film, it's best not to worry much about the film's fidelity to history but rather simply lean back and enjoy one great jam session on film.
Read Full Review >Chicago Sun-Times Roger Ebert
Cadillac Records is an account of the Chess story that depends more on music than history, which is perhaps as it should be. The film is a fascinating record of the evolution of a black musical style, and the tangled motives of the white men who had an instinct for it.
Read Full Review >Chicago Tribune Tasha Robinson
Mos Def makes a terrific Berry, all flash and confidence, and Wright offers a memorably soulful take on Waters, whether he's strutting, singing, suffering or all three. Walker's Howlin' Wolf is a deep-throated, pride-filled bear of a man who dominates the screen.
Read Full Review >San Francisco Chronicle Mick LaSalle
A satisfying combination of great songs and strong dramatic performances.
Read Full Review >New York Post Lou Lumenick
The film's most memorable performance is by Eamonn Walker, who is scarily good as the singer known as Howlin' Wolf.
Read Full Review >Baltimore Sun Michael Sragow
Has buoyancy to spare. It's filled with bumps and scratches. But in the manner of a nicked old LP, its gnarly surface and warps-and-all sound evokes real life.
Read Full Review >The Globe and Mail (Toronto) Stephen Cole
Anyone who likes pop music or wonders how bands like the Rolling Stones got rolling will enjoy the ride.
Read Full Review >Chicago Reader Andrea Gronvall
The electrifying music helps camouflage the screenplay's hyperbole.
Read Full Review >Wall Street Journal Joe Morgenstern
Cadillac Records may be a mess dramatically, but it's a wonderful mess, and not just because of the great music. The people who made it must have harbored the notion, almost subversive in a season of so many depressing films, that going out to the movies should be fun.
Read Full Review >Austin Chronicle Marjorie Baumgarten
Cadillac Records bobs and weaves, strides and duckwalks, samples and smiles on the sounds that made urban Chicago such a blues melting pot.
Read Full Review >Boston Globe Ty Burr
It's a hell of a story, and Cadillac Records wants to tell it so badly that it threatens to warp the narrative out of recognition.
Read Full Review >Philadelphia Inquirer Carrie Rickey
Brody plays Chess as a slightly crooked but well-meaning musical cheerleader without fully emerging as a character.
Read Full Review >USA Today Claudia Puig
The film features too little about Berry (an engaging Mos Def), who crosses over to great fame.
Read Full Review >ReelViews James Berardinelli
There are plenty of small pleasures to be found throughout Darnell Martin's feature, but a compelling storyline featuring three-dimensional characters is not among them.
Read Full Review >LA Weekly Ernest Hardy
Director Darnell Martin (I Like it Like That) races through the script's bullet points with a brisk superficiality that leaves crucial plot points underdeveloped and unresolved, and refuses to engage the dark side of Leonard Chess’ paternalism.
Read Full Review >Variety John Anderson
Most of the details are right-on in Cadillac Records, though the director's efforts to sell it sometimes steers the film into mawkish or hokey territory.
Read Full Review >New York Daily News Elizabeth Weitzman
There are certain films - let's call them Road Map Movies - that drive you directly from point A to point B to point C, with barely a stop for gas. Cadillac Records is such a film: You see all the major landmarks, but how enlightening can a road trip be if you never even get off the highway?
Read Full Review >Empire William Thomas
Beyoncé proves her Dreamgirls turn was no fluke in this so-so Blues melodrama.
Read Full Review >Rolling Stone Peter Travers
It's all a blur, except for the music. That's workin'.
Read Full Review >Washington Post Michael O'Sullivan
It's a rousing, fast-paced tale, told with a modicum of verve and packed with colorfully flawed, occasionally heroic and even tragic characters. It also feels disappointingly bloated and too fast-paced by half.
Read Full Review >The Onion (A.V. Club) Keith Phipps
Martin attempts to present the whole oversized Chess story, but instead winds up reducing the lives and art that give it shape.
Read Full Review >TV Guide Matt Collar
We never get a real sense of what made these recordings so different or revolutionary. Part of the problem is that re-recorded versions of songs by the actors were used in the film, with vastly mixed results that never match the ferocity and excitement of the original tracks.
Read Full Review >Village Voice Robert Wilonsky
With everything so wrong, how can there be anything right about Cadillac Records?
Read Full Review >What Our Users Said
The average user rating for this movie is 7.2 (out of 10) based on 19 User Votes
Note: User votes are NOT included in the Metascore calculation.
Kevin P gave it a9:
This is definitely the best musical biopic of the year and I was satisfied.The acting was top notch from actors such as Jeffrey Wright,Beyonce,Columbus Short and Mos Def.The plot was not entirely correct but the music paid up for it.Out of all the actors,Beyonce showed the most emotion and was most in sync with the story so kudos to her.
shannon b gave it a7:
This movie was better than I expected. I was expecting the same old story regarding the Motown era,but was thrilled by the content of the movie. Very good performances by the actors.
Jay H. gave it a7:
Great music and a fine performance from Beyonce Knowles helps lift this film up above average. The story is rather predictable though. Good effort on capturing the feel of the times. Well edited, good score.
Max R. gave it a10:
Excellent movie! It May be fast- paced but the music adds credit to it. All the actors had amazing performances.I was especially surprised by Beyonce's performance, usually she seems shy in her movies but it shows that she is still improving
Betty C. gave it a5:
Just OK - Beyonce singing was great but her acting was not impressive at all. The movie as a whole did not "pop".
[Anonymous] gave it a9:
Great acting by all of the actors. Columbus Short hasn't received enough praise for his role. Great music. Would love to see more movies about these musicians.
Chad S. gave it a6:
Muddy Waters(Jeffrey Wright) has a number one hit song, but he's number one on the black charts. The bluesman makes "race records" that the white kids don't dance to. His success is largely invisible to mainstream America; it's a tempered success in which "Cadillac Records" shrewdly captures by not falling into the usual trappings of the music biopic. Waters' stardom is a secret stardom; the filmmaker doesn't have television appearances and the usual media-oriented showcases at his disposal. As a result, the film has a muted quality, even though the former sharecropper, made it. Muddy Waters is an odd fit for the music biopic treatment because the legendary musician, unfortunately, is not exactly a household name. Thank goodness Bo Diddley stayed relevant and did a Nike commercial with multi-sport athlete Bo Jackson, or else the rhythm and blues giant might have been lost to a generation prone to short memories. "Cadillac Records" brings Chris Rock to mind when he was a regular on "Saturday Night Live". Rock wanted to do a bit on The Sylvers, a sort of poor man's Jackson 5, but was turned down by the producer because the disco group were a niche act. In other words, a contemporary white audience forgot who the Sylvers were. Too black, even for late night. Profiling a relative obscurant such as Waters, and for that matter, Howlin' Wolf and Little Walter, makes "Cadillac Records" unique, because the film is profiling artists that are better known to the black community. Learning about Little Walter is akin to a hypothetical film about Factory Records that spends an inordinate amount of time on A Certain Ratio. Chuck Berry(Mos Def) is Leonard Chess' Joy Division. A legend such as Berry throws "Cadillac Records" out of balance because he overshadows the film's real subject, which is the independent record company Chess Records. Chuck Berry is the film's Ian Curtis. He deserves his own "Control". Watching Berry in "Cadillac Records" recalls how Joy Division electrified Michael Winterbottom's "24-Hour Party People". Chess(Adrien Brody) makes for a weak protagonist because "Cadillac Records" doesn't make a strong case for his innocence, or guilt, when it came to paying his predominantly black roster. The movie would rather pick on Brian Wilson(yes, "Surfin' U.S.A." sounds note-for-note, like Berry's "Sweet Little Sixteen"), and unfairly, Elvis Presley(while Little Walter is being buried, we see Presley on the television) to infer that Chess wasn't paying his talent.
