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Year One
Stars indicate the most critically-acclaimed movies.
Center Stage
EMAILPRINTSony Pictures Entertainment

Mixed or average reviews
Based on 33 critic reviews
How did we calculate this?
Based on 47 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Drama
Written by: Carol Heikkinen
Directed by: Nicholas Hytner
Release Date:
Theatrical: May 12, 2000
DVD: October 24, 2000
Running Time: 115 minutes, Color
Origin: USA
Summary
RATING: PG-13 for language and some sensuality
Starring Amanda Schull, Zoe Saldana, Susan May Pratt, and Peter Gallagher
A drama that follows the hopes and dreams of a tight-knit group of young dance students as they try to make a name for themselves and become stars in the fiercely competitive world of professional dance.
Also On Metacritic
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Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Seattle Post-Intelligencer Sean Axmaker
Ultimately the ballet performances, and notably the work of Stiefel, a star with American Ballet Theatre, are the only moments that deserve center stage.
Read Full Review >Dallas Observer Jean Oppenheimer
Audiences will leave the theater ready to sign up for some dance classes themselves.
Read Full Review >Newsweek Ted Gideonse
The end is predictable after the first five minutes (two, if you're smart), but the film sucks you in all the same.
Read Full Review >Salon.com Stephanie Zacharek
Grand, juicy fun regardless, tapping as it does into some archetypal pleasure center.
Read Full Review >Christian Science Monitor David Sterritt
Rarely has a dance movie done so many cinematic pirouettes with such a graceful sense of audience-pleasing fun.
Read Full Review >New York Post Lou Lumenick
The best dance movie since "Flashdance."
Chicago Tribune Monica Eng
Although the film's ending is a little too neat and happy to be realistic, it does leave you with the feeling of young girls taking charge of their lives.
Chicago Sun-Times Roger Ebert
The movie uses the materials of melodrama, but is gentle with them; it's oriented more in the real world, and doesn't jack up every conflict and love story into an overwrought crisis.
Read Full Review >Film.com Robert Horton
There isn't a sensible reason to recommend this movie, except that its melange of clichés and conventions is embarrassingly enjoyable.
Read Full Review >Film.com Moira Macdonald
A dopey but sweet-natured I-love-to-dance film, fits nicely into the downhill-since-"The-Red-Shoes" tradition of ballet movies.
Read Full Review >San Francisco Examiner Wesley Morris
Aiming to keep it real, the cast of the new dance casserole Center Stage sweats spunk.
Read Full Review >Philadelphia Inquirer Desmond Ryan
Modestly entertaining when it is engaged in such a celebration onstage, but it trips up when the action moves backstage, where bad dialogue ... lurks in the shadows.
Boston Globe Jay Carr
Anybody who's ever laced on toe shoes, or wanted to, will find something to take away from Center Stage.
TV Guide Maitland McDonagh
The story is shallow stuff, but pretty entertaining until it becomes utterly preposterous.
Read Full Review >Variety Emanuel Levy
Unfortunately, Center Stage is directed and shot (by Geoffrey Simpson) in a way that doesn't let the audience feel the exhilarating pull of the dance world.
Read Full Review >Entertainment Weekly Lisa Schwarzbaum
As a Balanchine-like martinet, Peter Gallagher is a hoot, whispering to his minions about good and bad feet.
Read Full Review >USA Today Susan Wloszczyna
It's so predictable, you can set your watch to when the bulimic will sneak away to the bathroom.
Los Angeles Times Jan Stuart
Only really kicks in when it is dancing, which is about half the time.
Read Full Review >Rolling Stone Peter Travers
The cliched script by Carol Heikkinen plays like "Dawson's Creek" in toeshoes.
Village Voice Elizabeth Zimmer
Pays lip service to the seriousness of craft but won't let us watch the dancing.
Read Full Review >Miami Herald Rene Rodriguez
Comes off as an episode of "Beverly Hills, 90210" where, instead of spoiled rich kids, the characters are all ballet stars in the making.
LA Weekly Ella Taylor
Has next to no story beyond some stock clichés about bulimia, stage mothers and internal affairs in the corps de ballet.
Read Full Review >Baltimore Sun Chris Kaltenbach
All that artistry is surrounded by a hackish, paint-by-numbers storyline that makes the time between dance numbers seem endless.
New York Daily News Jack Mathews
Don't like archetypes? Wait till you meet the cliches.
Read Full Review >Chicago Reader Lisa Alspector
An ounce of self-awareness about its almost gleeful use of cliches would have improved this dance soap opera.
Read Full Review >Mr. Showbiz Kevin Maynard
A big disappointment. It's toe-tappin' tripe aimed squarely at the undiscerning Britney Spears set.
Charlotte Observer Joanne Spataro
Despite the fun dancing, sidestep Center Stage.
Read Full Review >TNT RoughCut Staff
While movie reviewers like to throw around the line, "This is the worst movie I've ever seen," this movie may be the worst movie I've ever seen.
What Our Users Said
The average user rating for this movie is 9.0 (out of 10) based on 47 User Votes
Note: User votes are NOT included in the Metascore calculation.
Anna S. gave it a6:
The acting is terrible, the choreography only shines in short slips of Ballanchine or MacMillan, and the cinematography during the dance sequences frequently cuts annoyingly away to reaction shots of the (wooden) actors watching in the wings or the lobby. Nonetheless, the film is well worth watching for one reason, and his name is Ethan Stiefel. Widely regarded as one of the world's foremost technical artists when the film was shot, his dancing is outstanding. He steals every scene in which he appears. Fellow American Ballet Theatre alum Sasha Radetsky, playing a romantic rival, also acquits himself well onstage. Curiously, the female lead dancer is far less technically skilled than the two leading men, which lends the film an odd dynamic. In a picture where so much character exposition relies on dance, it's strange to have two men so blatently steal a number that's supposed to be about female empowerment. The too-brief appearances by Julie Kent (an ABT principal) are the only time that a fellow dancer can keep up with Stiefel, but those scenes are well worth watching. One wishes that Kent had played the female star of the film instead of the utterly unremarkable Amanda Schull, just so that we might see more of the snarky, graceful sense of humor that she brings to her small role.
Sarah S. gave it a 10:
This is probably the best movie I've ever seen. It was both inspiring and exciting to watch
Rachel gave it a 10:
This is the best movie ever...I watch it almost everyday!! The dancers and choreography are FANTASTIC, and everytime I watch it I have to get up and dance! (I know every step and every line!!!)
Allison gave it a 10:
I LOVED LOVED this movie.. Since I'm a dancer.. this movie really inspired me to dance my heart out.. these people really are amazing!! there wounderful dancers and actors!! GOOD JOB
Sarah T. gave it a 10:
This movie is absolutely fantastic! I love dancing and drama myself so this music is wicked for me! It is the best movie i have ever seen!!!!! :D I recomend people who haven't seen this movie to go see it NOW!
Jillian M. gave it a 10:
This is the best movie I've ever seen. The dancing and acting is amazing. I will never get sick of Canter Stage.
Latassia K. gave it a 10:
I'll give it two thumbs up, 8 other fingers and 10 toes up!
