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Year One
Stars indicate the most critically-acclaimed movies.
Central Station
EMAILPRINTSony Pictures Classics

Generally favorable reviews
Based on 24 critic reviews
How did we calculate this?
Based on 16 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Foreign
Written by:
Marcos Bernstein
João Emanuel Carneiro
Walter Salles (story)
Directed by: Walter Salles
Release Date:
Theatrical: November 20, 1998
DVD: July 13, 1999
Running Time: 113 minutes, Color
Origin: Brazil / France
Language(s): Portuguese (with English subtitles)
Summary
RATING: R for language
Starring Fernanda Montenegro, Marília Pêra, Vinícius de Oliveira, Soia Lira, Othon Bastos, and Otávio Augusto
A young boy's (Oliveira) mother is killed in front of Rio de Janeiro's Central Station. Homeless and with nowhere to turn, he is reluctantly befriended by a lonely and cynical woman (Montenegro). Resisting her initial impulse to make a quick profit off the child, she commits to returning him to his father in Brazil's remote Northeast. The trip becomes a quest for their own identities: one boy's search for his father, and one woman's search for her heart. (Sony Pictures Classics)
Also On Metacritic
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Also On The Web: Internet Movie Database Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The Globe and Mail (Toronto) Rick Groen
Easily among the top 10 films made last year.
Read Full Review >New York Daily News Jami Bernard
Normally the sound in movie theaters is of popcorn crunching. But the sound at theaters where Central Station is showing is of hearts breaking.
San Francisco Chronicle Edward Guthmann
Fernanda Montenegro gives a landmark performance.
Read Full Review >Time Richard Schickel
[Salles]'s imagery, like his storytelling, is clear, often unaffectedly lovely, and quietly, powerfully haunting.
Read Full Review >New Times (L.A.) Jean Oppenheimer
But in a calculated move that pays off handsomely, the picture's remarkable power is reserved for the end, when the intertwining themes coalesce in an extraordinarily satisfying and stirring way.
Read Full Review >Los Angeles Times Kevin Thomas
For Fernanda Montenegro, who bears more than a passing resemblance to Italy's late Giulietta Masina (Federico Fellini's wife and frequent star) in appearance and talent, "Central Station" is a personal triumph and a rich cinematic experience.
Read Full Review >The New Yorker David Denby
An intimate epic.
San Francisco Examiner G. Allen Johnson
Salles' solid narrative is only deceptively simple; there is a lot of dimension and depth to this gentle, sometimes painful portrait of two wanderers.
Read Full Review >TV Guide Ken Fox
Filled with moments of real poignancy and gentle epiphanies, the film is also marked by strong Christian undercurrents, but, like everything else in Salles's film, they're handled with extraordinary delicacy and never feel exclusionary.
Read Full Review >Washington Post Michael O'Sullivan
A touching and unusual road movie-cum-buddy film.
Read Full Review >Variety Todd McCarthy
Montenegro carries the film su-perbly with her portrait of gritty strength being worn down to a state of tattered vulnerability, while newcomer de Oliveira, a shoeshine boy who won the role over 1,500 other aspirants, is engagingly natural and happily doesn't beg for viewer sympathy.
Read Full Review >The New York Times Elvis Mitchell
There's plenty of room for sentimentality here, but the wonder of Salles' film is all in the telling.
Read Full Review >The Onion (A.V. Club) Joshua Klein
While the cinematography is gorgeous and the script extremely sharp, Central Station owes much of its strength to its two mismatched leads.
Read Full Review >Austin Chronicle Marjorie Baumgarten
The story is much less about its resolution than the experience along the way. At its best, Central Station is a movie of small textures and fleeting moments, the intangibles that pass between people.
Read Full Review >ReelViews James Berardinelli
A touching, well-made motion picture whose only real flaw lies in the overfamiliar storyline.
Read Full Review >Christian Science Monitor David Sterritt
The performances are engaging and the views of rural Brazil are captivating, making the film a solid audience-pleaser even though its story often seems familiar and sentimental.
Read Full Review >Chicago Sun-Times Roger Ebert
The movie's success rests largely on the shoulders of Fernanda Montenegro, an actress who successfully defeats any temptation to allow sentimentality to wreck her relationship with the child.
Read Full Review >New York Magazine Peter Rainer
In this otherwise rather schematic swatch of social catharsis, Brazil's Fernanda Montenegro gives the best performance by an actress I've seen all year.
Read Full Review >Film Threat Ron Wells
I wasn't in the mood for this film, but it got to me anyway.
Read Full Review >Chicago Reader Jonathan Rosenbaum
This 1998 film held my interest for two hours, even taking on an epic feel when it turns into a road movie. It's not bad by any means, but it also happens to resemble a lot of other movies.
Read Full Review >Film.com Peter Brunette
It's blatantly manipulative pairing of an adorable young boy and a selfish, honesty-challenged older woman [is] so calculating that I could never get emotionally involved.
What Our Users Said
The average user rating for this movie is 9.1 (out of 10) based on 16 User Votes
Note: User votes are NOT included in the Metascore calculation.
Doug S. gave it a1:
This a terribly amateurish boring movie that I would not wish on anyone. Don't waste your time, get something else.
Jim G. gave it a7:
Enjoyable portrait of the universal search for family.
Welington gave it a10:
A masterpiece!!!!!
Ander V. gave it a10:
Very deep. A beautiful and touch history.
Carlos E. gave it a10:
The best movier ot the history.
Miguel S. gave it a10:
It's good.
Pat C. gave it a 9:
This is a beautiful film that reminds us that real people still become adventurers, lay it all on the line, and go on quests through magical lands. We simply need to be austute enough to spot them. I can believe Dora might have undergone some redemptive process on this trip, but I was more inclined to think she was just too far gone. On the other hand, Josue seemed perfectly authentic.
