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Chasing Amy
Miramax Films

Chasing Amy reviews
Critic Score
Metascore: 71 Metascore out of 100
User Score  
7.6 out of 10
based on 28 reviews
Read critic reviews
How did we calculate this?
based on 19 votes
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Rate this movie

MPAA RATING: R for strong, graphic sex-related dialogue, language, sexuality and drug content

Starring Ben Affleck, Joey Lauren Adams, Jason Lee, Dwight Ewell, and Jason Mewes

Lifelong best friends Holden (Affleck) and Banky (Lee) are enjoying success as the creators of the cult hit comic book "Bluntman and Chronic." When they meet fellow comic book artist Alyssa (Adams), Holden's desire for the beautiful charmer is immediate. Alyssa, however, has set her romantic sights elsewhere. (Miramax Films)


GENRE(S): Romance  
WRITTEN BY: Kevin Smith  
DIRECTED BY: Kevin Smith  
RELEASE DATE: DVD: June 13, 2000 
Video: June 13, 2000 
Theatrical: April 4, 1997 
RUNNING TIME: 111 minutes, Color 
ORIGIN: USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Los Angeles Times Kevin Thomas
A little movie with big truths, a work of such fierce intelligence and emotional honesty that it blows away the competition when it comes to contemporary romantic comedy.
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90
Time Richard Schickel
A true movie rarity: a brutally honest romance. If you loved "Sleepless in Seattle," you'll just hate it.
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89
Austin Chronicle Marc Savlov
More emotionally complex than even I had thought possible, Chasing Amy is the sound of burgeoning genius on the fast track to maturity.
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88
Chicago Sun-Times Roger Ebert
While the surface of his film sparkles with sharp, ironic dialogue, deeper issues are forming, and Chasing Amy develops into a film of touching insights.
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88
ReelViews James Berardinelli
Touching, funny, sweet, and most important of all, real -- a welcome breath of fresh air.
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88
Chicago Tribune Mark Caro
This small-scale, low-budget movie is defined by an honest searching quality.
83
Entertainment Weekly Owen Gleiberman
The hit-and-run outlandishness of "Clerks" was a stunt. With Chasing Amy, Smith has made his first real movie.
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80
The New York Times Elvis Mitchell
Smith's knowing humor and unruffled style make a good antidote to gender chaos. Music by David Pirner contributes to the film's loose, inviting mood.
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80
TNT RoughCut Wendy Wilson
Funny, profane and surprisingly painful at times.
80
Chicago Reader Jonathan Rosenbaum
Neither PC nor crudely anti-PC, this tough and tender movie, like its characters, is prepared to take emotional risks, and the comic book milieu is deftly sketched in.
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80
Newsweek David Ansen
Smith startles us with raw emotional honesty.
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80
The New Republic Stanley Kauffmann
Smith makes it crackle, with various aggressive honesties and wit. [May 5, 1997}
75
New York Daily News Elizabeth Weitzman
An ingratiatingly sincere attempt to deal with the complications and contradictions of modern romance.
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75
Baltimore Sun Ann Hornaday
Smith shows the grasp of character and offbeat humor that really registered in "Clerks," and a subtler mastery of film fluidity and professionalism than anything in the cheesy, amateurish "Mallrats."
70
Film.com Mary Brennan
Has a squawky, endearing, pugnacious angst about it, like Adams. It's too loud, sometimes, and it's always pushy, but it's got heart.
70
Variety Todd McCarthy
Much of the dialogue is good, and Smith does a decent job of presenting the emotional fallout from every major participant's p.o.v.
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70
Salon.com Charles Taylor
The only romantic comedy in quite a while that acknowledges, even celebrates, the fact that love and sex are emotional anarchy.
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70
Film.com Sean Means
What Smith does best in Chasing Amy is write clever, raunchy and emotionally true-to-life dialogue.
70
LA Weekly Manohla Dargis
Smith has created the raunchiest romantic comedy in recent American film, and one of the most good-natured.
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70
Dallas Observer Peter Rainer
The film is about how much you're willing to give up for love--a tune that has been played many times before, but never with quite this much slacker brio.
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70
Film.com John Hartl
Its honesty and insights are refreshing.
63
USA Today Mike Clark
For all its inconsistencies, this is Smith's most provocative outing yet and certainly the toughest to forget.
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50
San Francisco Chronicle Edward Guthmann
Lacks insight and finesse, and feels like a boldfaced Rorschach for Smith's own hang-ups.
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50
Christian Science Monitor David Sterritt
The filmmaking technique of writer-director Kevin Smith has matured since the raunchy "Clerks," his popular debut movie; but although his dialogue is often witty, he still relies on blunt sexual humor to get his point across.
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50
TV Guide Frank Lovece
A romantic comedy distinguished by the particular roadblocks writer/director Kevin Smith throws up in front of his characters.
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50
Mr. Showbiz Alex Demyanenko
Until he (Smith) learns the difference between what has meaning and what's meandering, what feels real and what feels contrived, he'd be better off sticking to the funny stuff.
38
San Francisco Examiner G. Allen Johnson
The intention is there, but the needed emotional maturity isn't.
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0
Washington Post Eric Brace
Can a script exploring some truly deep questions about human sexuality and emotions be any shoddier and wooden?
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What Our Users Said

Vote Now!The average user rating for this movie is 7.6 (out of 10) based on 19 User Votes
Note: User votes are NOT included in the Metascore calculation.

Bubba F. gave it a10:
WOW! One of the best movies I have ever seen. Joey Lauren Adams is phenomenal. Her talent is immensely under utilized, supposedly because of her voice. Personally I find her voice intoxicating. Keep up the good work Smith.

Dave H. gave it a4:
Good concept, poor execution. The script is sophomoric, Affleck and Lee are dull, the direction is amateurish. That critics could universally pan funnier and more thought-provoking films on human sexuality and relationships such as Storytelling while lavishing Chasing Amy with such reviews as that of Richard Schickel is a testament to their smug conceit.

T L gave it an8:
Excellent movie, without a doubt. I liked Clerks, I enjoyed Mallrats, I liked Strike Back (haven't seen Dogma yet - with an emphasis on the yet). But Chasing Amy is a different movie entirely. It differs from the others in that it's not entirely a comedy or a comedy with a message, like the others. It's a cross between a drama, a comedy and a romance, and Smith handles it very well. The film has the usual central two types of guys, one loud crude launcher (Banky), and one quieter more deep-thinking person (Holden). Like Clerks, it focuses on the quiet one and his relationship with a girl, with the added twist of the girl being a lesbian. Seems like a crazy idea but Smith really made it work powerfully. Unlike the others, Jay and Silent Bob only appear once and just briefly, but Silent Bob gives his longest speech to date, and together with the music throughout, that speech is really powerful emotionally and can really make one think. Followed by the climax at Holden and Banky's apartment and then the appearances at the Comic-Con, this made for one of the most stirring endings I have seen in a movie, rivalling that of the Fellowship of the Ring The acting surpassed all expectations, with Ben Affleck playing Holden, his second of four characters in the series, and Jason Lee returning, this time with a backwards hat and a beard as Banky instead of the slightly less intelligent yet just-as funny Brodie. Joey Lauren Adams again makes a comeback as a new character, playing her role to perfection. Her performance came second only to Lee's. Other returning actors Jason Mewes, Kevin Smith and Brian O'Halloran played their cameos very well. Newbie to the series Dwight Ewell played the black rage/gay crossover extremely well. First time around I couldn't tell the shooting was a bluff. Awesome stuff This film is a powerful mix of emotion, contraversy and just plain humour, and is definitely the most unqiue J&SB movie.

Todd B. gave it a7:
Note: That 7 is an overall rating. If I were rating just on my personal love for the movie it would be an easy 10. In the grand scale of filmmaking, Chasing Amy is a niche film. Honestly, how big an audience can a low-budget, "dick and fart joke" film about a male comic book artist falling in love with a lesbian appeal to? That said, if you happen to be in that niche (Gen Xers who are unlucky in love), this is about as perfect a movie as there is. Humor carries the flick through it's first thirty minutes. And whether its debates over racism in Star Wars, the sexual proclivities of Archie and the River Dale Gang, or whether or not an inker is just a glorified tracer, its some of the best comedy Kevin Smith has written. It also gives the dramatic love story some time to grow. The notion that a lesbian will cast aside her sexual preference for a guy may sound ludicrous, but this story manages to sell it. And the problems that arise -not to mention the inevitable conclusion- ring true. Even if nothing else in the film appeals to you, the clever dialog in the first 15 minutes and the heart in the final fifteen make this film worth seeing. Say what you will about it, but if nothing else, Chasing Amy is a brutally honest film, by a filmmaker who, "had something personal to say." It may not be for everyone, but those that identify with it and empathize with the characters (as well as those with an appreciation of a well-timed dick and fart joke) will find something to love.

Ted H. gave it a10:
I came out as being gay nearly six months ago, and I want to take this opportunity to point out how accurately Jason Lee portrays Banky. The mixture of hostility and confusion is so distinct and recognizable, I cannot help but see some of myself in his character. The scene early in the flick where Hooper kisses Banky and his reaction is one of mild irritation coupled with subtle signs of appreciation and even desire (watch his eyes....) is one that I have played out many times in my own life, and Lee's performance gives Banky a realism that is eerie to observe. Affleck, however, has perhaps the most difficult task--he must be needy and simultaneously inaccessible, and he succeeds through a muted and oddly innocent performance. It is Joey Lauren Adams' performance, though, that gives the film its intensity. She has seen so much more of the sexual world than any of the characters involved, and yet she is no more equipped to handle her situation than any of them. I have yet to watch the scene that takes place outside the hockey rink without crying. The dialogue is excellent, but these three make it live. Chasing Amy covers difficult emotional territory. The humor is unforced, and the characters utterly real. On the DVD commentary track, Kevin Smith reveals that none of the many tears shed during the film were fake--actors and actress cried on and off camera, as well as members of the crew. It's just that kind of movie.

Michael M. gave it a 9:
This is Kevin Smith's second best film (out of 5). This is an excellent movie! The directing is magnificent, the writing is wonderful, the acting is extraordinary, it is safe to say this will go down in history as a classic. Supurb performances given by Jason Lee, Joey Lauren Adams, and surprisingly, Ben Affleck. Personally, I think Ben Affleck is not that good of an actor, but in Kevin Smith's films he really shines. He is also great in Dogma, and gives a little, but memorable performance as the notorious, mean, Shannon in Mallrats. The story is about a comic book artist (Ben Affleck) and his tracer (Jason Lee) who likes to think of himself as an "inker". Everyone takes him for a tracer, and he gets very irritated and angry. It's actually quite comical. Anyway, he falls inlove with a girl (Joey Lauren Adams), but she cannot be with him, because she roots for the different team! Get it? Anyway, he becomes her friend, and can't fight off his love for her, and Jason Lee hates that, and is strongly against their relationship. The only downside to this movie is that the comic duo, Jay and Silent Bob (Jason Mewes and Kevin Smith) have the shortest part they have ever had in any of Kevin Smith's movies. Though, Kevin Smith gives a very surprisingly long speech to Ben Affleck's character explaining to him, once you find the woman you love, never let her go! This extremly long speech (not really that long, but long for Silent Bob because he only says really one or two lines per movie, hence the name "Silent Bob") is suprisingly very intelectual leaving viewers thinking Silent Bob is much more intelligent than he appears to be, and too smart to hang out with stoner, bonehead Jay. Silent Bob has as much or has more lines than big-mouth Jay. This is a really excellent movie, but doesn't live up to standard of "Clerks.". That is kind of unfortunate, but maybe one of Kevin Smith's future movies such as "Fletch Won" and "Jersey Girl" will. I wouldn't bet my money on "Jersey Girl" because it is starring obnoxious Jennifer Lopez (or J-Lo as she stupidly likes to call herself). I would highly recommend this to anybody looking for a good, funny and very twisted piece of cinema. See it now! (2/20/03)

Max C. gave it a 7:
It's a good movie! Funny in most parts- true in others- easy to belive- it happens every day thumbs up to kevin smith it's a great film.

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