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63
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47
27 Dresses
29
Aliens vs. Predator: Requiem
39
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81
Bamako
84
Before the Devil Knows You're Dead
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Business of Being Born, The
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Charlie Wilson's War
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Cloverfield
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Cover
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Delirious
92
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43
Final Season, The
41
First Sunday
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60
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15
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70
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xx
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53
Music Within
77
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44
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74
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30
Over Her Dead Body
39
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P2
46
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55
Resurrecting the Champ
57
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78
Starting Out in the Evening
83
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38
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32
Untraceable
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68
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71
Water Horse: Legend of the Deep, The
43
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92
Diving Bell and the Butterfly, The
92
There Will Be Blood
85
Savages, The
84
Before the Devil Knows You're Dead
83
Sweeney Todd: The Demon Barber of Fleet Street
81
Juno
81
Bamako
78
Starting Out in the Evening
77
Nanking
74
Orphanage, The
71
Water Horse: Legend of the Deep, The
71
Manda Bala (Send a Bullet)
70
Lars and the Real Girl
69
Charlie Wilson's War
68
Business of Being Born, The
68
Delirious
68
War Dance
65
Great Debaters, The
64
Cloverfield
63
Walk Hard: The Dewey Cox Story
63
11th Hour, The
63
Hannah Takes the Stairs
60
I Want Someone to Eat Cheese With
57
Romulus, My Father
57
Teeth
55
Resurrecting the Champ
53
Music Within
52
Hollywood Dreams
51
Golden Compass, The
49
Good Night, The
47
Bella
47
Lions for Lambs
47
27 Dresses
46
Reservation Road
44
Nina's Heavenly Delights
43
Youth Without Youth
43
Final Season, The
41
Mad Money
41
First Sunday
39
Alvin and the Chipmunks
39
P.S. I Love You
38
Trailer Park Boys: The Movie
37
P2
32
Untraceable
30
Over Her Dead Body
30
Cover
29
Aliens vs. Predator: Requiem
24
One Missed Call
15
In the Name of the King: A Dungeon Siege Tale
7
Hottie and the Nottie, The
xx
Moondance Alexander
Stars indicate the most critically-acclaimed movies.
|
Color Me Kubrick
Magnolia Pictures
MPAA RATING: Not Rated
Starring
John Malkovich,
Marisa Berenson,
Jim Davidson,
Richard E. Grant,
and
Terence Rigby
John Malkovich stars as the notorious Stanley Kubrick imposter Alan Conway in Color Me Kubrick.
| GENRE(S): |
Comedy
|
Drama
|
Foreign
|
| WRITTEN BY: |
Anthony Frewin (story)
|
| DIRECTED BY: |
Brian W. Cook
|
| RELEASE DATE: |
DVD: March 27, 2007
Theatrical: March 23, 2007
|
| RUNNING TIME: |
86 minutes, Color |
| ORIGIN: |
UK / France |
Also known as "Colour Me Kubrick: A True...ish Story"

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
83
Christian Science Monitor
Peter Rainer
Color Me Kubrick is a far more modest movie, but in some ways is more successful than "The Hoax" in conveying how deeply people want to believe something is true against all evidence.

80
Variety
Lisa Nesselson
A sly, enormously entertaining romp based on the antics of real-life Brit conman Alan Conway who rooked his way around '90s London posing as Stanley Kubrick.

80
Washington Post
Stephen Hunter
Color Me Kubrick is like a nice, deep, clear cocktail of ammonia on the rocks: bracing, comic, astonishing, all of which hide its poison center.

75
Entertainment Weekly
Owen Gleiberman
The film reveals, rather delectably, how potent the power of suggestion can be in a world gone madly groupie.

75
Chicago Tribune
Michael Wilmington
In Color Me Kubrick, John Malkovich has one of the roles of his life, and he acts it up like a haughty gourmet who's just picked up a succulent treat.

75
San Francisco Chronicle
Ruthe Stein
The filmmakers have wisely turned it into a comedy, and a wickedly entertaining one at that.

70
Los Angeles Times
Ed Gonzalez
Scarcely an insightful biographical portrait, Color Me Kubrick is still interesting, perhaps even intimidating, as a study of the way fandom can so readily be turned against itself.

70
The New York Times
Stephen Holden
Even if it doesn't add up to more than a fitfully amusing collection of comic sketches, Color Me Kubrick is a platform for John Malkovich to burst into lurid purple flame.

70
Chicago Reader
Jonathan Rosenbaum
This 2005 British feature by writer Anthony Frewin and director Brian Cook, both former Kubrick assistants, uses Conway's unlikely saga to mount an appreciative send-up of a certain style of gay extravagance.

67
Austin Chronicle
Marrit Ingman
A playground for Malkovich – enjoyable enough but not terribly deep.

67
Seattle Post-Intelligencer
Sean Axmaker
It's entertaining if not exactly enlightening.

63
Boston Globe
Ty Burr
Color Me Kubrick digs all sorts of devilish ironies out of this "true...ish story," and it's a fine dark farce before turning sad and, worse, monotonous. The con wears off before the movie does, but while it's in the air, "Kubrick" spins with bogus cheer.

63
TV Guide
Maitland McDonagh
Malkovich pulls out all the gaudy stops.

63
Premiere
Aaron Hillis
Best appreciated as a rather amusing farce called The John Malkovich Show, the movie's every scene is anchored, then stolen, by the commanding thespian's Alan act.

50
New York Post
Lou Lumenick
Great fun for the first 20 minutes - which include Kubrickian tracking shots and music from "2001" and "A Clockwork Orange" - but seems long at 86.

50
The Onion (A.V. Club)
Tasha Robinson
The film makes funny use of music (particularly Lionel Richie's "Hello") and excellent use of Malkovich, but it literally only has one idea in its head, and when that idea runs dry, it's as lost as Conway is without his plethora of Kubrick masks.

50
Rolling Stone
Peter Travers
If you can't watch John Malkovich being John Malkovich, it's still a kick watching him play Alan Conway, a gay Brit who pretended to be the legendary and reclusive director Stanley Kubrick during the 1990s.

30
Village Voice
Nathan Lee
I find it hard to believe that Conway bamboozled half of London simply by announcing his name, and it's regrettable that the filmmakers premise their picture on such improbable gullibility. The real Conway was assuredly slier than his bio-pic incarnation; he ought to have been played by Sacha Baron Cohen.

30
New York Magazine
David Edelstein
The movie is endless even at less than 90 minutes. You could use it, "A Clockwork Orange" style, as aversion therapy for seemingly incorrigible con artists.

30
Salon.com
Andrew O'Hehir
Director Cook and screenwriter Anthony Frewin were both intimates of the real Kubrick, which I guess counts for something. But for what, exactly? Does it uniquely qualify them to make a mean-spirited, trashy and intermittently funny film about a guy who wasn't Kubrick?

30
The Hollywood Reporter
Michael Rechtshaffen
At best a kitschy "Catch Me If You Can" and at worst a tedious comedy that grows more tiresome by every self-consciously irreverent minute.


The average user rating for this movie is 7.0 (out of 10) based on 3 User Votes
Note: User votes are NOT included in the Metascore calculation.
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