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Connie and Carla

Mixed or average reviews
Based on 30 critic reviews
How did we calculate this?
Based on 7 votes
Read user comments
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Movie Info
Genre(s): Comedy
Written by: Nia Vardalos
Directed by: Michael Lembeck
Release Date:
Theatrical: April 16, 2004
DVD: August 17, 2004
Running Time: 98 minutes, Color
Origin: USA
Summary
RATING: PG-13 for thematic elements, sexual humor and drug references
Starring Nia Vardalos, Toni Collette, David Duchovny, Stephen Spinella, Alec Mapa, Chris Logan, Robert Kaiser, and Ian Gomez
Connie (Vardalos) and Carla (Colette) are two small-town girls whose dreams of stardom have taken them nowhere. In a new place, with new identities, they create a cover (with a lot of cover-up) that makes them the toast of the town -- headlining in a local drag club, they soon find the acclaim that has always eluded them, singing the show tunes they've always loved. (Universal Pictures)
Also On Metacritic
FILM: The Santa Clause 2
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Seattle Post-Intelligencer Paula Nechak
It's the chemistry between Vardalos and Collette that gives the film its magical dazzle. Despite Vardalos' ingratiating, big and breathy presence, Collette, as the pulse and conscience of these two dreamers, very nearly steals the film.
Read Full Review >Los Angeles Times Kevin Thomas
The result is pure, unabashed and unpretentious entertainment of a sort once a staple of the movies but now rare.
Read Full Review >Boston Globe Wesley Morris
The movie's queer delight is contagious. You'll exit lip-synching.
Read Full Review >Entertainment Weekly Owen Gleiberman
The surprise -- and intermittent delight -- of Connie and Carla is the way that it taps into the everybody-is-a-star passion of the new sing-along culture.
Read Full Review >Chicago Tribune Allison Benedikt
Vardalos and Collette have mighty pipes, but it's Collette who moves with the confidence and flair of a musical theater veteran. Watching this film, I found myself caring less and less about the fairly predictable and safe story and waiting impatiently for the next number.
Read Full Review >Baltimore Sun Chris Kaltenbach
Connie and Carla is a good-hearted comedy that missteps by trying to become a moralistic one.
Read Full Review >Philadelphia Inquirer Carrie Rickey
The chief appeal of this affectionate story is its embrace of those who are not thinner, richer and more glamorous than the moviegoers.
Read Full Review >Miami Herald Connie Ogle
Vardalos may not have been the best possible Connie. But as Billy Wilder could have told you, nobody's perfect.
Read Full Review >Salon.com Stephanie Zacharek
Isn't really a movie but a blatant girls' night out vehicle.
Read Full Review >The Globe and Mail (Toronto) Liam Lacey
Vardalos has a talent, and there is one sequence in the movie that works. In the romantic subplot, Connie falls for Peaches' brother Jeff (David Duchovny, as Vardalos's sleepy, hunk replacement for John Corbett in Greek Wedding).
Read Full Review >Portland Oregonian M. E. Russell
May be fairly funny, sort of sweet and slightly muddled, but one thing about it is utterly certain: It loves, loves, loves some bad cabaret.
Read Full Review >San Francisco Chronicle Ruthe Stein
A clever idea, but it's not quite pulled off.
Read Full Review >LA Weekly Chuck Wilson
There are funny moments -- a cameo from Debbie Reynolds, an Evita sing-along -- but the film grows progressively more dispirited.
Read Full Review >TV Guide Angel Cohn
Though positioned as a female buddy comedy, this uneven and overly busy comedy is more focused on the romantic travails of Vardalos and Duchovny, who's very nearly a carbon copy of her love interest in "My Big Fat Greek Wedding."
Read Full Review >New York Daily News Jami Bernard
Nia Vardalos carved herself a niche with "My Big Fat Greek Wedding" in 2002, and she's still furiously digging away at it with the screechy, unpleasant comedy Connie and Carla.
Read Full Review >New York Post Megan Lehmann
The cheerfully inane comedy Connie and Carla all but suffocates beneath a high-stepping, show-stopping, ear-splitting deluge of musical theater staples, from "Cats" to "Oklahoma!," "Jesus Christ Superstar" to "Fiddler on the Roof."
Read Full Review >Washington Post Michael O'Sullivan
Broad and cheesy, yet it is not utterly without a kind of junk-food appeal.
Read Full Review >Variety David Rooney
It takes chutzpah to borrow from comedy maestros Billy Wilder and Blake Edwards, and Nia Vardalos would seem an unlikely candidate to get away with it unpunished.
Read Full Review >The Hollywood Reporter Kirk Honeycutt
Veteran TV director Michael Lembeck slides the movie into a sitcom mode that only further deadens the thin material. While Vardalos and Collette shine in the musical numbers, why didn't he bother to give the musical sequences a bit of pizzazz?
Read Full Review >The Onion (A.V. Club) Scott Tobias
Seems as much an imposter in the drag-queen world as its heroines; it fronts the sort of safely asexual gay characters found on network TV.
Read Full Review >The New York Times Stephen Holden
As a female vocal duo, their performances are passable, if a little dull and lacking in any sense of camp exaggeration.
Read Full Review >Austin Chronicle Kimberley Jones
Although the transvestites plight mishandled, misunderstood, and/or misappropriated is meant to supply Connie and Carla's emotional core, one never gets the feeling of anything stronger than an at-shoulder-length's sympathy from this film.
Read Full Review >Chicago Sun-Times Roger Ebert
Plays like a genial amateur theatrical, the kind of production where you'd like it more if you were friends with the cast. The plot is creaky, the jokes are laborious, and total implausibility is not considered the slightest problem.
Read Full Review >USA Today Claudia Puig
Vardalos' comedic style is old-fashioned in the worst way; her humor is stodgier than the most retro Catskills laughmeister.
Read Full Review >Charlotte Observer Lawrence Toppman
Where "Wedding" introduced us to a Greek family most of us had never seen before, "Connie" plays out like a clumsy episode of "Laverne and Shirley:" familiar, phony and forgettable.
Read Full Review >Washington Post Phillip Kennicott
The humor is rigorously unoriginal and it all feels a bit like minstrelsy, a freakish, ritualistic nod to things your grandfather might have found funny.
Read Full Review >Dallas Observer Bill Gallo
Connie and Carla doesn't just do violence to the memory of Wilder's brilliant sex farce (Some Like It Hot); it's so clumsy, it might give cross-dressing itself a bad name.
Read Full Review >Village Voice David Ng
One suspects Vardalos's movies aren't written as much as up-chucked, the result of all-night binges on SnackWells and Oxygen network reruns.
Read Full Review >What Our Users Said
The average user rating for this movie is 6.8 (out of 10) based on 7 User Votes
Note: User votes are NOT included in the Metascore calculation.
Travis C. gave it a 7:
You really almost have to be a gay man to really enjoy this movie, and catch all the jokes and innuendos. The film isn't anything groundbreaking, but it's some madcap comedy that had me laughing out loud many times.
Mark B. gave it a 7:
As with her breakthrough smash, the pleasant My Big Fat Greek Wedding, Nia Vardalos proves that she's a better actress than a screenwriter; her script here is sometimes trite and occasionally amateurish (and it looks like a nervous studio exec took a meat cleaver to some of it), but she and Toni Collette are so winning, so utterly likable, work so nicely together and have so much fun with the musical numbers that they cover a multitude of sins. Unlike most other transvestite-themed movies ranging from Some Like It Hot to The Rocky Horror Picture Show to La Cage Aux Folles to even the family-friendly Mrs. Doubtfire, C & C make a point of NOT exploiting or accenting the novelty or weirdness of dressing like what you ain't, but instead tries to make the audience feel totally comfortable with it as quickly as possible. That's because Vardalos's movies are all about self-acceptance: I especially liked her anti-Botox, anti-starvation diet speeches--may indeed be a little preachy, but at least she's preaching some of the right messages. A subplot about a mobster on the trail of the heroines who grows more and more in love with dinner thearer musicals is so funny I wish it had been more of a running gag; the bring-everyone-and-everything-together climax is also well-handled. Since this movie's box office did NOT repeat Greek Wedding's (to say the least!), maybe Vardalos would be well-advised to follow Collette's lead and start taking a variety of character parts in movies she doesn't always write, and that aren't always directed by TV sitcom auteurs.
Shawn D. gave it a 7:
Some missteps but a few good laughs and several fun musical numbers. Contained a few too many cliches and took on a preachy tone at times, but overall I enjoyed it.
