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Chronicle of an Escape
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Boarding Gate
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Finishing the Game
46
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Stars indicate the most critically-acclaimed movies.
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Control Room
Magnolia Pictures
FILM:
MPAA RATING: Not Rated
Starring
Hassan Ibrahim
Directed by Jehane Noujaim, an award-winning Arab-American filmmaker who has lived within and embraced both worlds, Control Room re-examines what is perhaps the pressing question of: "is America radicalizing or stabilizing the Arab world?" By providing a balanced view of Al-Jazeera's presentation of the second Iraq war to their worldwide Arab audience, it calls into question many of the prevailing images and positions offered up by the U.S. news media. (Magnolia Pictures)
| GENRE(S): |
Documentary
|
| DIRECTED BY: |
Jehane Noujaim
|
| RELEASE DATE: |
DVD: October 26, 2004
Video: October 26, 2004
Theatrical: May 21, 2004
|
| RUNNING TIME: |
84 minutes, Color |
| ORIGIN: |
USA / Egypt |
| LANGUAGE(S): |
English / Arabic (with English subtitles) |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Christian Science Monitor
David Sterritt
A riveting new documentary about the Arab-run Al Jazeera network, reminds us that news programming can vary so widely from place to place that journalistic myths of "objectivity" and "impartiality" seem more naive than ever.

100
Philadelphia Inquirer
Steven Rea
It's strong stuff.

100
Boston Globe
Ty Burr
About the search for common ground, among journalists on all sides of the conflict and, through them, between viewers in America and the Arab world. Only within that common ground, Noujaim believes, can something like a workable, personal truth be found.

100
San Francisco Chronicle
Jonathan Curiel
One of the years most significant films.

100
Film Threat
Rick Kisonak
Here's the sliver of hope: In contrast to everything we've been told, the people who run Al Jazeera turn out to be decent and level headed.

90
Salon.com
Andrew O'Hehir
A surprising, puzzling and in many ways brilliant work.

90
Film Threat
Tim Merrill
In the end, the greatest achievement of Control Room may be to simply remind us, as Americans, that in this age of mega-corporate U.S. news media there are other perspectives on world events besides those of Fox, CNN, MSNBC-ABCBS and whoever else feeds us our information.

89
Austin Chronicle
Marjorie Baumgarten
Perception is key and Control Room should be required viewing for anyone within reach of a TV signal.

88
Miami Herald
Rene Rodriguez
Control Room may not seem all that compelling 10 years down the road. But right now, at this very moment, it is essential, imperative viewing.

88
Charlotte Observer
Lawrence Toppman
Control Room ends by acknowledging that independence, accuracy and even truth itself may be illusory.

83
Seattle Post-Intelligencer
William Arnold
Control Room is even more effective in showing the dilemma of the people who make up Al-Jazeera. In a sense, these are "our" Arabs, in that they're Western-educated, conduct their business in English and seem to believe in the basic American principles.

80
Washington Post
Ann Hornaday
May be most valuable for its depiction of the strength of democratic ideals, even in the most precarious and contradictory of circumstances.

80
Wall Street Journal
Joe Morgenstern
News management is the main issue. Control Room shows how coverage is tailored to fit the audience, both by al-Jazeera and its Western counterparts.
80
Los Angeles Times
Kenneth Turan
Think of Control Room as a through-the-looking-glass movie. Like Lewis Carroll's Alice, viewers of this remarkable documentary will be disconcerted by a glimpse of a world where everything is reversed.

80
TV Guide
Ken Fox
If any film can be considered required viewing as the conflict in Iraq continues to drag on and be reported, surely this among them.

80
The New York Times
Dana Stevens
Whatever your opinions about the war, the conduct of the journalists who covered it and the role of Al Jazeera in that coverage, you are likely to emerge from Control Room touched, exhilarated and a little off-balance, with your certainties scrambled and your assumptions shaken.

80
Variety
Ronnie Scheib
Compelling docu about the independent Arab news service, Al Jazeera.

80
The Onion (A.V. Club)
Nathan Rabin
Remarkable and timely film.

80
Village Voice
J. Hoberman
This absorbing, significant, and shamelessly entertaining movie not only goes through the looking glass but, no less significantly, turns the mirror back on us.

75
New York Daily News
Elizabeth Weitzman
If her (Noujaim's) movie teaches us anything, it's that no reality remains unspun.

75
New York Post
Megan Lehmann
Engrossing.

75
Chicago Tribune
Mark Caro
Control Room isn't a systematic dissection of Al Jazeera's possible biases regarding the U.S. or Israel; it's noted that Arabs almost invariably view the war with Iraq in the context of the Israeli-Palestinian conflict while Americans rarely do.

75
Chicago Sun-Times
Roger Ebert
The film's buried message is that there is a reservoir of admiration and affection for America, at least among the educated classes in the Arab world, and they do not equate the current administration with America.

75
Baltimore Sun
Michael Sragow
Gripping footage about the controversial Qatar-based Al-Jazeera Satellite Channel, which transmits news to 40 million Arabs. But the movie offers neither lucid analyses of the channel nor probing portraits of its journalists.

75
The Globe and Mail (Toronto)
Rick Groen
More illuminating than not.

70
LA Weekly
Brendan Bernhard
Memorable, if not fully satisfying, film.

70
Washington Post
Desson Thomson
Enlightening, if structurally relaxed documentary.

70
Dallas Observer
Robert Wilonsky
It puts us in the shoes of men and women for whom the war is not something distant and intangible but a bloodbath in their own back yard, which makes them the very definition of embedded journalists.

70
Chicago Reader
Jonathan Rosenbaum
Shot during the March 2003 invasion and the early stages of the American occupation, it tells us more about how the channel decides what to report than we probably know about most American newscasts.

70
The Hollywood Reporter
Frank Scheck
Scenes of dark humor abound as well, like the episode in which the gathered journalists react in fury when they are not provided with pictures of the infamous deck of playing cards depicting the "50 Most Wanted" Iraqi figures.

70
The New Yorker
Anthony Lane
There is no narrator; rather, we are invited to eavesdrop on--or to get an earful from--such figures as Hassan Ibrahim, a jovial reporter with Al Jazeera, and Samir Khader, one of the networks senior producers. [24 May 2004, p. 97]
67
Entertainment Weekly
Lisa Schwarzbaum
Anxiety-provoking documentary.

60
The New Republic
Stanley Kauffmann
It is easy to point out gaps in Noujaim's account. (What, for instance, about the rebuilding that tries to go forward in Iraq?) But the prime importance of this film, I'd say, is that it is not an eye-opener. Of course this change in reporting, this bilateralism, has occurred so far only in wars where the U.S. was the overwhelming superior in force.


The average user rating for this movie is 8.1 (out of 10) based on 26 User Votes
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